Introductory Note

Project Gutenberg EPUB3 edition Bellows, Henry Adams
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The little Helreith Brynhildar immediately follows the “short” Sigurth lay in the Codex Regius, being linked to it by the brief prose note; the heading, “Brynhild’s Ride on Hel-Way,” stands just before the first stanza. The entire poem, with the exception of stanza 6, is likewise quoted in the Nornageststhattr. Outside of one stanza (No. 11), which is a fairly obvious interpolation, the poem possesses an extraordinary degree of dramatic unity, and, certain pedantic commentators notwithstanding, it is one of the most vivid and powerful in the whole collection. None the less, it has been extensively argued that parts of it belonged originally to the so-called Sigrdrifumol. That it stands in close relation to this poem is evident enough, but it is difficult to believe that such a masterpiece of dramatic poetry was ever the result of mere compilation. It seems more reasonable to regard the Helreith, with the exception of stanza 11 and allowing for the loss of two lines from stanza 6, as a complete and carefully constructed unit, based undoubtedly on older poems, but none the less an artistic creation in itself.
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The poem is generally dated as late as the eleventh century, and the concluding stanza betrays Christian influence almost unmistakably. It shows the confusion of traditions manifest in all the later poems; for example, Brynhild is here not only a Valkyrie but also a swan-maiden. Only three stanzas have any reference to the Guthrun-Gunnar part of the story; otherwise the poem is concerned solely with the episode of Sigurth’s finding the sleeping Valkyrie. Late as it is, therefore, it is essentially a Norse creation, involving very few of the details of the German cycle (cf. introductory note to Gripisspo).
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After the death of Brynhild there were made two bale-fires, the one for Sigurth, and that burned first, and on the other was Brynhild burned, and she was on a [443]wagon which was covered with a rich cloth. Thus it is told, that Brynhild went in the wagon on Hel-way, and passed by a house where dwelt a certain giantess. The giantess spake:
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1. “Thou shalt not further | forward fare,
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My dwelling ribbed | with rocks across;
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More seemly it were | at thy weaving to stay,
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Than another’s husband | here to follow.
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2. “What wouldst thou have | from Valland here,
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Fickle of heart, | in this my house?
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Gold-goddess, now, | if thou wouldst know,
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Heroes’ blood | from thy hands hast washed.”
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3. “Chide me not, woman | from rocky walls,
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Though to battle once | I was wont to go;
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Better than thou | I shall seem to be,
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When men us two | shall truly know.”
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4. “Thou wast, Brynhild, | Buthli’s daughter, [444]
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For the worst of evils | born in the world;
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To death thou hast given | Gjuki’s children,
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And laid their lofty | house full low.”
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5. “Truth from the wagon | here I tell thee,
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Witless one, | if know thou wilt
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How the heirs of Gjuki | gave me to be
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Joyless ever, | a breaker of oaths.
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6. “Hild the helmed | in Hlymdalir
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They named me of old, | all they who knew me.
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. . . . . . . . | . . . . . . . .
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. . . . . . . . | . . . . . . . .
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7. “The monarch bold | the swan-robes bore
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Of the sisters eight | beneath an oak; [445]
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Twelve winters I was, | if know thou wilt,
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When oaths I yielded | the king so young.
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8. “Next I let | the leader of Goths,
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Hjalmgunnar the old, | go down to hell,
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And victory brought | to Autha’s brother;
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For this was Othin’s | anger mighty.
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9. “He beset me with shields | in Skatalund,
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Red and white, | their rims o’erlapped;

Source attribution

The poetic Edda, Project Gutenberg eBook #73533

NOTES NOTES