Plant Lore, Legends, and Lyrics Embracing the Myths,...

The Greeks plant the Iris on tombs, possibly because the goddess Iris was believed to guide the souls of dead women to their last resting-place, as Mercury conducted the souls of men. The Iris was one of the flowers dedicated to Juno, and with the ancients was wont to be employed as the symbol of eloquence or power; hence the Egyptians placed this flower on the brow of the Sphinx, and on the sceptres of their monarchs. The three leaves of the blossom represent faith, wisdom, and valour. The Iris is supposed to be the flower which forms the terminating ornament of the sceptre of the ancient kings of Babylon and Assyria.——The Franks of old had a custom, at the proclamation of a king, to elevate him upon a shield, or target, and place in his hand a reed of Flag in blossom, instead of a sceptre, and from thence the kings of the first and second race in France are represented with sceptres in their hands like the Flag with its flower, and which flowers became the armorial figures of France.——There is a legend that Clotilda, the wife of the warlike king Clovis, had long prayed for the conversion of her husband, and at length Clovis, having led his army against the Huns, and being in imminent danger of defeat, recommended himself to the God of his sainted wife. The tide of battle turned, he obtained a complete victory, and was baptised by St. Remi. On this occasion, owing to a vision of St. Clotilda, the Lilies (Iris) were substituted in the arms of France for the three frogs or toads which Clovis had hitherto borne on his shield. In the pictures of St.

Clotilda, she is generally represented attended by an angel holding a shield on which are the three Fleurs de Lys. This occurred early in the sixth century. Louis VII., in consequence of a dream, assumed it as his device in 1137, when engaged in the second expedition of the Crusaders, and the Iris-flower soon became celebrated in France as the Fleur de Louis, which was first contracted into Fleur de Luce, and afterwards into Fleur de Lys, or Fleur de Lis (Lily-flower—although it has no affinity to the Lily), and was incorporated in the arms of France, and formed one of the embellishments of the crown.——Pope Leo III. presented Charlemagne with a blue banner, semée of golden Fleurs de Lys, and the banner coming from the Pope was supposed by the ignorant to have descended from heaven.——Other traditions respecting this blue banner relate that an angel gave it to Charlemagne, that St. Denis gave it to the kings of France, and that an angel brought it to Clovis after his baptism.——The Fleur de Lys appertains to the Bourbon race, and was made the ornament of the northern radius of the compass in honour of Charles of Anjou, who was King of Sicily at the time of this great discovery. When Edward III. claimed the crown of France in 1340, he quartered the ancient shield of France with the lion of England. After many changes of position, the Fleur de Lys finally disappeared from the English shield in the first year of the present century. (See also Flower de Luce).

IVY.—Kissos (Greek for Ivy) was the original name of the infant Bacchus, who, abandoned by his mother Semele, was hidden under an Ivy-bush, which was subsequently named after him. Another Hellenic tradition makes Kissos a son of Bacchus, who, whilst dancing before his father, suddenly dropped down dead. The goddess Gæa (the Earth), compassionating the unfortunate youth, changed him into the Ivy, which afterwards received his name—Kissos.——The god Bacchus is said to have worshipped the Ivy under the name of Kissos; the plant was sacred to him, and he is represented crowned with the leaves of Ivy as well as with those of the Vine. The god’s thyrsus was also crowned with Ivy. In Greece and Rome, Black Ivy was used to decorate the thyrsus of Bacchus in commemoration of his march through India. This Ivy bears yellow berries, and is common in the Himalayas; it was, therefore, appropriately selected as the shrub wherewith to crown Alexander in his Indian expedition.——According to Plutarch, the priests of Jupiter were bound to shun the Vine (in order to preserve themselves from intoxication), and to touch the Ivy, which was believed to impart a sort of prophetic transport. Bacchus, therefore, crowned with Ivy, became a god both victorious and prophetic.——At the Dionysian festivals, the worshippers were crowned with Ivy, Vine-leaves, Fir, &c.

Certain of the men engaged in the procession wore chaplets of Ivy and Violets, and the women—who, worked up into a kind of frenzy, executed fantastic dances—often carried garlands and strings of Ivy-leaves.——Pliny says that Ivy-berries, taken before wine, prevent its intoxicating effects. Probably the Bacchanals’ chaplet and the Ivy-bough formerly used as the sign of a tavern, both derived their origin from the belief that Ivy in some form counteracted the effects of wine.——On this point, Coles says: “Box and Ivy last long green, and therefore vintners make their garlands thereof; though, perhaps, Ivy is the rather used because of the antipathy between it and wine.” Kennett tells us that, in olden times, “the booths in fairs were commonly dressed with Ivy-leaves, as a token of wine there sold, the Ivy being sacred to Bacchus; so was the tavern bush, or frame of wood, drest round with Ivy forty years since, though now left off for tuns or barrels hung in the middle of it. This custom gave birth to the present practice of putting out a green bush at the door of those private houses which sell drink during the fair.” De Gubernatis says, that the Ivy to be seen over the doors of Italian wine-shops has the same signification as the Oak-bough—it is a precaution to render the wine innocuous.

Chéruel tell us that the French, in suspending Ivy at the door of their cabarets, intend it as a symbol of love.——Ivy, which clings and embraces, has been adopted as the emblem of confiding love and friendship.——There is an old Cornish tradition which relates that the beauteous Iseult, unable to endure the loss of her betrothed, the valiant Tristan, died broken-hearted, and was buried in the same church, but, by order of the king, their graves were placed far asunder. But soon from the tomb of Tristan came forth a branch of Ivy, and from the tomb of Iseult there issued another branch. Both gradually grew upwards, until at last the lovers, represented by the clinging Ivy, were again united beneath the vaulted roof of the sanctuary.——In Greece, the altar of Hymen was encircled with Ivy, and a branch of it was presented to the newly-married couple, as a symbol of the indissoluble knot. It formed the crown of both Greek and Roman poets; and in modern times, female love, constancy, and dependence have been expressed by it. Friendship is sometimes symbolised by a fallen tree, firmly embraced by the verdant arms of the Ivy, with the motto: “Nothing can part us.”——In Northern mythology, Ivy, on account of its black colour, was dedicated to Thor, the god of thunder, and offered to the elf who was supposed to be his messenger.——When, in Germany, they drive the cattle for the first time to pasture, they deck them with a branch of Ivy fashioned into a crown. They believe also that he who carries on his head a crown of Ivy acquires the faculty of recognising witches.

In the Tyrol, a similar belief holds good, only there, Rue, Broom, Maidenhair, and Agrimony must be bound together with Ground-Ivy in a bundle, which is to be kept about the person.——In Ross-shire, it is a May-day custom for young girls to pluck sprays of Ivy with the dew on them that have not been touched by steel.——Ivy has long been used in decorating churches and houses at Christmas: thus old Tusser directs:—“Get Ivye and Hull [Holly], woman, deck up thine house.” It seems in the middle ages to have been regarded as a most favoured and auspicious plant; one old song couples the Ivy and Holly as plants well adapted for Christmas time, and the following mediæval carol sings loudly the plant’s praises:—

Corymbifer was a surname given to Bacchus, from his wearing a crown of corymbi, or Ivy-berries. These berries were recommended by old physicians as a remedy for the plague, and Pliny averred that when taken before wine, they prevented its intoxicating effects.——There is a popular tradition that an Ivy cup has the property of separating wine from water—the former soaking through, and the latter remaining. An old writer remarks that those who are troubled with the spleen shall find much ease by the continual drinking out of a cup made of Ivy, so as the drink may stand some time therein before it be drunk; for, he adds, “Cato saith that wine put into the Ivy cup will soak through it by reason of the antipathy that is between them;” this antipathy being so great that a drunkard “will find his speediest cure if he drunk a draught of the same wine wherein a handful of Ivy-leaves had been steeped.”——The ancient Scottish clan Gordon claim Ivy as their badge.——Ivy is under the dominion of Saturn. It is considered to be exceedingly favourable to dream of the evergreen climber, portending as it does, friendship, happiness, good fortune, honour, riches, and success.

Ground-Ivy is a name which was formerly applied to the Periwinkle, and to the Ground Pine or Yellow Bugle (called till the beginning of the present century the Forget-Me-Not), but which was afterwards transferred to the Nepeta Glechoma, a plant also known by the rustic names of Gill and Gill-by-the-ground, Haymaids, Cat’s-foot, Ale-hoof, and Tun-hoof. In olden times, it was put into ale, instead of hops, and was also used to clear ale. The juice of the leaves, tunned up in ale, was thought to cure the jaundice and other complaints.

JAMBU.—The Jambu (Eugenia Jambos) is included among the great Indian cosmogonic trees. It is called, says Prof. De Gubernatis, the Fruit of Kings, on account of the great size of its fruit. According to the Vishnu purâna, the continent Jambudvîpa took its name from the tree Jambu. The fruits of this tree are in point of fact very large, but the fruits of the Indian mythological Jambu attain to the size of an elephant; when they have ripened they fall from the mountain, and the juice which exudes feeds the river Jambu, whose waters are consequently richly endowed with salutary properties, and can neither be tainted nor defiled. We learn from the Dîrghâgama-Sûtra, that the four cardinal points were not only represented by the four elephants which sustained the world, but by four trees of colossal bulk and grandeur. These four trees were the Ghanta, the Kadamba, the Ambala, and the Jambu. The Jambu sprang, it is said, from the south of the mountain Meru, of which the summit was believed to represent the zenith. In the cosmogonic forest of the Himalaya towers the stupendous bulk of the Jambu, and from its roots four great rivers, whose waters are inexhaustible, take their source. It bears during the entire kalpa of the renovation an immortal fruit, like unto gold, great as the vase called Mahâkala. This fruit falls into the rivers, and its pips produce the golden seed which is carried away to the sea, and which is sometimes washed up again, and to be found on its shores.

This gold is of incalculable value, and has not its equal in the world for purity.——It appears, according to the Saptaçataka of Hâla, that Indian lovers are fond of secreting themselves beneath the leaves of the Eugenia Jambos, and that the young Indian bride becomes sad with jealousy when she sees her young husband approaching, with his ears decked with the leaves of the Jambu.

JASMINE.—Perfumes and flowers play an important part in the poetry of India, and the Jasmine, which Hindu poets call the “Moonlight of the Grove,” has furnished them with countless images. Thus, in Anvár-i-Suhailî (translated by E. B. Eastwick), we read of a damsel entering the king’s chamber, whose face charms like a fresh Rosebud which the morning breeze has caused to blow, and whose ringlets are compared to the twisting Hyacinth buried in an envelope of the purest Musk:—