The Secret Doctrine, Vol. 2 of 4 The Synthesis of...

In the minds of the ancient Philosophers something of the divine and the mysterious has ever been ascribed to the shape of the circle. The old world, consistent in its symbolism and with its Pantheistic intuitions, uniting the visible and the invisible Infinitudes into one, represented Deity and its outward Veil alike—by a circle. This merging of the two into a unity, and the name Theos being given indifferently to both, is explained, and becomes thereby still more scientific and philosophical. Plato's etymological definition of the word theos (θεός) has, been given elsewhere. In his Cratylus, he derives it from the verb the-ein (θέειν), “to move,” as suggested by the motion of the heavenly bodies which he connects with Deity. According to the Esoteric Philosophy, this Deity, during its “Nights” and its “Days,” or Cycles of Rest and Activity, is the “Eternal Perpetual Motion,” the “Ever-Becoming, as well as the ever universally Present, and the Ever-Existing.” The latter is the root-abstraction; the former is the only possible conception in the human mind, if it disconnects this Deity from any shape or form. It is a perpetual, never-ceasing evolution, circling back in its incessant progress through æons of duration into its original status—Absolute Unity.

It was only the minor Gods who were made to carry the symbolical attributes of the higher ones. Thus, the God Shoo, the personification [pg 576] of Ra, who appears as the “Great Cat of the Basin of Persæa in An”1283 was often represented in the Egyptian monuments seated and holding a cross, symbol of the four Quarters, or the Elements, attached to a circle.

In that very learned work, The Natural Genesis, by Gerald Massey, under the heading, “Typology of the Cross,” there is more information to be had on the cross and circle than in any other work we know of. He who would fain have proofs of the antiquity of the cross is referred to these two volumes. The author says:

The circle and cross are inseparable.... The Crux Ansata unites the circle and cross of the four corners. From this origin the circle and the cross came to be interchangeable at times. For example, the Chakra, or Disk of Vishnu, is a circle. The name denotes the circling, wheeling round, periodicity, the wheel of time. This the god uses as a weapon to hurl at the enemy. In like manner, Thor throws his weapon, the Fylfot, a form of the four-footed cross [Svastika], and a type of the four quarters. Thus the cross is equivalent to the circle of the year. The wheel emblem unites the cross and circle in one, as does the hieroglyphic cake and the Ankh-tie ☥.1284

The sign ♀ occurs as the reverseof a Phœnician coin, with a Ram as the obverse.... The same sign, sometimes called Venus' Looking-Glass, because it typified reproduction, was employed to mark the hind-quarters of valuable brood mares of Corinthian and other beautiful breeds of horses.

At each of the four corners is placed a quarter arc of an oviform curve, and when the four are put together they form an oval; thus the figure combines the cross with the circle round it in four parts, corresponding to the four corners of the cross. The four segments answer to the four feet of the Swastica cross and the Fylfot of Thor. The four-leaved lotus flower of Buddha, is likewise figured at the centre of this cross, the lotus being an Egyptian and Hindu type of the four quarters. The four quarter arcs, if joined together, would form an ellipse, and the ellipse is also [pg 577]figured on each arm of the cross. This ellipse therefore denotes the path of the earth.... Sir J. Y. Simpson copied the following specimen, [Symbol: Oval, with large letter“Z”inside, with horizontal crossbar] which is here presented, as the cross of the two equinoxes and the two solstices placed within the figure of the earth's path. The same ovoid or boat-shaped figure appears at times in the Hindu drawings with seven steps at each end as a form or a mode of Meru.

The four-armed Cross is simply the cross of the four quarters, but the cross-sign is not always simple.1287This is a type that was developed from an identifiable beginning, which was adapted to the expression of various ideas afterwards. The most sacred cross of Egypt that was carried in the hands of the Gods, the Pharaohs, and the mummied dead, is the Ankh ☥ the sign of life, the living, an oath, the covenant.... The top of this is the hieroglyphic Ru [Symbol: Horizontal oval] set upright on the Tau-cross. The Ru is the door, gate, mouth, the place of outlet. This denotes thebirthplacein the northern quarter of the heavens, from which the Sun is reborn. Hence theRu of the Ankh-sign is the feminine type of the birthplace, representing the north. It was in thenorthern quarterthat the Goddess of the Seven Stars, called the“Mother of the Revolutions,”gave birth to time in the earliest cycle of the year. The first sign of this primordial circle and cycle made in heaven is the earliest shape of the Ankh-cross [Symbol: Horizontal oval with tail to the right], a mere loop which contains both a circle and the cross in one image. This loop or noose is carried in front of the oldest genitrix,Typhon of the Great Bear; as herArk, the ideograph of aperiod,an ending,a time, shown to mean one revolution. This, then, represents the circle made in the northern heaven by the Great Bear which constituted the earliest year of time, from which fact we infer that the loop or Ru of the North represents that quarter, the birthplace of time when figured as the Ru of the Ankh symbol.

Indeed this can be proved. The noose is anArkorRektype of reckoning. The Ru of the Ankh-cross was continued in the Cypriote R, [Symbol: Circle with horizontal line beneath], and the Coptic Ro, [Symbol: Figure like a Rho].1288The Ro was carried into the Greek cross [Symbol: Large Greek Rho with letter Chi beneath it], which is formed of the Ro and Chi orR-k.... The Rek, or Ark, was the sign of all beginning (Arche) on this account, and the Ark-tie is the cross of the North, the hind part of heaven.1289

Now this, again, is entirely astronomical and phallic. The Paurânic version in India gives the whole matter another colour. Without [pg 578] destroying the above interpretation, it is made to reveal a portion of its mysteries with the help of the astronomical key, and thus offers a more metaphysical rendering. The Ankh-tie [Symbol: Horizontal oval with tail to the right] does not belong to Egypt alone. It exists under the name of Pâsha, a cord which the four-armed Shiva holds in the hand of his right back arm.1290 The Mahâdeva is represented in the posture of an ascetic, as Mahâyogî, with his third eye [Symbol: Vertical oval with dot in the middle], which is “the Ru [Symbol: Horizontal oval with dot in the middle], set upright on the Tau-cross” in another form. The Pâsha is held in the hand in such a way that the first finger and hand near the thumb make the cross, or loop and crossing. Our Orientalists would have it to represent a cord to bind refractory offenders with, because, forsooth, Kâlî, Shiva's consort, has the same as an attribute!

The Pâsha has here a double significance, as also has Shiva's Trisûla and every other divine attribute. This dual significance lies in Shiva, for Rudra has certainly the same meaning as the Egyptian Ansated Cross in its cosmic and mystic meaning. In the hand of Shiva, the Pâsha becomes lingyonic. Shiva, as said before, is a name unknown to the Vedas. It is in the White Yajur Veda that Rudra appears for the first time as the Great God, Mahâdeva, whose symbol is the Lingam. In the Rig Veda he is called Rudra, the “howler,” the beneficent and the maleficent Deity at the same time, the Healer and the Destroyer. In the Vishnu Purâna, he is the God who springs from the forehead of Brahmâ, who separates into male and female, and he is the parent of the Rudras or Maruts, half of whom are brilliant and gentle, others, black and ferocious. In the Vedas, he is the Divine Ego aspiring to return to its pure, deific state, and at the same time that Divine Ego imprisoned in earthly form, whose fierce passions make of him the “roarer,” the “terrible.” This is well shown in the Brihadâranyaka Upanishad, wherein the Rudras, the progeny of Rudra, God of Fire, are called the “ten vital breaths (prâna, life), with the heart (manas), as eleventh,”1291 whereas as Shiva, he is the destroyer of that life. Brahmâ calls him Rudra, and gives him, besides, seven other names, signifying seven forms of manifestation, and also the seven powers of nature which destroy but to recreate or regenerate.

Hence the cruciform noose, or Pâsha, in the hand of Shiva, when he [pg 579] is represented as an ascetic, the Mahâyogin, has no phallic signification, and, indeed, it requires an imagination strongly bent in this direction to find such a signification even in an astronomical symbol. As an emblem of “door, gate, mouth, the place of outlet” it signifies the “strait gate” that leads to the Kingdom of Heaven, far more than the “birthplace” in a physiological sense.

It is a cross in a circle and Crux Ansata, truly; but it is a cross on which all the human passions have to be crucified before the Yogî passes through the “strait gate,” the narrow circle that widens into an infinite one, as soon as the Inner Man has passed the threshold.

As to the mysterious seven Rishis in the constellation of the Great Bear; if Egypt made them sacred to “the oldest genitrix, Typhon,” India has connected these symbols ages ago with Time or Yuga-revolutions, and the Saptarshis are intimately connected with our present age-the dark Kali Yuga.1292 The great Circle of Time, on the face of which, Indian fancy has represented the Porpoise, or Shishumâra, has the cross placed on it by nature in its division and localization of stars, planets and constellations. In Bhâgavata Purâna,1293 it is said:

At theextremity of the tail of that animal, whose head is directed toward the south, and whose body isin the shape of a ring[circle], Dhruva [the ex-pole star] is placed;along its tailare Prajâpati, Agni, Indra, Dharma, etc.;across its loinsthe seven Rishis.1294

This is then the first and earliest cross and circle, formed by the Deity, symbolized by Vishnu, the Eternal Circle of Boundless Time, Kâla, on whose plane lie crossways all the Gods, creatures, and creations born in Space and Time-who, as the Philosophy has it, all die at the Mahâpralaya.

Meanwhile it is the seven Rishis who mark the time and the duration of events in our septenary Life-cycle. They are as mysterious as their supposed wives, the Pleiades, of whom only one-she who hides-has proven virtuous. The Pleiades, or Krittikâs, are the nurses of Kârttikeya, the God of War (the Mars of the Western Pagans), who is called the Commander of the Celestial Armies, or rather of the Siddhas—Siddha-sena (translated Yogîs in Heaven, and holy Sages on the Earth)—which would make Kârttikeya identical with Michael, the “Leader of [pg 580] the Celestial Hosts” and, like himself, a virgin Kumâra.1295 Verily he is the Guha, the “Mysterious One,” as much so as are the Saptarshis and the Krittikâs, the seven Rishis and the Pleiades, for the interpretation of all these combined reveal to the Adept the greatest mysteries of Occult Nature. One point is worth mention in this question of cross and circle, as it bears strongly upon the elements of Fire and Water, which play such an important part in the circle and cross symbolism. Like Mars, who is alleged by Ovid to have been born of his mother Juno alone, without the participation of a father, or like the Avatâras (Krishna, for instance)—in the West as in the East—Kârttikeya is born, but in a still more miraculous manner, begotten by neither father nor mother, but out of a seed of Rudra-Shiva, which was cast into the Fire (Agni) and then received by the Water (Ganges). Thus he is born from Fire and Water—a “boy bright as the Sun and beautiful as the Moon.”

Hence he is called Agnibhû (son of Agni) and Gangâputra (son of Ganges). Add to this the fact that the Krittikâ, his nurses, as the Matsya Purâna shows, are presided over by Agni, or, in the authentic words, “the seven Rishis are on a line with the brilliant Agni,” and hence “Krittika has Âgneya as a synonym”1296—and the connection is easy to follow.

When the seven Rishis were in Maghâ, the Kali age, comprising 1,200 [divine] years [432,000 common years] began; and, when, from Maghâ, they shall reach Pûrvâshâdhâ, then will this Kali age attain its growth, under Nanda and his successors.1297

When the two first stars of the seven Rishis (the Great Bear) rise in the heavens, and some lunar asterism is seen at night, at an equal distance between them, then the seven Rishis continue stationary in that conjunction for a hundred years,

This was by assuming an imaginary line, or great circle, passing through the poles of the ecliptic and the beginning of the fixed Maghâ, which circle was supposed to cut some of the stars in the Great Bear.... The seven stars in the Great Bear being called the Rishis, the circle so assumed was called the line of the Rishis; and, being invariably fixed to the beginning of the lunar asterism Maghâ, the precession would be noted by stating the degree, etc., of any movable lunar mansion cut by that line or circle, as an index.1298

There has been, and there still exists, a seemingly endless controversy about the chronology of the Hindûs. Here is, however, a point that could help to determine—approximately at least—the age when the symbolism of the seven Rishis and their connection with the Pleiades began. When Kârttikeya was delivered to the Krittikâ by the Gods to be nursed, they were only six, whence Kârttikeya is represented with six heads; but when the poetical fancy of the early Âryan Symbologists made of them the consorts of the seven Rishis, they were seven. Their names are given, and these are Amba, Dulâ, Nitatui, Abrayanti, Maghâyanti, Varshayanti, and Chupunika. There are other sets of names which differ, however. Anyhow, the seven Rishis were made to marry the seven Krittikâ before the disappearance of the seventh Pleiad. Otherwise, how could the Hindû astronomers speak of a star which no one can see without the help of the strongest telescopes? This is why, perhaps, in every such case the majority of the events described in the Hindû allegories is fixed upon as “a very recent invention, certainly within the Christian era.”

The oldest Sanskrit MSS. on Astronomy begin their series of Nakshatras, the twenty-seven lunar asterisms, with the sign of Krittikâ, and this can hardly make them earlier than 2,780 b.c. This is according to the “Vedic Calendar,” which is accepted even by the Orientalists, though they get out of the difficulty by saying that the said Calendar does not prove that the Hindûs knew anything of Astronomy at that date, and assure their readers that, Calendars notwithstanding, the Indian Pandits may have acquired their knowledge of the lunar mansions headed by Krittikâ from the Phœnicians, etc. However that may be, the Pleiades are the central group of the system of sidereal symbology. They are situated in the neck of the constellation Taurus, regarded by Mädler and others, in Astronomy, as the central group of the system of the Milky Way, and in the Kabalah and Eastern Esotericism, as the sidereal septenate born from the first manifested side of the upper triangle, the concealed [triangle]. This manifested side is Taurus, the symbol of One [pg 582] (the figure 1), or of the first letter of the Hebrew alphabet, Aleph (א) “bull” or “ox,” whose synthesis is Ten (10), or Yod (י), the perfect letter and number. The Pleiades (Alcyone, especially), are thus considered, even in Astronomy, as the central point around which our universe of fixed stars revolves, the focus from which, and into which, the Divine Breath, Motion, works incessantly during the Manvantara.

The Secret Doctrine teaches us that everything in the Universe, as well as the Universe itself, is formed (“created”) during its periodical manifestations—by accelerated Motion set into activity by the Breath of the Ever-to-be-unknown Power—unknown to present mankind, at any rate—within the phenomenal world. The Spirit of Life and Immortality was everywhere symbolized by a circle; hence the serpent biting its tail, represents the Circle of Wisdom in Infinity; as does the astronomical cross—the cross within a circle—and the globe, with two wings added to it, which then became the sacred Scarabæus of the Egyptians, its very name being suggestive of the secret idea attached to it. For the Scarabæus is called in the Egyptian papyri, Khopirron and Khopri from the verb khopron, “to become,” and has thus been made a symbol and an emblem of human life and of the successive “becomings” of man, through the various peregrinations and metempsychoses, or reïncarnations, of the liberated soul. This mystical symbol shows plainly that the Egyptians believed in reïncarnation and the successive lives and existences of the Immortal Entity. As this, however, was an Esoteric Doctrine, revealed only during the Mysteries, by the Priest-hierophants and the King-initiates to the Candidates, it was kept secret. The Incorporeal Intelligences (the Planetary Spirits, or Creative Powers) were always represented under the form of circles.

In the primitive Philosophy of the Hierophants these invisible circles were the prototypic causes and builders of all the heavenly orbs, which were their visible bodies or coverings, and of which they were the souls. It was certainly a universal teaching in antiquity.1299 As Proclus says:

“Deus enim et circulus est,” says Pherecydes, in his Hymn to Jupiter. This was a Hermetic axiom, and Pythagoras prescribed such a circular prostration and posture during the hours of contemplation. “The devotee must approach as much as possible the form of a perfect circle,” prescribes the Secret Book. Numa tried to spread the same custom among the people, Pierius tells his readers; and Pliny says:

The Vision of the prophet Ezekiel reminds one forcibly of this mysticism of the circle, when he beheld a “whirlwind” from which came out “one wheel upon the earth” whose work “was as it were a wheel in the middle of a wheel”—“for the spirit of the living creature was in the wheels.”1302

“[Spirit] whirleth about continually, and ... returneth again according to his circuits”—says Solomon,1303 who is made in the English translation to speak of the “wind,” and in the original text to refer both to the spirit and the sun. But the Zohar, the only true gloss of the Kabalistic Preacher—in explanation of this verse, which is, perhaps, rather hazy and difficult to comprehend—says: