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The Book of the Courtier

INDEX

Project Gutenberg EPUB3 edition Castiglione, Baldassarre, conte and Opdycke, Leonard Eckstein
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Aurelian, the Emperor, 401
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Austria, Margarita of, 202, 395-6 Maximilian of,—see Maximilian I Philip of, 413
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Autharis, King of the Lombards, 393
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Bacon, Francis, afterwards Lord Verulam, 316
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Bad government, the evils of, 249
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Bad master, the courtier to leave the service of a, 99, 285
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Bajazet II of Turkey, 141, 173, 372, 388
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Balance and contrast, in art and character, 83
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Baldness, jests about Bernardo Bibbiena’s, 122, 155
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Ballare and danzare compared, 352-3, 382
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Balzo, Antonia del, 400, 404 Isabella del, Queen of Naples,—see Isabella del Balzo
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Banchi, a street in Rome, the scene of a trick played upon Bibbiena, 159-60, 383
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Barbara of Brandenburg, Marchioness of Mantua, 374, 404
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Barbarelli, Giorgio,—see Giorgione
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Barbarian influence upon Latin, resulting in Italian, 43
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Barbary pirates, touching incident following a husband’s rescue from, 195-7
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Bari, Roberto da,—see Roberto da Bari
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Barletta, the tournament at, 351
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Barlettani, Lucrezia, 367
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Barozzi, Pietro, the (Arch-) Bishop of Padua, 136, 366
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Bartolommeo, joke concerning the name, 151
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Basset, a dance performed after the first evening’s discussion, 73, 352
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Bavaria, Duke Albert III of, 374 Margarita of,—see Margarita of Bavaria
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Bayeux, the Bishop of,—see Canossa, Ludovico da
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Beatrice, a character in Boccaccio, 164, 165 of Lorraine, 394
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Beaufort, Margaret, Countess of Richmond, 413
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Beauty: personal beauty requisite in the courtier, 23; beauty unadorned, 55; love defined as “a certain desire to enjoy beauty,” 288; two ways of enjoying beauty, 289; beauty, an effluence of divine goodness, 289; cannot be truly enjoyed by possessing the body in which it is found, 290; “beauty is good:” true love of beauty works for good, 291; effect of women’s beauty on their own character, 292-3, 296; “Do not believe that beauty is not always good,” 293; beauty, a true sign of inward goodness, 294; beauty through utility, 294-5; “the good and the beautiful are in a way one and the same thing,” 295; bodily beauty derived from beauty of the soul, 295-6; beautiful women, more chaste than ugly women, 296; beauty does not spring from the body wherein it shines, 298; beauty best enjoyed through sight and hearing, 298; beauty engendered in beauty, 299; beauty to be enjoyed for itself, and not for the sake of the body wherein it dwells, 302-3; the highest enjoyment of beauty is the enjoyment of beauty in the abstract, apart from bodily form, 303-4
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Beazzano, Agostino,—see Bevazzano
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Beccadello, Cesare, 160-1, 383 Domenico Maria, 383 Ludovico, 383
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Becco, a he-goat, 129, 363

Source attribution

The Book of the Courtier, Project Gutenberg eBook #67799

ADDENDUM INDEX (continued 1)