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The Principles of Psychology, Volume 2 (of 2)

THE NEURAL PROCESS WHICH UNDERLIES IMAGINATION?

Project Gutenberg EPUB3 edition James, William

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[57] See also McCosh and Osborne, Princeton Review, Jan. 1884. There are some good examples of high development of the Faculty in the London Spectator, Dec. 28, 1878, pp. 1631, 1634, Jan. 4, 11, 25, and March 18, 1879.
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[58] Take the following report from one of my students: "I am unable to form in my mind's eye any visual likeness of the table whatever. After many trials, I can only get a hazy surface, with nothing on it or about it. I can see no variety in color, and no positive limitations in extent, while I cannot see what I see well enough to determine its position in respect to my eye, or to endow it with any quality of size. I am in the same position as to the word dog. I cannot see it in my mind's eye at all; and so cannot tell whether I should have to run my eye along it, if I did see it."
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[59] Progrès Médical, 21 juillet. I abridge from the German report of the case in Wilbrand: Die Seelenblindheit (188).
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[60] In a letter to Charcot this interesting patient adds that his character also is changed: "I was formerly receptive, easily made enthusiastic, and possessed a rich fancy. Now I am quiet and cold, and fancy never carries my thoughts away.... I am much less susceptible than formerly to anger or sorrow. I lately lost my dearly-beloved mother; but felt far less grief at the bereavement than if I had been able to see in my mind's eye her physiognomy and the phases of her suffering, and especially less than if I had been able to witness in imagination the outward effects of her untimely loss upon the members of the family."
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[61] Psychologie du Raisonnement (1886), p. 25.
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[62] [I am myself a very poor visualizer, and find that I can seldom call to mind even a single letter of the alphabet in purely retinal terms. I must trace the letter by running my mental eye over its contour in order that the image of it shall have any distinctness at all. On questioning a large number of other people, mostly students, I find that perhaps half of them say they have no such difficulty in seeing letters mentally. Many affirm that they can see an entire word at once, especially a short one like 'dog,' with no such feeling of creating the letters successively by tracing them with the eye.—W. J.]
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[63] It is hardly needful to say that in modern primary education, in which the blackboard is so much used, the children are taught their letters, etc., by all possible channels at once, sight, hearing, and movement.
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[64] See an interesting case of a similar sort, reported by Farges, in l'Encéphale, 7me Année, p. 545.
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[65] Philosophical Transactions, 1841, p. 65.
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[66] Studien über die Sprachvorstellungen (1880), and Studien über die Bewegungsvorstellungen (1882).
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[67] Prof. Stricker admits that by practice he has succeeded in making his eye-movements 'act vicariously' for his leg-movements in imagining men walking.
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[69] Bain: Senses and Intellect, p. 339.
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[70] Studien über Sprachvorstellungen, 28, 31, etc. Cf. pp. 49-50, etc. Against Stricker, see Stumpf, Tonpsychol., 155-162, and Revue Philosophique, xx. 617. See also Paulhan, Rev. Philosophique, xvi. 405. Stricker replies to Paulhan in vol. xviii. p. 685. P. retorts in vol. xix p. 118. Stricker reports that out of 100 persons questioned he found only one who had no feeling in his lips when silently thinking the letters M, B, P; and out of 60 only two who were conscious of no internal articulation whilst reading (pp. 59-60).
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[71] I think it must be admitted that some people have no vivid substantive images in any department of their sensibility. One of my students, an intelligent youth, denied so pertinaciously that there was anything in his mind at all when he thought, that I was much perplexed by his case. I myself certainly have no such vivid play of nascent movements or motor images as Professor Stricker describes. When I seek to represent a row of soldiers marching, all I catch is a view of stationary legs first in one phase of movement and then in another, and these views are extremely imperfect and momentary. Occasionally (especially when I try to stimulate my imagination, as by repeating Victor Hugo's lines about the regiment,
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"Leur pas est si correct, sans tarder ni courir, Qu'on croit voir des ciseaux se fermer et s'ouvrir,")
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I seem to get an instantaneous glimpse of an actual movement, but it is to the last degree dim and uncertain. All these images seem at first as if purely retinal. I think, however, that rapid eye-movements accompany them, though these latter give rise to such slight feelings that they are almost impossible of detection. Absolutely no leg-movements of my own are there; in fact, to call such up arrests my imagination of the soldiers. My optical images are in general very dim, dark, fugitive, and contracted. It would be utterly impossible to draw from them, and yet I perfectly well distinguish one from the other. My auditory images are excessively inadequate reproductions of their originals. I have no images of taste or smell. Touch-imagination is fairly distinct, but comes very little into play with most objects thought of. Neither is all my thought verbalized; for I have shadowy schemes of relation, as apt to terminate in a nod of the head or an expulsion of the breath as in a definite word. On the whole, vague images or sensations of movement inside of my head towards the various parts of space in which the terms I am thinking of either lie or are momentarily symbolized to lie together with movements of the breath through my pharynx and nostrils, form a by no means inconsiderable part of my thought-stuff. I doubt whether my difficulty in giving a clearer account is wholly a matter of inferior power of introspective attention, though that doubtless plays its part.
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Attention, ceteris paribus, must always be inferior in proportion to the feebleness of the internal images which are offered it to hold on to.
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[72] Geo. Herm. Meyer, Untersuchungen üb. d. Physiol. d. Nervenfaser (1843), p. 233. For other cases see Tuke's Influence of Mind upon Body, chaps. ii. and vii.
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[75] That of Dr. Ch. Féré in the Revue Philosophique, xx. 364. Johannes Müller's account of hypnagogic hallucinations floating before the eyes for a few moments after these had been opened, seems to belong more to the category of spontaneous hallucinations (see his Physiology, London, 1843, p. 1394). It is impossible to tell whether the words in Wundt's Vorlesungen, i. 387, refer to a personal experience of his own or not; probably not. Il va sans dire that an inferior visualizer like myself can get no such after-images. Nor have I as yet succeeded in getting report of any from my students.
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[78] V. Kandinsky (Kritische u. klinische Betrachtungen im Gebiete der Sinnestäuschungen (Berlin, 1885), p. 135 ff.) insists that in even the liveliest pseudo-hallucinations (see below, Chapter XX), which may be regarded as the intensest possible results of the imaginative process, there is no outward objectivity perceived in the thing represented, and that a ganzer Abgrund separates these 'ideas' from true hallucination and objective perception.
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[79] It seems to also flow backwards in certain hypnotic hallucinations. Suggest to a 'Subject' in the hypnotic trance that a sheet of paper has a red cross upon it, then pretend to remove the imaginary cross, whilst you tell the Subject to look fixedly at a dot upon the paper, and he will presently tell you that he sees a 'bluish-green' cross. The genuineness of the result has been doubted, but there seems no good reason for rejecting M. Binet's account (Le Magnetisme Animal, 1887, p. 188). M. Binet, following M. Parinaud, and on the faith of a certain experiment, at one time believed, the optical brain-centres and not the retina to be the seat of ordinary negative after-images. The experiment is this: Look fixedly, with one eye open, at a colored spot on a white background. Then close that eye and look fixedly with the other eye at a plain surface. A negative after-image of the colored spot will presently appear. (Psychologie du Raisonnement, 1886, p. 45.) But Mr. Delabarre has proved (American Journal of Psychology, ii. 326) that this after-image is due, not to a higher cerebral process, but to the fact that the retinal process in the closed eye affects consciousness at certain moments, and that its object is then projected into the field seen by the eye which is open. M. Binet informs me that he is converted by the proofs given by Mr. Delabarre.
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The fact remains, however, that the negative after-images of Herr Meyer, M. Féré, and the hypnotic subjects, form an exception to all that we know of nerve-currents, if they are due to a refluent centrifugal current to the retina. It may be that they will hereafter be explained in some other way. Meanwhile we can only write them down as a paradox. Sig. Sergi's theory that there is always a refluent wave in perception hardly merits serious consideration (Psychologie Physiologique, pp. 99, 189). Sergi's theory has recently been reaffirmed with almost incredible crudity by Lombroso and Ottolenghi in the Revue Philosophique, xxix. 70 (Jan. 1890).
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[81] See an important article by Binet in the Revue Philosophique, xxvi. 481 (1888); also Dufour, in Revue Méd. de la Suisse Romande, 1889. No. 8, cited in the Neurologisches Centralblatt, 1890. p. 48.
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[82] Die Willenshandlung (1888), pp. 129-40.

Source attribution

The Principles of Psychology, Volume 2 (of 2), Project Gutenberg eBook #57634

INDIVIDUALS DIFFER IN IMAGINATION. PERCEPTION AND SENSATION COMPARED.