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Divine Comedy, Longfellow's Translation, Complete

Purgatorio: Canto X

Project Gutenberg EPUB3 edition Dante Alighieri and Longfellow, Henry Wadsworth
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When we had crossed the threshold of the door Which the perverted love of souls disuses, Because it makes the crooked way seem straight,
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Re-echoing I heard it closed again; And if I had turned back mine eyes upon it, What for my failing had been fit excuse?
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We mounted upward through a rifted rock, Which undulated to this side and that, Even as a wave receding and advancing.
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“Here it behoves us use a little art,” Began my Leader, “to adapt ourselves Now here, now there, to the receding side.”
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And this our footsteps so infrequent made, That sooner had the moon’s decreasing disk Regained its bed to sink again to rest,
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Than we were forth from out that needle’s eye; But when we free and in the open were, There where the mountain backward piles itself,
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I wearied out, and both of us uncertain About our way, we stopped upon a plain More desolate than roads across the deserts.
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From where its margin borders on the void, To foot of the high bank that ever rises, A human body three times told would measure;
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And far as eye of mine could wing its flight, Now on the left, and on the right flank now, The same this cornice did appear to me.
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Thereon our feet had not been moved as yet, When I perceived the embankment round about, Which all right of ascent had interdicted,
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To be of marble white, and so adorned With sculptures, that not only Polycletus, But Nature’s self, had there been put to shame.
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The Angel, who came down to earth with tidings Of peace, that had been wept for many a year, And opened Heaven from its long interdict,
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In front of us appeared so truthfully There sculptured in a gracious attitude, He did not seem an image that is silent.
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One would have sworn that he was saying, “Ave;” For she was there in effigy portrayed Who turned the key to ope the exalted love,
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And in her mien this language had impressed, “Ecce ancilla Dei,” as distinctly As any figure stamps itself in wax.
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“Keep not thy mind upon one place alone,” The gentle Master said, who had me standing Upon that side where people have their hearts;
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Whereat I moved mine eyes, and I beheld In rear of Mary, and upon that side Where he was standing who conducted me,
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Another story on the rock imposed; Wherefore I passed Virgilius and drew near, So that before mine eyes it might be set.
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There sculptured in the self-same marble were The cart and oxen, drawing the holy ark, Wherefore one dreads an office not appointed.
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People appeared in front, and all of them In seven choirs divided, of two senses Made one say “No,” the other, “Yes, they sing.”
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Likewise unto the smoke of the frankincense, Which there was imaged forth, the eyes and nose Were in the yes and no discordant made.
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Preceded there the vessel benedight, Dancing with girded loins, the humble Psalmist, And more and less than King was he in this.
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Opposite, represented at the window Of a great palace, Michal looked upon him, Even as a woman scornful and afflicted.
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I moved my feet from where I had been standing, To examine near at hand another story, Which after Michal glimmered white upon me.
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There the high glory of the Roman Prince Was chronicled, whose great beneficence Moved Gregory to his great victory;
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’Tis of the Emperor Trajan I am speaking; And a poor widow at his bridle stood, In attitude of weeping and of grief.
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Around about him seemed it thronged and full Of cavaliers, and the eagles in the gold Above them visibly in the wind were moving.
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The wretched woman in the midst of these Seemed to be saying: “Give me vengeance, Lord, For my dead son, for whom my heart is breaking.”
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And he to answer her: “Now wait until I shall return.” And she: “My Lord,” like one In whom grief is impatient, “shouldst thou not
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Return?” And he: “Who shall be where I am Will give it thee.” And she: “Good deed of others What boots it thee, if thou neglect thine own?”
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Whence he: “Now comfort thee, for it behoves me That I discharge my duty ere I move; Justice so wills, and pity doth retain me.”
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He who on no new thing has ever looked Was the creator of this visible language, Novel to us, for here it is not found.
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While I delighted me in contemplating The images of such humility, And dear to look on for their Maker’s sake,
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“Behold, upon this side, but rare they make Their steps,” the Poet murmured, “many people; These will direct us to the lofty stairs.”
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Mine eyes, that in beholding were intent To see new things, of which they curious are, In turning round towards him were not slow.
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But still I wish not, Reader, thou shouldst swerve From thy good purposes, because thou hearest How God ordaineth that the debt be paid;
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Attend not to the fashion of the torment, Think of what follows; think that at the worst It cannot reach beyond the mighty sentence.
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“Master,” began I, “that which I behold Moving towards us seems to me not persons, And what I know not, so in sight I waver.”
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And he to me: “The grievous quality Of this their torment bows them so to earth, That my own eyes at first contended with it;
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But look there fixedly, and disentangle By sight what cometh underneath those stones; Already canst thou see how each is stricken.”

Source attribution

Divine Comedy, Longfellow's Translation, Complete, Project Gutenberg eBook #1004

Purgatorio: Canto IX Purgatorio: Canto XI