The Legend of Dibbarra.
Project Gutenberg EPUB3 edition
Jastrow, Morris
Of more direct religious import is a story recounted in a series comprising five tablets of the deeds of the war and plague-god whose name is provisionally read Dibbarra.[1043] He is a solar deity identified in the theological system of the Babylonians with Nergal, but originally distinct and in all probability one of the numerous local solar deities of Babylonia like Nin-girsu and Nin-gishzida, Ishum and others, whose rôles are absorbed by one or the other of the four great solar deities,—Shamash, Marduk, Ninib, and Nergal. Nergal representing the sun of midday and of the summer solstice, which brings in its wake destruction of various kinds, it was appropriate that a god who came to be specifically viewed as the god who causes disease should be regarded as an aspect of the terrible Nergal. In the legend that we are about to consider, Dibbarra appears as the god of war. He is designated as the 'warrior.' The name of the god is written ideographically with a sign that has the meaning of 'servant' and 'man.' To this sign the phonetic complement ra is added. In view of a passage in a lexicographical tablet, according to which the name of the god is designated as the equivalent of the god Gir-ra, Jensen concluded that the name was to be read Gira, and Delitzsch[1044] is inclined to follow him. A difficulty, however, arises through the circumstance that the element Gir in the name Gir-ra is itself an ideograph.
In any case, the designation of the god as a 'servant' shows that he is described here by an epithet,[1045] and not by his real name, which is to be sought rather in the sense of 'strong,' that is one of the meanings of the ideograph gir. The epithet 'servant' belongs to the period when the god took his place in the theological system as one of the attendants of the great Nergal, just as the plague-god is himself accompanied by a god Ishum, who acts as a kind of messenger or attendant to him. It should be added that what little evidence there was for the conventional reading Dibbarra[1046] has now been dispelled, so that but for the desire to avoid useless additions to the nomenclature of the Babylonian deities, the form Gir-ra would have been introduced here, as for the present preferable.
Where the cult of Dibbarra centered we do not know, but that he presided over a district that must have played a prominent part at some period of Babylonian history is shown by the elaborate legend of his deeds for which, as in the case of Gilgamesh and Etana, we are justified in assuming an historical background. In fact, the legend of Dibbarra is naught but a poetic and semi-mythical disguise for severe conflicts waged against certain Babylonian cities by some rival power that had its seat likewise in the Euphrates Valley.
Of the five tablets, but four fragments have as yet been found in such a condition as to be utilized. The longest of these contains an address to Dibbarra by his faithful attendant Ishum, in which the power of the war-god is praised and some of his deeds recounted.
[The sons of] Babylon were (as) birds
And thou their falconer.
In a net thou didst catch them, enclose them, and destroy them,
O! Warrior Dibbara,
Leaving the city,[1047] thou didst pass to the outside,
Taking on the form of a lion, thou didst enter the palace.
The people saw thee and drew (?) their weapons.
The reference in these lines is to an attack upon the city of Babylon. The war-god is pictured as striking out in all directions, imprisoning the inhabitants of Babylon within the city walls, working havoc outside of the city, and not stopping short at entering the palace. The metaphor of the war-god taking on the form of a lion confirms the identification of Dibbarra with Nergal, who is generally pictured as a lion.
In the following lines the enemy who makes this attack on Babylon is introduced. He is designated as a 'governor,' and Dibbarra is represented as giving him certain instructions to carry out. The title 'governor' given to this enemy may be taken as an indication that the epic deals with the rivalry existing among the states of Babylonia, each represented by its capital. Ishum continues his address to Dibbarra:
The heart of the governor, intent upon taking vengeance on Babylon, was enraged,
For capturing the possessions of the enemy, he sends out his army,
Filled with enmity towards the people.
Dibbarra is represented as addressing this governor:
In the city whither I send thee,
Thou shall fear no one, nor have compassion.
Kill the young and old alike,
The tender suckling likewise—spare no one.
The treasures of Babylon carry off as booty.
Ishum continues his narrative:
The royal host was gathered together and entered the city.
The bow was strung, the sword unsheathed.
Thou didst blunt[1048] (?) the weapons of the soldiers,
The servitors of Anu and Dagan.
Their blood thou caused to flow like torrents of water through the city's highways.
Thou didst tear open their intestines, and cause the stream to carry them off.
Dagan is here used for Bel,[1049] and the phrase 'servitors of Anu and Dagan' embraces the inhabitants of Babylon. Marduk, the lord of Babylon, is enraged at the sight, but apparently is powerless.
The great lord Marduk saw it and cried "Alas!"
His senses left him.
A violent curse issued from his mouth.
At this point the tablet is defective, and when it again becomes intelligible we find Ishum describing an attack of Dibbarra upon another of the great centers of the Euphrates Valley—the city of Uruk. Uruk is called the 'dwelling of Anu and Ishtar,' the city of the Kizrêti, Ukhâti, and Kharimâti[1050]—the sacred harlots. Uruk suffers the same fate as Babylon:
A cruel and wicked governor thou didst place over them,
Who brought misery upon them, broke down (?) their laws.
Ishtar was enraged and filled with anger because of Uruk.
Her opposition, however, is as powerless to stem Dibbarra's attack as was Marduk's grief at the onslaught on Babylon.
Dibbarra's greed is insatiable. Ishum continues his address to him:
O warrior Dibbarra, thou dost dispatch the just,