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Autobiography of a Yogi

A “Perfume Saint” Displays His Wonders

Project Gutenberg EPUB3 edition Yogananda, Paramahansa
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“I will permit them to keep their trade! My own purpose is to demonstrate the power of God.”
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“Sir, is it necessary to prove God? Isn’t He performing miracles in everything, everywhere?”
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“Yes, but we too should manifest some of His infinite creative variety.”
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“How long did it take to master your art?”
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“For manufacturing scents by astral means! It seems, my honored saint, you have been wasting a dozen years for fragrances which you can obtain with a few rupees from a florist’s shop.”
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“Perfumes fade with flowers.”
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“Perfumes fade with death. Why should I desire that which pleases the body only?”
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“Mr. Philosopher, you please my mind. Now, stretch forth your right hand.” He made a gesture of blessing.
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I was a few feet away from Gandha Baba; no one else was near enough to contact my body. I extended my hand, which the yogi did not touch.
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“What perfume do you want?”
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To my great surprise, the charming fragrance of rose was wafted strongly from the center of my palm. I smilingly took a large white scentless flower from a near-by vase.
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“Can this odorless blossom be permeated with jasmine?”
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A jasmine fragrance instantly shot from the petals. I thanked the wonder-worker and seated myself by one of his students. He informed me that Gandha Baba, whose proper name was Vishudhananda, had learned many astonishing yoga secrets from a master in Tibet. The Tibetan yogi, I was assured, had attained the age of over a thousand years.
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“His disciple Gandha Baba does not always perform his perfume-feats in the simple verbal manner you have just witnessed.” The student spoke with obvious pride in his master. “His procedure differs widely, to accord with diversity in temperaments. He is marvelous! Many members of the Calcutta intelligentsia are among his followers.”
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I inwardly resolved not to add myself to their number. A guru too literally “marvelous” was not to my liking. With polite thanks to Gandha Baba, I departed. Sauntering home, I reflected on the three varied encounters the day had brought forth.
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My sister Uma met me as I entered our Gurpar Road door.
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“You are getting quite stylish, using perfumes!”
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Without a word, I motioned her to smell my hand.
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“What an attractive rose fragrance! It is unusually strong!”
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Thinking it was “strongly unusual,” I silently placed the astrally scented blossom under her nostrils.
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“Oh, I love jasmine!” She seized the flower. A ludicrous bafflement passed over her face as she repeatedly sniffed the odor of jasmine from a type of flower she well knew to be scentless. Her reactions disarmed my suspicion that Gandha Baba had induced an auto-suggestive state whereby I alone could detect the fragrances.
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Later I heard from a friend, Alakananda, that the “Perfume Saint” had a power which I wish were possessed by the starving millions of Asia and, today, of Europe as well.
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“I was present with a hundred other guests at Gandha Baba’s home in Burdwan,” Alakananda told me. “It was a gala occasion. Because the yogi was reputed to have the power of extracting objects out of thin air, I laughingly requested him to materialize some out-of-season tangerines. Immediately the luchis 5-4 which were present on all the banana-leaf plates became puffed up. Each of the bread-envelopes proved to contain a peeled tangerine. I bit into my own with some trepidation, but found it delicious.”
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Years later I understood by inner realization how Gandha Baba accomplished his materializations. The method, alas! is beyond the reach of the world’s hungry hordes.
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The different sensory stimuli to which man reacts-tactual, visual, gustatory, auditory, and olfactory-are produced by vibratory variations in electrons and protons. The vibrations in turn are regulated by “lifetrons,” subtle life forces or finer-than-atomic energies intelligently charged with the five distinctive sensory idea- substances.
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Gandha Baba, tuning himself with the cosmic force by certain yogic practices, was able to guide the lifetrons to rearrange their vibratory structure and objectivize the desired result. His perfume, fruit and other miracles were actual materializations of mundane vibrations, and not inner sensations hypnotically produced. 5-5
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Performances of miracles such as shown by the “Perfume Saint” are spectacular but spiritually useless. Having little purpose beyond entertainment, they are digressions from a serious search for God.
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Hypnotism has been used by physicians in minor operations as a sort of psychical chloroform for persons who might be endangered by an anesthetic. But a hypnotic state is harmful to those often subjected to it; a negative psychological effect ensues which in time deranges the brain cells. Hypnotism is trespass into the territory of another’s consciousness. Its temporary phenomena have nothing in common with the miracles performed by men of divine realization. Awake in God, true saints effect changes in this dream-world by means of a will harmoniously attuned to the Creative Cosmic Dreamer.
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Ostentatious display of unusual powers are decried by masters. The Persian mystic, Abu Said, once laughed at certain fakirs who were proud of their miraculous powers over water, air, and space.
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“A frog is also at home in the water!” Abu Said pointed out in gentle scorn. “The crow and the vulture easily fly in the air; the Devil is simultaneously present in the East and in the West! A true man is he who dwells in righteousness among his fellow men, who buys and sells, yet is never for a single instant forgetful of God!” On another occasion the great Persian teacher gave his views on the religious life thus: “To lay aside what you have in your head (selfish desires and ambitions); to freely bestow what you have in your hand; and never to flinch from the blows of adversity!”
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Neither the impartial sage at Kalighat Temple nor the Tibetan-trained yogi had satisfied my yearning for a guru. My heart needed no tutor for its recognitions, and cried its own “Bravos!” the more resoundingly because unoften summoned from silence. When I finally met my master, he taught me by sublimity of example alone the measure of a true man.
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5-1: Kali represents the eternal principle in nature. She is traditionally pictured as a four-armed woman, standing on the form of the God Shiva or the Infinite, because nature or the phenomenal world is rooted in the Noumenon. The four arms symbolize cardinal attributes, two beneficent, two destructive, indicating the essential duality of matter or creation.
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5-2: Cosmic illusion; literally, “the measurer.” maya is the magical power in creation by which limitations and divisions are apparently present in the Immeasurable and Inseparable. Emerson wrote the following poem, to which he gave the title of maya:
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Illusion works impenetrable, Weaving webs innumerable, Her gay pictures never fail, Crowd each other, veil on veil, Charmer who will be believed By man who thirsts to be deceived.
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5-3: The rishis, literally “seers,” were the authors of the Vedas in an indeterminable antiquity..
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5-4: Flat, round Indian bread..

Source attribution

Autobiography of a Yogi, Project Gutenberg eBook #7452

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