Plant Lore, Legends, and Lyrics Embracing the Myths,...

According to a Roumanian tradition, the Rose was originally a young and beauteous princess, who, while bathing in the sea, so dazzled the Sun with the radiance of her loveliness, that he stood still to gaze upon her, and covered her with kisses. Then for three days he forgot his duty, and obstructed the progress of night. Since that day the Lord of the Universe has changed the princess into a Rose, and this is why the Rose always hangs her head and blushes when the Sun gazes on her.

Relative to the colour of the Rose, we find a number of stories left us by the ancients. Catullus tells us, that the Rose is red from blushing for the wound it inflicted on the foot of Venus as she hastened to the assistance of Adonis; Claudian, when Venus plucks a Rose, says it is in remembrance of Adonis; an ancient epigram mentions her wishing to defend Adonis from Mars, when

The Rose—the flower of love, poetry, and beauty—was specially dedicated to Venus, who is sometimes represented crowned with Roses, and sometimes with a sceptre terminated with that flower. One of the Three Graces—the attendants of Venus—usually carried a Rose in her hand. Cupid is often depicted crowned with Roses, and the chaplet of Hymen consisted generally of Marjoram or Roses, which latter flowers were used in his feasts. The Thracians crowned Bacchus (Sabazius) with Roses, and, in the vicinity of Pangæus, held a feast called Rosalia. In the procession of the Corybantes, the goddess Cybele was pelted with white Roses.

The Rose was a domestic flower sedulously cultivated by the ancients, but especially by the Romans. It is said to have early flourished at Rhodes, and possibly gave its name to that island. The Roses of Campania, Miletus, Præneste, Malta, Cyrene, and Sybaris were all noted; but especially celebrated were those of Pæstum: to this day the insignia of Pæstum—a Syren holding a Rose—remains sculptured on the ruined arch of one of its gates.

Among the ancients, it was customary to crown brides and bridegrooms with a chaplet of red and white Roses. The Roman bride was decorated with a wreath of Roses and Myrtle. The shrines of the gods and of illustrious men in Rome were surmounted with wreaths of Roses. The triumphal arches were adorned with these flowers, and garlands of Roses were thrown into the chariots. At the public games, wreaths of Roses were presented to the senators, and sometimes to the performers and spectators. At the private entertainments of the ancients, the guests wore wreaths of blooming Roses. The Romans thought to impart additional relish to their feasts by the aid of the fragrance of the Rose. Pacutus relates that “even in the time of the Republic, people were not satisfied unless the cup of Falernian wine were swimming with Roses.” The Spartan soldiers, after the battle of Cirrha, were so fastidious as to refuse wine that was not perfumed with Roses. At the famed regatta of Baiæ, the whole surface of the Lucrine Lake used to be strewn with these flowers. At some of his banquets, Nero caused showers of Roses to be rained down upon his guests from apertures in the ceiling. Heliogabalus carried this practice to such an absurd extent, as to cause the suffocation of some of his guests, who could not extricate themselves from the heap of flowers. Cleopatra, in the entertainment she gave in honour of Antony, spent an immense sum in Roses, with which she had the floor of the banqueting chamber covered to the depth of an ell, and over the flowers a thin net was drawn.

The Romans were at great expense to procure Roses in the Winter. Suetonius affirms that Nero spent upwards of four million sesterces (about £30,000) for Roses, at one supper. Horace, alluding to this custom, says: “Seek not for late-blowing Roses; I ask no other crown than simple Myrtle.” In those days, Rose-wine was celebrated, and we learn that Heliogabalus was wont to indulge largely in this drink, and bathed himself in it. He even caused a large swimming-bath to be filled with the costly liquid.

Milto, a fair young maiden, of obscure birth, was wont to deposit every morning garlands of fresh flowers in the temple of Venus, as she was too poor to make costlier offerings. Her rare beauty was once in danger of being destroyed by a tumour which grew on her chin, but in a dream she one night beheld the goddess, who told her to apply to it some of the Roses from her altar. Milto obeyed; the tumour soon disappeared, and she grew more lovely than ever; eventually attracting the notice of the younger Cyrus, whose favourite wife she became. From that time the medicinal properties of the Rose met with general recognition, and the flower formed the basis of many lotions.

In classical times, the Rose was regarded as the emblem of joy, and Comus, the god of feasting, is represented as wearing a garland of bedewed Roses. As, during the intoxication of mirth, the mouth is apt to run over when the heart is full, the ancients feigned that Cupid presented a Rose to Harpocrates, the grave god of silence, as a bribe not to betray the amours of Venus. The flower thus became a symbol of secrecy and silence, and as such, a Rose was formerly suspended over the guest table, that the sight of it might remind the guests that the conversation should not be repeated elsewhere. More recently, a Rose was painted on the ceiling of dining-rooms, and in our own time the plaster ornament in the centre of the ceiling is still called a Rose. This custom gave rise to the saying “Under the Rose”—an injunction of secrecy. Hence it fell out that the Jacobins adopted the white Rose as a political symbol of the Pretender, since his adherents were compelled to help him “under the Rose.”