ÆSTHETIC IDEAS IN THE MIDDLE AGES AND RENAISSANCE
Project Gutenberg EPUB3 edition
Croce, Benedetto and Ainslie, Douglas
Source notes
[4]De vulg. eloq. (ed. Rajna), bk. ii. ch. 4.
[5]Vita nuova, ch. 25.
[6]Convivio, i. 1.
[7]Prohemio al Condestable de Portugal, 1445-1449 (in Obras, ed. Amador de los Rios, 1852), § 3.
[8]De vulg. eloq. bk. i. ch. 3.
[9] Lately reprinted under the editorship of padre M. Fernandez Garcia, Ad claras Aquas (Quarracchi), 1902.
[10] Windelband, Gesch. d. Phil. ii. pp. 251-270; De Wulf, Philos, médiév., Louvain, 1900, pp. 317-320.
[11]Dialogi di amore, composti per Leone, medico ..., Rome, 1535.
[12]Libro di natura e d' amore, Venice, 1525 (Ven. 1563).
[13]De divina proportione, Venice, 1509.
[14] G. P. Lomazzo, Trattato dell' arte della pittura, scultura ed architettura, Milan, 1585, i. I, pp. 22-23.
[15] Aug. Niphi, De pulcro el amore, Rome, 1529.
[16]Il Minturno o vero de la belleza (in Dialoghi, ed. Guasti, vol. iii.).
[17]Ration. philos. part iv.; Poeticor. (Paris, 1638), art. vii.
[18] Fr. Robortelli, In librum Arts, de arte poet, explicationes, Florence, 1548; Lud. Castelvetro, Poetica d' Aristotele vulgarizzata ed esposta, 1570 (Basle, 1576), part i. particella iv. pp. 29-30.
[19] Bern. Segni, Rettor. e poet. trad. Florence, 1549; Vinc. Madii, In Arist.... explanationes, 1550; Petri Victorii, Commentarii, etc., Florence, 1560.
[20]Poetica, 1561 (ed. 3, 1586), i. I; vii. 3.
[21]Annotationi net libro della Poetica, Venice, 1575, preface.
[22]Gerus. lib. i. 3.
[23]Poetic, ch. I, art. 1.
[24]Poetica trad. preface.
[25]Pensieri diversi, bk. x. ch. 18.
[26] La Ménardière, Poétique, Paris, 1640; Le Bossu, Traité du poème épique, Paris, 1675.
[27] Borinski, Poet. d. Renaiss. p. 26.
[28] Hyeron. Frascatorii Opera, Venetian edition, Giunti, 1574, pp. 112-120.
[29]Poet., ed. cit. i. 1; ii. 1; iii. 7; v. I (pp. 64, 66, 71-72, 208, 580).
[30]Annotationi, preface.
[31]Philosophia antiqua poetica, Madrid, 1596 (reprinted Valladolid 1894).
[32] Francesco Patrici, Della poetica, la Deca disputata, "in which by history, by reason, by authority of the greatest worthies of antiquity, is shown the falsity of the most received opinions concerning Poetry down to our own day." Ferrara, 1586.