Hidden Symbolism of Alchemy and the Occult Arts

It has been mentioned that the work of perfecting mankind might be realized in different degrees of intensity, which might extend from complete living realization to mere sympathy without any clear comprehension. The psychic types in which the realization is achieved are, it may be said, identical.

These typical groups of symbols that the mystic [I draw a certain distinction between the mystes and the mystic. The latter is a mystes who makes a system of what he has realized.] produces as a functional expression of his subjective transformation, can be thought of as an educational method applied to arouse the same reactions in other men. In the group of symbols are contained more or less clearly the already mentioned elementary types as they are common to all men; they strike the same chords in all men. Symbolism is for this very reason the most universal language that can be conceived. It is also the only language that is adapted to the various degrees of intensity as well as to the different levels of the intro-determination of living experience without requiring therefore a different means of expression; for what it contains and works with are the elementary types themselves [or symbols which are [pg 374] as adequate as possible to them] which, as we have seen, represent a permanent element in the stream of change. This series of symbols is quite as useful to the neophyte as to the one who is near to perfection; every one will find in the symbols something that touches him closely; and what must be particularly emphasized is that the individual at every spiritual advance that he makes, will always find something new in the symbols already familiar to him, and therefore something to learn.

To be sure, this new revelation is founded in himself; but there results for the uncritical mind (mythological level) the illusion that the symbols (e.g., those of the holy scripture) are endowed with a miraculous power which implies a divine revelation. [Cf. the concept of the origin of the symbol in my essay, Phant. u. Myth.] Because of a similar illusion, e.g., Jamblichus posits demons between gods and men, who make comprehensible to the latter the utterances of the gods; the demons, he thinks, are servants of the gods and execute their will. They make visible to men in works and words the invisible and inexpressible things of the gods; the formless they reveal in forms and they reveal in concepts what transcends all concepts. From the gods they receive all the good of which they are capable, partially or according to their nature, and share it again with the races that stand below them.

I said above, every one will find something appropriate to himself in the symbols, and I emphasized the great constancy of the types fast rooted in the [pg 375] unconscious, types which impart to them a universal validity. The divine is revealed “only objectively different according to the disposition of the vessel into which it falls, to one one way, another to another. To the rich poetical genius it is revealed preeminently in the activity of his imagination; to the philosophical understanding as the scheme of a harmonious system. It sinks into the depths of the soul of the religious, and exalts the strong constructive will like a divine power. And so the divine is honored differently by each one.” (Ennemoser, Gesch. d. M., p. 109.) “The spiritual element of the inheritance handed down by our fathers works out vigorously in the once for all established style.... On the dark background of the soul stand, as it were, the magic symbols in definite types, and it requires but an inner or outer touch [E.g., by religious observances.] to make them kindle and become active.” (Ib., p. 274.) “The unconscious is common to all mankind in an infinitely greater degree than the content of the individual consciousness, for it is the condensation of the historically average and oft-repeated.” (Jung, Jb. ps. F., III, pp. 169 ff.)

Whoever allows the educative symbols to work upon him, whether he sees only darkly the ethical applications typified in them, or clearly perceives them, or completely realizes them in himself, in any case he will be able to enjoy a satisfying sense of purification for his earnest endeavor in an ethical direction. The just mentioned dim perception (probably the most frequent case), does not exclude [pg 376] the existence of very clear ideas in consciousness; the person in question generally considers his ideas, although they are only masks in front of the absolute ideal, as the ultimate sense of the symbol, thus accepting one degree of significance for the complete meaning. Every one approximates the ideal as he can; the absolute ideal through his ephemeral, but attainable ideal. The highest being speaks in the inexhaustible Bhagavad-Gita:

If above I derived the instructive group of symbols from a mystic, that is not to say that it must be precisely so. I brought out this case among possible [pg 377] cases only for the reason that the mystic is the one who carries out most strenuously the ethical work of purification, and under such conditions as are most favorable to a suggestive group of symbols, and in particular those rich in characteristic types. Bear in mind the founders of religion. (They do not always have to be individuals—schools, myths.) There are, however, others than the religiously inspired natures, who are preëminently endowed to produce suggestive symbol groups with anagogic value; the artists. I suspect that it would prove that the purifying (cathartic) action of a work of art is the greater the more strongly the anagogic symbolism (the groups of types that carry it) is developed, or in other words, the more they express a tendency to a broadening of the personality. This tendency, to which belong the motives of the denial of the selfish will (father figure) of the love that is connected with sacrifice (incest motive, regeneration) of the devotion to an ideal (longing for death), etc., is manifested in the artist as also in the devout observer of the work of art in his very devotion to it. Being lost in a work of art appears to me essentially related both to introversion and to the unio mystica.

In regard to the high ethical aspirations of alchemy, [pg 378] we understand that as a mystic art it preserves those attributes of a royal art which it seems to have had at first merely as gold making and magic. In fact what art may more justly be called royal than that of the perfection of mankind, that art which turns the dependent into the independent, the slave into a master? The freeing of the will in the mystic (and in every ethical) process has already, I believe, been commented on enough to be comprehensible. And the power of rule that has been extolled as a magical effect of the Philosopher's Stone lies in the harmonizing of the individual will with that of the world or with God's will. In the new birth—so remarks Jane Leade casually—we acquire a magic power; this occurs “through faith, that is, through the harmony of our will with the divine will. For faith puts the world in our power, inasmuch as the harmony of our will with the divine has the result of making everything ours or obedient to us. The will of the soul, when it accords wholly with the divine, is no longer a naked will lacking its raiment, power, but brings with it an invincible omnipotence.”

To-day, too, there is a royal art. Freemasonry bears this name. Not only the name but its ethical ideal connects it with the spirit of the old alchemy. This statement will probably be contradicted and meet the same denial as did once the ideas of Kernning [J. Krebs], although I think I am on different ground from that of this poetic but, in my eyes, all too uncritical author. Keep in mind the [pg 379] historical treatment mentioned in Part I, Section 4, and furthermore do not forget the psychological basis of our present modes of viewing things.

[If I wished to compare the ethical aims of both in general terms, I should run the risk of unduly expatiating on what is easily understood. Robert Fischer describes freemasonry as a society of men who have set themselves the severe task of a wise life and labor as the most difficult task, of self-knowledge, self-mastery and self-improvement,—tasks that are not finished in this life but only through death prepare us for the stage where the true consummation begins. These beautiful and straightforward words could just as well stand in an alchemistic discussion on the terrestrial and celestial. But this will suffice.]

And now permit me to present the following portrayals by Jane Leade [English mystic of the 17th century. She belonged to the philadelphian society founded by Pordage.] which I reproduce here with a few words of comment, and take them as an illustration of the beautiful spiritual union of the serious hermetic with the new royal art. The reader can draw his own conclusions. The passages are taken from Leade's “Garten-Brunn” (L. G. B.). References to Wirth are to the “Symbolisme Hermétique” (W. S. H.) of this modern author.

This mystic who is sunk in deep meditation on the noble Stone of divine Wisdom, has a vision of Sophia (Wisdom) at which she is startled. “Soon came the voice and said: Behold I am God's everlasting [pg 380] handmaid of wisdom, whom thou hast sought. I am now here to unseal for thee the treasures of the deepest wisdom of God, and to be to thee even that which Rebecca was to her son Jacob, namely, a true, natural mother. For from my body and womb shalt thou be born, conceived and reborn.” (L. G. B., I, p. 14.)

Leade is much rejoiced that the “morning star from on high” has sought her, and secludes herself for the following days to await further developments. She has still more visions of the crowned queen of heaven and was asked whether she had the desire to be taken up into the celestial company. She proves herself of constantly devoted will and from this time wisdom speaks to her as an inner illumination. (L. G. B., I, p. 15 ff.)

[Retirement is a precondition of introversion and of withdrawal into oneself. The uninitiated who is to be admitted is, to use the language of alchemy, the subjectum, in whom the process of purification is to be perfected. The alchemists put the subjectum into a narrow vessel so as to be hermetically sealed from the outer world. There it is subjected to putrefaction as in a grave. Introversion leads into the depths of one's very heart. “Where were you formed?” “In my heart [or inner man].” “Where after this?” “In the Way to the Lodge.” “What determined you...?” “My own free and unconstrained will.” The uninitiated are recommended to take counsel seriously with regard to their important resolution. “Why are you...?” [pg 381] “Because I was in darkness and desired light.” The death symbol in the sch. K. is later to be considered. I can naturally go into a few only of the analogies. The informed reader will largely increase the number of parallels very easily.]

Jane Leade seeks in the spirit for the key that can open the entrance into the great secret that lies deep hidden within her. Her effort to reach the holy city is great but at first ineffectual. [One is not admitted without further effort.] She wanders around the city and finds no entrance. [Way to the Lodge—“Why have they not led you the nearest way to the Lodge?” “In order to acquaint me with the difficulties and troubles that one must first overcome before one finds the way of virtue.”] She is apprehensive that she must, lacking the wonderful key, now grope all her days in darkness ... never find the gate. “While I, now overpowered with fear and horror at all this, was plunged [Symbols and processes in the sch. K. Roll of the terrible Br. It is probably well founded psychologically, a fact that I should like to emphasize in opposition to Fischer, Kat. Erl., I, on Question 7.] into a deep silence and stillness, the word of wisdom itself was revealed to me and said: ‘O deeply searching spirit, be not surprised that you have not realized your hopes for so long a time. So far you have been with many others caught in a great error, yet as you know and are sorry for your error, I will apprize you what sort of a key it must be.... And although this wonderful Key of Wisdom is a free gift, it will yet come to be of [pg 382] high value to you, O searching spirit, when once you obtain it.’ ” Nevertheless wisdom goes about and looks for those who deserve it, [Nothing being made of nothing, the point of departure of the philosophic work is the finding and choice of the subject.

The material to work upon, say the alchemists, is quite common and is met with everywhere. It is necessary only to know how to distinguish it, and that is where all the difficulty lies. We continually experience it in masonry, for we often initiate the profane, whom we should have rejected had we been sufficiently clear sighted. Not all material is good to make a mercury. The work can succeed only if we succeed in finding a suitable subject; so masonry makes many inquiries before admitting a candidate to the tests. (W. S. H., p. 87.)] She does this so as to write herself on the inner walls of their hearts and in each and every one meet their thoughts which wait upon her laws and counsel, [Obedience of apprentices. The laws of wisdom are meant.] and brings a kingdom with it which will be well worth sacrificing everything for. [Laying aside of all metal. The newly admitted brother is “through his unclothing” (which probably belongs here) to represent mankind symbolically, as he comes from the hand of nature, and to remind us that the freemason, in order to be continuously mindful of the fulfillment of his duty must be able to rid himself of all fortuitous externalities.

See Note H at end.] But the greatest and most distinguished master work, says wisdom, consists alone in your keeping your [pg 383] spirit disciplined and learned, and making it a skilled worker or artist, to give it knowledge of what material, as well as in what number, weight and measure [Surveying, geometry.] to make this pure key, which [material] is the bright pure divinity in the number three, the mighty in truth.... It is distinguished as a surpassingly mighty glory and lordliness which sits in a circle of heaven within the hearts of men. [The connection of circle (doubly significant) and heart is interesting. As is well known the circle is placed on the bleeding left breast. In the old English ritual the touching with the point of an instrument (sword or the like) is proved “Because the left breast is nearest to the heart, so that it may be so much the more a prick in my conscience as it then pricked my skin.”] It does with the plumbline of its power measure the temple and inner court with those who worship there. [The line in connection with the temple: the “binding” on a carpet; an image of the curtain string in the holy of holies in Solomon's temple. “Just as this ribbon holds and closes the curtain, so an indissoluble bond unites and holds together all free and accepted Masonic brothers (also those who worship therein).” This is wisdom's key [Surveying, Geometry.] which will make our hands drop with sweet smelling myrrh upon the handles of the lock (Solomon's Song, V, 5).

When now I opened your secret gate with this key, my soul failed within me and I had no strength in me, the sun of reason and the moon of my extended senses were confounded and vanished. I knew nothing by myself of [pg 384] the active properties of nature and the creature. “What have you seen as ...?” “Nothing that reason can grasp.”] The wheel of motion stood still and something else was moved by a central fire, so that I felt myself turned into a bright flame. Whereupon this word came to me: This is nothing else than the gate of my everlasting depths; can you stay in this fiery region, which is wisdom's dwelling and abode, in which it meets holy remote spirits and gives them a fiery principle? For if thou canst take heed such that thou comest hither at its order; then no secret shall be kept from thee. So far I have been permitted to approach the entrance to your house, where I must still stay until I hear further from you what is to be done. (L. G. B., I, pp. 17-19.)

[As we hear it is therefore right to keep the spirit corrected and disciplined. “Why came ye ... to subdue my passions—to subject my will....” We see two triads. A divine three (3 great lights), and then sun, moon and central fire, which second three can be called the lesser lights, as the “M. v. St.” appears as a central fire. If we remember that the didactic voice proceeds, according to this symbolism, from a fire or light (Wisdom), this light is identical with the M. v. St. in the function, and it is determined by exactly that. The central fire is naturally also the blazing star. This stands on the tapis between sun and moon and it is designed to illuminate the innermost space of the temple. From alchemy we are well acquainted with [Symbol: Sun], [Symbol: Moon] and an intermediate and mediating light, namely [Symbol: Mercury]. This [pg 385] light can be also symbolized as [Symbol: Star of David]. To the alchemistic point of view correspond quite closely the three great lights of the Freiburg Ritual, God, man and St. John's light. This (the [Symbol: mercury]) is the intelligence and the talent in men which creates all science and shows us the truth. It is “the only authority that the freemason has to recognize unconditionally, namely, the divine ordinance in his own heart, the celestial fire in his ego.”]

Several weeks later Leade hears again the voice of wisdom. It said to her: “Separate thyself and withdraw from thy animal sensuous life, it is too coarse. I cannot appear till that is completely lost and vanished.” [The alchemistic separation (separatio) and the masonic taking off of parts of their clothing. I have already made the most necessary remarks about it. We have to be freed from the things which, as in the eclectic ritual “much retard the soaring of the spirit and chain man to the earth.” It has an expressly programmatical meaning (anticipating a later phase) when, e.g., the system of the Grand Lodge goes back, for the deprivation from the metal, to “the temple of Solomon that was built of fully prepared stones, just as they were brought, etc.,” so that no metal work was needed.] A short time after Leade is again driven to search after the secret being. Wisdom requires it to know itself apart from its creature existence. “Whereupon I was surrounded by gently burning flames that consumed and burned all thistles, thorns and accursed fluxes [the ‘superfluities’ of alchemy] which would [pg 386] put themselves forward.... Therefore Wisdom let her voice be heard and said: ‘O thou troubled spirit, I am now come to tell thee what was required of thee, as I have not refrained from saying to thee, even at the beginning of my discourse with thee, what it would cost thee to attain this key. [First programmatically shown. The actual process will then follow.] I say to thee, God requires a sacrifice of thee.

Understand me then, thou hast an earthly element that has spread and covered [Like a garment.] thee, and consequently has got the upper hand and mastery of thee; these thrones and powers [king or father figure] must, however, be overthrown and their place found no more. Thou hast deeply mourned that thou hadst to do without the ever near communion or union with God thy Creator, [Only the masters sit near the sun.] but be not surprised at that. The cause lies here in complete extinction because you are not yet deceased and dead completely in the mystical manner. [Complete extinction first results in the third degree.] This is the first baptism that you must experience, but ah, how many have rushed into this too abruptly, because they have not given their earthly selfishness a single mortal blow right to the heart. [The circle or sword placed on the left breast alludes merely to the process of the clearing of conscience. Here the whole ego is not yet annihilated.] So I recommend to thee my flaming sword. Be courageous and let it achieve complete execution in the field of nature [The weed in the field is exterminated where, as [pg 387] Jane Leade frequently says, ears of corn are to grow.] or banish completely all young or old, and turn from life toward death whatever in you does not bear my mark and name that is my image.’ ” [From this the psychological sense of the countersign is recognized. In connection with the field we are reminded especially of Shibboleth (Judges XIII, 6: The Ephraimites who could not speak it had to die). Leade often mentions the Ephraimites.

Directly pertinent to the above passage is, of course, Revelations, passim.] (L. G. B., I, pp. 21 ff.) The earthly is, as it were, to be sacrificed to God as a burnt offering or melted away in a fiery furnace, in a vessel of the purest metal. [Probably it will not be superfluous to remark that in the Bible the first worker in all kinds of metal was Tubal Cain, whose name is a password.] Jane Leade finds “the conditions or circumstances which thou [Wisdom] requirest of me to be very hard; especially do I find myself still dwelling in the offspring of a mortal shadow, where whole millions of spirits tempt me and employ all their ability and strength to hinder and hold me back from the high and noble exaltation and aspiration, [The seductive and restraining voices in the circuitous way or on the way to the Lodge according to the eclectic ritual. The band corresponds to the mortal shadow.] while I, alone and seeing the receptacle and fire before me, stood in thought about it and pondered the matter, and was willing, like Isaac, to ask, But where is the lamb? [The apron is of lamb's fleece.] She [Sophia = [pg 388] Wisdom] answered my unspoken question with these words: You yourself must be the paschal lamb that shall be slain. Thereupon I was instructed to say or to beg: Then give yet this life pulse a stroke so that it may completely return.

And as I stretched out my neck, so to speak, to the love flaming sword, I felt that a separation or beheading had taken place. [Note the baring of the neck, the guttural and its meaning given according to the content of the old form of oath. The fate of the traitor befalls the man who is slain at this point; he has been a traitor to the inner true man. It is here the place to bear in mind the descending scale of marks (guttural, pectoral, stomachal). Man is to be transmuted on rectangular principles, or in the language of alchemy, is to be tinctured with the divine tincture. This tincturing seizes first the most spiritual and advances steadily until the whole man is transformed. The trichotomy corresponds to the Platonic (and alchemistic) tripartite division of the powers of the soul. Plato distinguishes the reasoning soul, which he places in the head, the intellectual in the breast, and the affective in the abdomen. The entire soul, even the vegetative, is to be illuminated by the highest light. If we assume that it is more than a pretty picture, Staudenmaier's view becomes of interest, namely that man may have an extraordinary spiritual perfection in bestowing consciousness through practice upon the centers that ordinarily work vegetatively without consciousness. In this way he gains power over a whole army of working powers that otherwise escape [pg 389] him.

Staudenmaier's own experiences teach that all the dangers of introversion are connected with such a training, and it may easily happen that we are defeated by the spirits that we invoke, instead of becoming their masters. The absolute mastery of the rational ego is, however, evidently the foundation of the ethical work of perfection. Kenning's doctrine is related to the theories of Staudenmaier.] Oh, how sweet and pleasant it is to perceive the life blood flowing into the fountain of the same divinity from which it came.” Whereupon wisdom opened more of her secrets to her. (L. G. B., I, p. 24.)

It may be that this is the most suitable place to mention another series of visions (apropos of the building of the tabernacle, L. G. B., I, pp. 24 ff.): “It [the holy ark] is an impregnable fortress and tower, so go thou not out [so says Wisdom], but bind thyself and ally thyself here as a disciple, to hold out to the end, then thou wilt be learned in the lofty spiritual art of the everlasting mystery, and be instructed how this incomparable composition or medicine of the healing elixir and balsam of life is prepared. Above all thou must enter a bond of silence and vow to reveal it to no one outside of your fellow learners, who are called together near and with you, to work at this very art. [I hardly need to mention the duty under oath, but will only call attention to the group of the three virtues of the newly entering: attentiveness, silence, fidelity.] Further thou must completely bide the definite time and year of it, in all fidelity and patience indefatigable, [pg 390] until thou succeedest in making this oil as well, and preserve it in the beautiful snow-white alabaster box of consummate nature, and art as fit and perfect as thy instructress.”

I continue in the earlier series of forms. Jane Leade is required by wisdom to follow her. “But all of a sudden I was surprised by a mighty enemy, who pressed me hard while he accused and complained that I was breaking the laws of nature, to which I was still bound because I had an external body, for whose elemental wants I must take reasonable care, ... as all my neighbors in the world did, who were under the rule of the grand monarch of the [worldly calculating] reason, under whose scepter everything must mortify what lives in the sensual animal life....” [The man who lives only for the satisfaction of physical needs cannot serve our purpose.... There is a higher life than that to which millions are chained like an animal. To this higher life the Master is to devote himself, and to it he is metaphorically initiated in the admission. Common nature, the prince of this world, strives against these requirements.] “Yes,” says the prince of the earthly life, “how wilt thou turn aside from my laws and throw thy brother's yoke from thy neck?” Leade turns to her mother, Wisdom, who promises her to take God's advice how the enemy could be driven away. The proof should be that they were traitors to the crown, to honor, and to the lordship of the lamb; they would soon be handed over to justice. (L. G. B., I, pp. 27 ff.) [Cf. on the [pg 391] one hand, in connection with “accused and complained,” think of the murderer of the royal architect. As this is the inner man, both belong together. The “prince of this world” turns the tables on his accusation; psychologically quite justifiably.]

After various exhortations Jane Leade receives from Wisdom a book which she, Wisdom, must read from, “in order to explain to you one letter after another, [Spelling.], especially you do not yet know the number which makes up your new name. And as long as you do not see that, what kind of right and title can you advance for the rest of the entire mastery that is developed there?” (L. G. B., I, p. 36.) It refers to a transmutation of the man, which cannot happen all at once; “so highly important a change, that it could not take place without a passing through many distant degrees.” (L. G. B., II, p. 78.)