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The Yoga-Vasishtha Maharamayana of Valmiki, Vol. 4 (of...

CHAPTER CV. The same subject continued.

Project Gutenberg EPUB edition Valmiki and Mitra, Viharilala
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40. See the slow moving clouds, shrouding the lowlands lying at the foot of the Krauncha mountain; and observe the crowding peacocks dancing under them, and screaming aloud with their grave and shrill cries to the clouds. Lo there the gusts of rain-winds rising high, and blowing the fruits and flowers and leaves of trees afar on all sides.
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41. Behold the sun setting mountain in the west, with its thousand peaks of glittering gold; shining amidst the dusky hue of the evening sky; and the sloping sun descending below in his chariot whirling down with its rattling wheels in the rustling of evening winds. (But the solar car is a velocipedes with a single wheel only).
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42. The moon that rises upon the eastern mount of Meru like a full blown flower, in order to give light to the darkened mansion of this world; is itself accompanied by its black spots, sitting as black-bees upon the blossom. Hence there is no good thing in this perverted world, which is free from its fault and frailty.
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43. The moon light is shining like the laughter of the god Rudra, amidst his dome of the triple world; or it is as the white wash of the great hall of the universe, or it likens <to> the milky fluid of the milky ocean of the sky.
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44. Look on all sides of the sky, tinged with the evening twilight, and the variegated hues of mountain tops; and filled with the milky beams of the moon, that was churned out by the Mount Mandara from the milky ocean.
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45. Look there, O incomparable lord! those hosts of Guhyka ghosts, that are as hideous as the large tála or palm trees; and also those puny Vetála younglings are pouring upon the ill-fated dominions of the Hunas; and devouring troubled inhabitants at night.
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46. The face of the moon shines brightly like the beauteous face of a fairy, so long as it does not appear out of its mansion at night; but it is shorn of its beams, and appears as a piece of fleecy cloud, by its appearance at day light; as the fairy face becomes disgraced, by appearing out of the inner apartment.
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47. Look at the lofty peaks of the snowy mountain, covered with the fair vesture of the bright moon beams; and see its craigs washed by floods of the falling Ganges; behold its head capped by perpetual snows, and begirt by creepers of snowy whiteness.
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48. Behold there Mandara mountain touching the sky, and crowning the forest with its lofty ridges; here the winds are wafting the cradle chimes of Apsara nymphs, and there the mountainous mines gemming in various hues.
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49. See the high hills all around, abounding with blooming flowers like offerings to the gods; see the thickening clouds round their loins, and resounding hoarsely within their hollows, while the starry heaven shines over their heads.
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50. There is the Kailása mountain on the north, vying with firmament in its brightness; below it there is the hermitage of Skanda, and the moon shines in her brilliance above.
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51. Lo, the god Indra has let loose his winds, to break the branches of trees, and demolish the huts on the ground, the fragments of which they have been carrying afar.
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52. The winds are wafting the profuse fragrance of flowers after the rains, and filling the nostrils of men with their odours; while the flights of bees are floating as clouds in the azure sky.
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53. Methinks the goddess Flora has chosen for her abode, the blooming flowers in the forests; limpid waters in the marshy grounds, and in villages abounding in fruitful trees, and flourishing fields.
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54. The windows are overgrown with creeping plants in the rains, and the house tops are decorated with the flowers of the climbing creepers upon them. The ground is strewn over with the dropping flowers up to the heels, and the breezes are blowing the dust of the flowers all about. All these have made the woodlands the seats of the sylvan gods.
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55. The rains have converted the rustic village, to a romantic paradise or fairy land; by the blooming champaka flowers, the swinging of the rural nymphs in their cradles, of creepers, by the warbling of birds and gurgling of water-falls, the blossoming of the tall palm trees in the skirts; the tender creepers blooming with clusters of snow white blossom, the dancing of peacocks on the tops of houses, and the borders shaded by the sal trees; and the rainy clouds hanging over the village and the bordering hills.
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56. Again the soft and sweet breathing breezes, the variegated leaves of the plants and creepers, the verdure of the village, the cries of cranes and other fowls, and the wild notes of the foresters; these together with the jollity of the swains, and the merriment of the pastoral people, over their plenty of milk, curd, butter and ghee, and their glee in their peaceful abodes, add a charm to this hilly tract.

Source attribution

The Yoga-Vasishtha Maharamayana of Valmiki, Vol. 4 (of 4), Part 2 (of 2), Project Gutenberg eBook #71249

CHAPTER CXIV. Description of the Prospects all around. CHAPTER CXVI. Narration of the Speech of Crow and Cuckoo.