Before CHAPTER XIX TERRACOTTA IN ROMAN ARCHITECTURE AND SCULPTURE
Project Gutenberg EPUB3 edition
Walters, H. B. (Henry Beauchamp) and Birch, Samuel
Source notes
2286. Micali, op. cit. pl. 5, fig. 2.
2287. Cat. 1543.
2288. Cat. C 617-18.
2289. Bull. dell’ Inst. 1881, p. 167, No. 26.
2290. The hydria is a form of essentially Ionic origin, the earliest examples being found in the “Caeretan” and Daphnae fabrics (see Chapter VIII.).
2291. Cat. of Terracottas, B 630 = Fig. 183.
2292. Micali, Mon. Ined. pl. 58; Dennis, Etruria, i. p. 34 ff.
2293. Cf. an oinochoë in the British Museum, A 633; and see J.H.S. x. p. 126.
2294. Mus. Greg. i. pl. 15 ff.; Helbig, Führer, 1899, ii. p. 344 ff.
2295. Notizie degli Scavi, 1887, pls. 14-18.
2296. Bull. dell’ Inst. 1876, p. 117 ff., and Mon. dell’ Inst. x. pls. 31-33. The art of Praeneste, though a Latin town, was wholly Etruscan. Cf. the later series of bronze cistae found here.
2297. Martha, L’Art Étrusque, p. 462.
2298. Louvre Cat. ii. pp. 294, 315.
2299. Traité, i. p. 414: see Blümner, Technologie, ii. p. 62. It may be compared with the analysis of the clay of Greek vases given in Vol. I. p. 203.
2300. Cf. Micali, Mon. Ined. pls. 28-30.
2301. Micali, op. cit. pls. 28-32.
2302. Cf. Arch. Zeit. 1884, pl. 8, fig. 1, and the reliefs from Sparta, Ath. Mitth. 1877, pls. 20-4.
2303. Cf. Ann. dell’ Inst. 1877, pls. U, V; Micali, op. cit. pls. 27-32.
2304. See Pottier, Louvre Cat. ii. p. 324 ff.
2305. Cf. B.M. A 379 with Bronze Cat. Nos. 385, 436-37.
2306. See also on the subject generally, Gaz. Arch. 1879, p. 99 ff.; Pottier, Louvre Cat. ii. p. 314 ff.; Martha, L’Art Étrusque, p. 462 ff.; and Gsell, Fouilles de Vulci, p. 445 ff.
2307. vi. 343: cf. Pliny, H.N. xxxv. 158-59, and Chapter XXI.
2308. ii. 60.
2309. xiv. 98: cf. p. 479.
2310. See Perrot, Hist. de l’Art, i. p. 308.
2311. See Cat. of Bronzes, No. 600, and Cat. of Terracottas, D 215. The bronze plates were formerly made up into the shape of a shield, with many restorations; but on removing these, the true form was discovered. The body of the chair is modern.
2312. Mus. di Ant. Class. i. p. 299 ff., with many examples on pls. 9, 9a, 11-13. Fig. 181 is from pl. 9, figs. 9, 9a.
2313. H 148 in the British Museum is a curious terracotta example, covered with incised designs: see Benndorf, Gesichtshelme und Sepuleralmasken, pl. 11, p. 42.
2314. Cat. 3976-77.
2315. Cat. of Terracottas, D 219-220.
2316. See Vol. I. p. 321.
2317. Röm. Mitth. 1888, p. 174 ff.: see also Endt, Ion. Vasenm. p. 71.
2318. They also show the influence of the “Pontic” class (Vol. I. p. 359).
2319. It may be compared with B 59 in the same case (Plate XXVI.).
2320. See Endt, Ion. Vasenm. p. 51; Pottier, Louvre Cat. ii. p. 413.
2321. B.M. B 61-74; Louvre E 754-81 (some of these do not show distinctive Etruscan features, although made in Italy); Naples 2522, 2717, 2757; Würzburg 81-2; Micali, Mon. Ined. 36. 1, 37, 1, and 43, 3; id. Storia, 82, 3; Dubois-Maisonneuve, Introd. 34; Inghirami, Mus. Chins. 72; Gsell, Fouilles de Vulci, pl. 18-9; Anzeiger, 1893, p. 87. According to Endt, loc. cit., about 200 examples are known. B 63 in the B.M. is reproduced in Plate LVIII.
2322. Another is given in Mon. dell’ Inst. x. pl. 51.
2323. Bibl. Nat. 918 = Dennis, Etruria, ii. frontispiece.
2324. Reinach, i. p. 88.
2325. Micali, Mon. Ined. pl. 38.