MYSTERIOUS FORMS AND SIGNS.

Project Gutenberg EPUB edition Dendy, Walter Cooper
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“Fierce fiery warriors fight upon the clouds,
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In ranks, and squadrons, and right form of war,
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Which drizzled blood upon the capitol:
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The noise of battle hurtled in the air.”
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Astr. Methinks you claim too much homage from our courtesy to your philosophy, Evelyn. Can we believe that all these wondrous forms and shadows are but an illusion of the eye, or of the mind’s eye? And, if I grant this truth in regard to the eye of one mind, can we so easily libel the evidence of a multitude, to whom the world of shadows is unlocked?
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We are now wandering in the very land of omens; and will this cold philosophy of thine presume to draw aside the veil of mystery, which hangs over the mountain and the cataract of yon wild principality?
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E’en now the legends of many climes crowd on my memory; and, while this purple cloud is o’er the sun, listen, I pr’ythee, to the traditions which I have gathered; muse on the sequences of these strange appearances, and you will at length confess, with the Benedictine Calmet—“Realité des apparitions est prouvée par l’événement des choses prédites.”
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The Tan-we or Tan-wed are streams of lucid fire, rolling along the lands of a freeholder, who, warned of his coming fate, immediately makes his will, and shortly after dies.
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Among the gloomy gorges of Preselle, in Pembrokeshire, comes dancing on that blue wild-fire the “Canwyl y Cyrph,” or “Corpse-candle.” As the shades of evening are approaching, the spectre of the doomed comes flitting before us, with a lighted taper in its hand, and with a solemn step halts not until it rests on its destined grave, in the church-yard ground. If dignities and fortune have been the earthly lot of this doomed mortal, then is there shadowed forth an awful pageantry of hearse and ghostly steeds, and mute mourners, all gliding away to the place of the tomb, and, like the phantoms of the Aensprecker, in Holland, (a funeral procession of no less fatality,) they foretell the doom of some ill-fated friend.
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Among the dingles of the Bachwy, in Radnorshire, amid scenery of wild and lonely beauty, a few rugged stones denote the site of an ancient castle of a Welsh prince; it is the ruin of the “Black Rock.” The opposing masses of this eternal rock, tapestried with deep green moss and lichen, fold in upon the stream directly over its matchless cataract, which falls abruptly from the upper to the lower valley into this gloomy gorge; the sunbeam playing on the upper ledge of the waterfall, while its deep basin is shrouded in Stygian darkness. Into this gulph it was the pleasure of the prince to hurl from his castle walls, those whom fate had made his prisoners. Often since the era of these cruelties, (as I learned from the oral legends of the peasants,) before a death, a strange unearthly groaning is heard, the “Kyhirraeth,” becoming fainter and fainter until the last gasp of the mortal whose doom it forebodes.
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There is the dead-bell, which the Scottish peasants believe to foretell the death of a friend; and the death-cart of Lancashire, which is heard rattling along the streets like a whirlwind; and the Owke Mouraske, a demon of Norway, which never enters a house but some one of the family dies within the year. We are assured also by the Saxon, Cranmer, that ere one of the electoral house of Brandenburgh dies, a woman in white appears to many throughout the dominions of Prussia.
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The wild mountains that surround us are prolific in the “Anderyn y Corff,” or “Corpse-bird,” and the “Cwm Amon,” or “Dogs of Hell,” which are believed to be demons of death, in the shape of hounds, and, like the mongrel of Faust, marked by a train of fire. These howl forth their awful warning, while the death-peal rings in the ears of the nearest kin of one about to die.
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There is the legend of the “Ellyllon,” a prototype of the Scotch and Irish “Banshie,” which appears as an old crone, with streaming hair and a coat of blue, with her boding scream of death. The “Gwrach y Rhibyn,” or “Hag of the Dribble,” whose pastime is to carry stones in her apron across the mountains, and then to loosen her apron-string, and by the shower of stones to make a “dribble.” This hag, at twilight, flaps her raven wing against the chamber window of a doomed creature, and, with a howl, cries out, “A a a ui ui Anni.”
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In the wilderness of Zin, which stretches between Palestine and the Red Sea, both the Bedouin Arab and the traveller are greeted by the sound of matin bells, like the convent peal which calls the nuns to their devotion; and this, according to tradition, has been heard ever since the crusades.
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Then there is a fatal spirit of the desert, which, like an ignis fatuus, lures men to destruction, by
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“Airy tongues that syllable men’s names.”
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The Venetian traveller, Marco Polo, writes of those who, wandering unwarily from the track of the caravans in Tartary, hear the phantom voice of some dear friend (who indeed sometimes appears in person), which entices them from the route, and they perish in the desert.
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And Lord Lindsay, in his travels through Egypt and the defiles of Edom, tells us one circumstantial story from Vincent de Blanc, of a man decoyed away from the caravan of an Arabian merchant by the entreaties of a phantom voice.
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Before an heir of Clifton sleeps in death, a sturgeon is always, it is affirmed, taken in the river Trent. This incident, like many others, becomes important from its consequence.
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The park of Chartley is a wild and romantic spot, in its primitive state, untouched by the hand of the agriculturist, and was formerly attached to the royal forest of Needwood, and the honour of Tutbury, of the whole of which the ancient family of De Ferrars were once the puissant lords. Their immense possessions, now forming part of the duchy of Lancaster, were forfeited by the attainder of Earl Ferrars, after his defeat at Burton Bridge, where he led the rebellious barons against Henry III. The Chartley estate, being settled in dower, was alone reserved, and handed down to its present possessor. In the park is preserved, in its primitive purity, the indigenous Staffordshire cow, small in stature, of a sand-white colour, with black ears, muzzle, and tips at the hoofs. In the year of the battle of Burton Bridge, a black calf was born, and the downfall of the great house of Ferrars happening at the same period, gave rise to the tradition, which to this day has been held in veneration by the common people, that the birth of a party-coloured calf from the wild breed in Chartley Park, is a sure omen of death within the same year to a member of the lord’s family. A calf of this description has been born whenever a death has happened in the family of late years. The decease of the last earl and his countess, of his son Lord Tamworth, of his daughter, Mrs. William Jolliffe, as well as the deaths of the son and heir of the present nobleman and his daughter, Lady Frances Shirley, have each been forewarned by the ominous birth of a spotted calf.
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In the spring of a late year, an animal perfectly black was calved by one of this weird tribe, in the park of Chartley, and this birth also has been followed by the death of the countess.
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In the beautiful chapel of Rosslinne, founded by William Saint Clair, prince of Orkney, there is a legend of the spectral light, which illumined its gothic beauty, on the eve of a death among his descendants. And my sweet Castaly will remember how pathetically Harold sings the fate of Rosabelle Saint Clair.
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In other districts, on the coming of such an event, these lights are seen of various colours, and are termed “Dr’ Eug,”—“the Death of the Druid;” and they also marshal the funeral procession to the very verge of the grave.
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Dr. Caldicot solemnly writes, that when a Christian is drowned in the Dee, a light appears over the spot, by which the body is easily discovered; and hence the river is called “Holy” Dee.
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The mysteries of the “Skibbereen Lights” are recorded by an honourable gentleman of Ireland, and ladies and philosophers journeyed far to behold them, and believed.—In a cottage in a marshy flat near Bantry lived a man named Harrington, a perfect anatomie vivante, and bedridden,—his heart devout,—his books all of a religious kind. In his chamber, strange lights soon appeared, at first like the dim moonlight on the wall, deepening often into yellow light, and flickering round the room. There was often a group of literati and fashion assembled there, on whom the light danced and displayed all the various emotions of the parties. Once at noon, but mostly at midnight, the light appeared; and on all occasions Harrington seemed to anticipate before others beheld them. Science has searched for causes; but neither in the arts of an impostor, or the natural exhalation of luminous gases, has been yet discovered a solution of this mystery.
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In the wild country around Dolgelly, where Cader Idris frowns upon the floods and fells of Merioneth,—where the Mawddach, after its magnificent fall, rolls its waters through the brown and purple valley to join the Wonion, and then expand into the mountain estuary of Abermaw,—the wanderer will hear from many lips this current story.
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On a dark evening, a few winters ago, some persons were returning to Barmouth, on the south or opposite side of the river. As they approached the ferry-house at Penthryn, which is directly opposite Barmouth, they observed a light near the house, which they conjectured to be produced by a bonfire; and greatly puzzled they were to discover the reason why it should have been lighted. As they came nearer, however, it vanished; and when they inquired at the house respecting it, they were surprised to learn, that not only had the people there displayed no light, but they had not even seen one, nor could they perceive any signs of it on the sands. On reaching Barmouth, the circumstance was mentioned, and the fact corroborated by some of the people there, who had also plainly and distinctly seen the light. It was settled, therefore, by some of the old fishermen, that this was a “death token;” and sure enough the man who kept the ferry at that time was drowned at high water a few nights afterwards, on the very spot where the light was seen. He was landing from the boat, when he fell into the water, and so perished.
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The same winter the Barmouth people, as well as the inhabitants of the opposite banks, were struck by the appearance of a number of small lights, which were seen dancing in the air at a place called Borthwyn, about half a mile from the town. A great number of people came out to see these lights, and after a while they all but one disappeared, and this one proceeded slowly towards the water’s edge, to a little bay where some boats were moored. The men in a sloop which was anchored near the spot saw the light advancing; they saw it also hover for a few seconds over one particular boat, and then totally disappear. Two or three days afterwards the man to whom that particular boat belonged was drowned in the river, while he was sailing about Barmouth harbour in that very boat.
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On a lofty mountain, rising over Marbach in Austria, stands the church of Maria-Taferl; and miracles on miracles are related of this sacred spot, since the time when the “Vesperbild,” an image of the Virgin, was fixed on its oak. Even angels have visited the shrine. In the 17th century these angelic visitants appeared in processions bearing a red cross, while stars shone around the head of the Virgin. On one occasion a red cross was borne along and a taper was lighted, by no mortal hand, at the feet of the Vesperbild; and this is recorded and attested by the crowd who gazed in wonder on the miracle.
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The trials of the two divines, John Huss and Wickliffe, were marked by awful and impressive phenomena. While the tribunal was sitting in judgment on Wickliffe, the monastery in which the English monks had assembled was nearly overwhelmed by an earthquake. And it chanced, that while the council were in high assembly at Constance, which condemned Huss to the stake, the eclipse, which over that city was nearly total, occurred, and the consternation of the people, at that time prone to the belief of miracles, was extreme.
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“The night had wan’d; but darkness and dismay
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Rose with the dawn, and blotted out the day.
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The council’s warder, struck with sudden fear,
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Dropt from his palsied hand th’ uplifted spear.
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Aghast each gazer saw the mystic power,
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That rob’d in midnight’s pall the matin hour;
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While hurrying feet, and wailings to and fro,
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Spread the wild panic of impending woe.
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The prince and prelates shudder’d at the sign:

Source attribution

The Philosophy of Mystery, Project Gutenberg eBook #56822

PHANTASY FROM SYMPATHY WITH THE BRAIN. ANALYSIS AND CLASSIFICATION OF SPECTRAL ILLUSION.