PÂDA IV.
Project Gutenberg EPUB edition
Thibaut, G. (George)
The question as to what kind of system is represented by the Vedânta-sûtras may be approached in another way also. While hitherto we have attempted to penetrate to the meaning of the Sûtras by means of the different commentaries, we might try the opposite road, and, in the first place, attempt to ascertain independently of the Sûtras what doctrine is set forth in the Upanishads, whose teaching the Sûtras doubtless aim at systematising. If, it might be urged, the Upanishads can be convincingly shown to embody a certain settled doctrine, we must consider it at the least highly probable that that very same doctrine—of whatever special nature it may be—is hidden in the enigmatical aphorisms of Bâdarâyana.24
I do not, however, consider this line of argumentation a safe one. Even if it could be shown that the teaching of all the chief Upanishads agrees in all essential points (a subject to which some attention will be paid later on), we should not on that account be entitled unhesitatingly to assume that the Sûtras set forth the same doctrine. Whatever the true philosophy of the Upanishads may be, there remains the undeniable fact that there exist and have existed since very ancient times not one but several essentially differing systems, all of which lay claim to the distinction of being the true representatives of the teaching of the Upanishads as well as of the Sûtras. Let us suppose, for argument's sake, that, for instance, the doctrine of Mâyâ is distinctly enunciated in the Upanishads; nevertheless Râmânuja and, for all we know to the contrary, the whole series of more ancient commentators on whom he looked as authorities in the interpretation of the Sûtras, denied that the Upanishads teach Mâyâ, and it is hence by no means impossible that Bâdarâyana should have done the same. The à priori style of reasoning as to the teaching of the Sûtras is therefore without much force.
But apart from any intention of arriving thereby at the meaning of the Sûtras there, of course, remains for us the all-important question as to the true teaching of the Upanishads, a question which a translator of the Sûtras and Sa@nkara cannot afford to pass over in silence, especially after reason has been shown for the conclusion that the Sûtras and the Sa@nkara-bhâshya do not agree concerning most important points of Vedântic doctrine. The Sûtras as well as the later commentaries claim, in the first place, to be nothing more than systematisations of the Upanishads, and for us a considerable part at least of their value and interest lies in this their nature. Hence the further question presents itself by whom the teaching of the Upanishads has been most adequately systematised, whether by Bâdarâyana, or Sa@nkara, or Râmânuja, or some other commentator. This question requires to be kept altogether separate from the enquiry as to which commentator most faithfully renders the contents of the Sûtras, and it is by no means impossible that Sa@nkara, for instance, should in the end have to be declared a more trustworthy guide with regard to the teaching of the Upanishads than concerning the meaning of the Sûtras.
We must remark here at once that, whatever commentator may be found to deserve preference on the whole, it appears fairly certain already at the outset that none of the systems which Indian ingenuity has succeeded in erecting on the basis of the Upanishads can be accepted in its entirety. The reason for this lies in the nature of the Upanishads themselves. To the Hindu commentator and philosopher the Upanishads came down as a body of revealed truth whose teaching had, somehow or other, to be shown to be thoroughly consistent and free from contradictions; a system had to be devised in which a suitable place could be allotted to every one of the multitudinous statements which they make on the various points of Vedântic doctrine. But to the European scholar, or in fact to any one whose mind is not bound by the doctrine of Sruti, it will certainly appear that all such attempts stand self-condemned. If anything is evident even on a cursory review of the Upanishads—and the impression so created is only strengthened by a more careful investigation—it is that they do not constitute a systematic whole. They themselves, especially the older ones, give the most unmistakable indications on that point. Not only are the doctrines expounded in the different Upanishads ascribed to different teachers, but even the separate sections of one and the same Upanishad are assigned to different authorities. It would be superfluous to quote examples of what a mere look at the Chândogya Upanishad, for instance, suffices to prove.
It is of course not impossible that even a multitude of teachers should agree in imparting precisely the same doctrine; but in the case of the Upanishads that is certainly not antecedently probable. For, in the first place, the teachers who are credited with the doctrines of the Upanishads manifestly belonged to different sections of Brahminical society, to different Vedic sâkhâs; nay, some of them the tradition makes out to have been kshattriyas. And, in the second place, the period, whose mental activity is represented in the Upanishads, was a creative one, and as such cannot be judged according to the analogy of later periods of Indian philosophic development. The later philosophic schools as, for instance, the one of which Sa@nkara is the great representative, were no longer free in their speculations, but strictly bound by a traditional body of texts considered sacred, which could not be changed or added to, but merely systematised and commented upon. Hence the rigorous uniformity of doctrine characteristic of those schools. But there had been a time when, what later writers received as a sacred legacy, determining and confining the whole course of their speculations, first sprang from the minds of creative thinkers not fettered by the tradition of any school, but freely following the promptings of their own heads and hearts.
By the absence of school traditions, I do not indeed mean that the great teachers who appear in the Upanishads were free to make an entirely new start, and to assign to their speculations any direction they chose; for nothing can be more certain than that, at the period as the outcome of whose philosophical activity the Upanishads have to be considered, there were in circulation certain broad speculative ideas overshadowing the mind of every member of Brahminical society. But those ideas were neither very definite nor worked out in detail, and hence allowed themselves to be handled and fashioned in different ways by different individuals. With whom the few leading conceptions traceable in the teaching of all Upanishads first originated, is a point on which those writings themselves do not enlighten us, and which we have no other means for settling; most probably they are to be viewed not as the creation of any individual mind, but as the gradual outcome of speculations carried on by generations of Vedic theologians. In the Upanishads themselves, at any rate, they appear as floating mental possessions which may be seized and moulded into new forms by any one who feels within himself the required inspiration. A certain vague knowledge of Brahman, the great hidden being in which all this manifold world is one, seems to be spread everywhere, and often issues from the most unexpected sources. Svetaketu receives instruction from his father Uddâlaka; the proud Gârgya has to become the pupil of Ajâtasatru, the king of Kâsî;
Bhujyu Sâhyâyani receives answers to his questions from a Gandharva possessing a maiden; Satyakâma learns what Brahman is from the bull of the herd he is tending, from Agni and from a flamingo; and Upakosala is taught by the sacred fires in his teacher's house. All this is of course legend, not history; but the fact that the philosophic and theological doctrines of the Upanishads are clothed in this legendary garb certainly does not strengthen the expectation of finding in them a rigidly systematic doctrine.
And a closer investigation of the contents of the Upanishads amply confirms this preliminary impression. If we avail ourselves, for instance, of M. Paul Régnaud's Matériaux pour servir à l'Histoire de la Philosophie de l'Inde, in which the philosophical lucubrations of the different Upanishads are arranged systematically according to topics, we can see with ease how, together with a certain uniformity of general leading conceptions, there runs throughout divergence in details, and very often not unimportant details. A look, for instance, at the collection of passages relative to the origination of the world from the primitive being, suffices to show that the task of demonstrating that whatever the Upanishads teach on that point can be made to fit into a homogeneous system is an altogether hopeless one. The accounts there given of the creation belong, beyond all doubt to different stages of philosophic and theological development or else to different sections of priestly society. None but an Indian commentator would, I suppose, be inclined and sufficiently courageous to attempt the proof that, for instance, the legend of the âtman purushavidha, the Self in the shape of a person which is as large as man and woman together, and then splits itself into two halves from which cows, horses, asses, goats, &c. are produced in succession (Bri. Up.
I, 1, 4), can be reconciled with the account given of the creation in the Chândogya Upanishad, where it is said that in the beginning there existed nothing but the sat, 'that which is,' and that feeling a desire of being many it emitted out of itself ether, and then all the other elements in due succession. The former is a primitive cosmogonic myth, which in its details shows striking analogies with the cosmogonic myths of other nations; the latter account is fairly developed Vedânta (although not Vedânta implying the Mâyâ doctrine). We may admit that both accounts show a certain fundamental similarity in so far as they derive the manifold world from one original being; but to go beyond this and to maintain, as Sa@nkara does, that the âtman purushavidha of the Brihadâranyaka is the so-called Virâg of the latter Vedânta—implying thereby that that section consciously aims at describing only the activity of one special form of Îsvara, and not simply the whole process of creation—is the ingenious shift of an orthodox commentator in difficulties, but nothing more.
How all those more or less conflicting texts came to be preserved and handed down to posterity, is not difficult to understand. As mentioned above, each of the great sections of Brahminical priesthood had its own sacred texts, and again in each of those sections there existed more ancient texts which it was impossible to discard when deeper and more advanced speculations began in their turn to be embodied in literary compositions, which in the course of time likewise came to be looked upon as sacred. When the creative period had reached its termination, and the task of collecting and arranging was taken in hand, older and newer pieces were combined into wholes, and thus there arose collections of such heterogeneous character as the Chândogya and Brihadâranyaka Upanishads. On later generations, to which the whole body of texts came down as revealed truth, there consequently devolved the inevitable task of establishing systems on which no exception could be taken to any of the texts; but that the task was, strictly speaking, an impossible one, i.e. one which it was impossible to accomplish fairly and honestly, there really is no reason to deny.
For a comprehensive criticism of the methods which the different commentators employ in systematizing the contents of the Upanishads there is no room in this place. In order, however, to illustrate what is meant by the 'impossibility,' above alluded to, of combining the various doctrines of the Upanishads into a whole without doing violence to a certain number of texts, it will be as well to analyse in detail some few at least of Sa@nkara's interpretations, and to render clear the considerations by which he is guided.
We begin with a case which has already engaged our attention when discussing the meaning of the Sûtras, viz. the question concerning the ultimate fate of those who have attained the knowledge of Brahman. As we have seen, Sa@nkara teaches that the soul of him who has risen to an insight into the nature of the higher Brahman does not, at the moment of death, pass out of the body, but is directly merged in Brahman by a process from which all departing and moving, in fact all considerations of space, are altogether excluded. The soul of him, on the other hand, who has not risen above the knowledge of the lower qualified Brahman departs from the body by means of the artery called sushumnâ, and following the so-called devayâna, the path of the gods, mounts up to the world of Brahman. A review of the chief Upanishad texts on which Sa@nkara founds this distinction will show how far it is justified.
In a considerable number of passages the Upanishads contrast the fate of two classes of men, viz. of those who perform sacrifices and meritorious works only, and of those who in addition possess a certain kind of knowledge. Men of the former kind ascend after death to the moon, where they live for a certain time, and then return to the earth into new forms of embodiment; persons of the latter kind proceed on the path of the gods—on which the sun forms one stage—up to the world of Brahman, from which there is no return. The chief passages to that effect are Ch. Up. V, 10; Kaush. Up. I, 2 ff.; Mund. Up. I, 2, 9 ff.; Bri. Up. VI, 2, 15 ff.; Prasna Up. I, 9 ff.—In other passages only the latter of the two paths is referred to, cp. Ch. Up. IV, 15; VIII 6, 5; Taitt. Up. I, 6; Bri. Up. IV, 4, 8, 9; V, 10; Maitr. Up. VI, 30, to mention only the more important ones.
Now an impartial consideration of those passages shows I think, beyond any doubt, that what is meant there by the knowledge which leads through the sun to the world of Brahman is the highest knowledge of which the devotee is capable, and that the world of Brahman to which his knowledge enables him to proceed denotes the highest state which he can ever reach, the state of final release, if we choose to call it by that name.—Ch. Up. V, 10 says, 'Those who know this (viz. the doctrine of the five fires), and those who in the forest follow faith and austerities go to light,' &c.—Ch. Up. IV, 15 is manifestly intended to convey the true knowledge of Brahman; Upakosala's teacher himself represents the instruction given by him as superior to the teaching of the sacred fires.—Ch. Up. VIII, 6, 5 quotes the old sloka which says that the man moving upwards by the artery penetrating the crown of the head reaches the Immortal.—Kaush. Up. I, 2—which gives the most detailed account of the ascent of the soul—contains no intimation whatever of the knowledge of Brahman, which leads up to the Brahman world, being of an inferior nature.—Mund. Up. I, 2, 9 agrees with the Chândogya in saying that 'Those who practise penance and faith in the forest, tranquil, wise, and living on alms, depart free from passion, through the sun, to where that immortal Person dwells whose nature is imperishable,' and nothing whatever in the context countenances the assumption that not the highest knowledge and the highest Person are there referred to.—Bri. Up.
IV, 4, 8 quotes old slokas clearly referring to the road of the gods ('the small old path'), on which 'sages who know Brahman move on to the svargaloka and thence higher on as entirely free.—That path was found by Brahman, and on it goes whoever knows Brahman.'—Bri. Up. VI, 2, 15 is another version of the Pañkâgnividyâ, with the variation, 'Those who know this, and those who in the forest worship faith and the True, go to light,' &c.—Prasna Up. 1, 10 says, 'Those who have sought the Self by penance, abstinence, faith, and knowledge gain by the northern path Âditya, the sun. There is the home of the spirits, the immortal free from danger, the highest. From thence they do not return, for it is the end.'—Maitr. Up. VI, 30 quotes slokas, 'One of them (the arteries) leads upwards, piercing the solar orb: by it, having stepped beyond the world of Brahman, they go to the highest path.'
All these passages are as clear as can be desired. The soul of the sage who knows Brahman passes out by the sushumnâ, and ascends by the path of the gods to the world of Brahman, there to remain for ever in some blissful state. But, according to Sa@nkara, all these texts are meant to set forth the result of a certain inferior knowledge only, of the knowledge of the conditioned Brahman. Even in a passage apparently so entirely incapable of more than one interpretation as Bri. Up. VI, 2, 15, the 'True,' which the holy hermits in the forest are said to worship, is not to be the highest Brahman, but only Hiranyagarbha!—And why?—Only because the system so demands it, the system which teaches that those who know the highest Brahman become on their death one with it, without having to resort to any other place. The passage on which this latter tenet is chiefly based is Bri. Up. IV, 4, 6, 7, where, with the fate of him who at his death has desires, and whose soul therefore enters a new body after having departed from the old one, accompanied by all the prânas, there is contrasted the fate of the sage free from all desires. 'But as to the man who does not desire, who not desiring, freed from desires is satisfied in his desires, or desires the Self only, the vital spirits of him (tasya) do not depart—being Brahman he goes to Brahman.'
We have seen above (p. lxxx) that this passage is referred to in the important Sûtras on whose right interpretation it, in the first place, depends whether or not we must admit the Sûtrakâra to have acknowledged the distinction of a parâ and an aparâ vidyâ. Here the passage interests us as throwing light on the way in which Sa@nkara systematises. He looks on the preceding part of the chapter as describing what happens to the souls of all those who do not know the highest Brahman, inclusive of those who know the lower Brahman only. They pass out of the old bodies followed by all prânas and enter new bodies. He, on the other hand, section 6 continues, who knows the true Brahman, does not pass out of the body, but becomes one with Brahman then and there. This interpretation of the purport of the entire chapter is not impossibly right, although I am rather inclined to think that the chapter aims at setting forth in its earlier part the future of him who does not know Brahman at all, while the latter part of section 6 passes on to him who does know Brahman (i.e. Brahman pure and simple, the text knowing of no distinction of the so-called lower and higher Brahman).
In explaining section 6 Sa@nkara lays stress upon the clause 'na tasya prâna utkrâmanti,' 'his vital spirits do not pass out,' taking this to signify that the soul with the vital spirits does not move at all, and thus does not ascend to the world of Brahman; while the purport of the clause may simply be that the soul and vital spirits do not go anywhere else, i.e. do not enter a new body, but are united, somehow or other, with Brahman. On Sa@nkara's interpretation there immediately arises a new difficulty. In the slokas, quoted under sections 8 and 9, the description of the small old path which leads to the svargaloka and higher on clearly refers—as noticed already above—to the path through the veins, primarily the sushumnâ, on which, according to so many other passages, the soul of the wise mounts upwards. But that path is, according to Sa@nkara, followed by him only who has not risen above the lower knowledge, and yet the slokas have manifestly to be connected with what is said in the latter half of 6 about the owner of the parâ vidyâ. Hence Sa@nkara sees himself driven to explain the slokas in 8 and 9 (of which a faithful translation is given in Professor Max Müller's version) as follows:
8. 'The subtle old path (i.e. the path of knowledge on which final release is reached; which path is subtle, i.e. difficult to know, and old, i.e. to be known from the eternal Veda) has been obtained and fully reached by me. On it the sages who know Brahman reach final release (svargalokasabdah samnihitaprakaranât mokshâbhidhâyakah).
9. 'On that path they say that there is white or blue or yellow or green or red (i.e. others maintain that the path to final release is, in accordance with the colour of the arteries, either white or blue, &c.; but that is false, for the paths through the arteries lead at the best to the world of Brahman, which itself forms part of the samsâra); that path (i.e. the only path to release, viz. the path of true knowledge) is found by Brahman, i.e. by such Brâhmanas as through true knowledge have become like Brahman,' &c.
A significant instance in truth of the straits to which thorough-going systematisers of the Upanishads see themselves reduced occasionally!
But we return to the point which just now chiefly interests us. Whether Sa@nkara's interpretation of the chapter, and especially of section 6, be right or wrong, so much is certain that we are not entitled to view all those texts which speak of the soul going to the world of Brahman as belonging to the so-called lower knowledge, because a few other passages declare that the sage does not go to Brahman. The text which declares the sage free from desires to become one with Brahman could not, without due discrimination, be used to define and limit the meaning of other passages met with in the same Upanishad even—for as we have remarked above the Brihadâranyaka contains pieces manifestly belonging to different stages of development;—much less does it entitle us to put arbitrary constructions on passages forming part of other Upanishads. Historically the disagreement of the various accounts is easy to understand. The older notion was that the soul of the wise man proceeds along the path of the gods to Brahman's abode. A later—and, if we like, more philosophic—conception is that, as Brahman already is a man's Self, there is no need of any motion on man's part to reach Brahman. We may even apply to those two views the terms aparâ and parâ—lower and higher—knowledge. But we must not allow any commentator to induce us to believe that what he from his advanced standpoint looks upon as an inferior kind of cognition, was viewed in the same light by the authors of the Upanishads.
We turn to another Upanishad text likewise touching upon the point considered in what precedes, viz. the second Brâhmana of the third adhyâya of the Brihadâranyaka. The discussion there first turns upon the grahas and atigrahas, i.e. the senses and organs and their objects, and Yâjñavalkya thereupon explains that death, by which everything is overcome, is itself overcome by water; for death is fire. The colloquy then turns to what we must consider an altogether new topic, Ârtabhâga asking, 'When this man (ayam purusha) dies, do the vital spirits depart from him or not?' and Yâjñavalkya answering, 'No, they are gathered up in him; he swells, he is inflated; inflated the dead (body) is lying.'—Now this is for Sa@nkara an important passage, as we have already seen above (p. lxxxi); for he employs it, in his comment on Ved.-sûtra IV, 2, 13, for the purpose of proving that the passage Bri. Up. IV, 4, 6 really means that the vital spirits do not, at the moment of death, depart from the true sage. Hence the present passage also must refer to him who possesses the highest knowledge; hence the 'ayam purusha' must be 'that man,' i.e. the man who possesses the highest knowledge, and the highest knowledge then must be found in the preceding clause which says that death itself may be conquered by water. But, as Râmânuja also remarks, neither does the context favour the assumption that the highest knowledge is referred to, nor do the words of section 11 contain any indication that what is meant is the merging of the Self of the true Sage in Brahman.
With the interpretation given by Râmânuja himself, viz. that the prânas do not depart from the jîva of the dying man, but accompany it into a new body, I can agree as little (although he no doubt rightly explains the 'ayam purusha' by 'man' in general), and am unable to see in the passage anything more than a crude attempt to account for the fact that a dead body appears swollen and inflated.—A little further on (section 13) Ârtabhâga asks what becomes of this man (ayam purusha) when his speech has entered into the fire, his breath into the air, his eye into the sun, &c. So much here is clear that we have no right to understand by the 'ayam purusha' of section 13 anybody different from the 'ayam purusha' of the two preceding sections; in spite of this Sa@nkara—according to whose system the organs of the true sage do not enter into the elements, but are directly merged in Brahman—explains the 'ayam purusha' of section 13 to be the 'asamyagdarsin,' i.e. the person who has not risen to the cognition of the highest Brahman. And still a further limiting interpretation is required by the system. The asamyagdarsin also—who as such has to remain in the samsâra—cannot do without the organs, since his jîva when passing out of the old body into a new one is invested with the subtle body; hence section 13 cannot be taken as saying what it clearly does say, viz. that at death the different organs pass into the different elements, but as merely indicating that the organs are abandoned by the divinities which, during lifetime, presided over them!
The whole third adhyâya indeed of the Brihadâranyaka affords ample proof of the artificial character of Sa@nkara's attempts to show that the teaching of the Upanishads follows a definite system. The eighth brâhmana, for instance, is said to convey the doctrine of the highest non-related Brahman, while the preceding brâhmanas had treated only of Îsvara in his various aspects. But, as a matter of fact, brâhmana 8, after having, in section 8, represented Brahman as destitute of all qualities, proceeds, in the next section, to describe that very same Brahman as the ruler of the world, 'By the command of that Imperishable sun and moon stand apart,' &c.; a clear indication that the author of the Upanishad does not distinguish a higher and lower Brahman in—Sa@nkara's sense.—The preceding brâhmana (7) treats of the antaryâmin, i.e. Brahman viewed as the internal ruler of everything. This, according to Sa@nkara, is the lower form of Brahman called Îsvara; but we observe that the antaryâmin as well as the so-called highest Brahman described in section 8 is, at the termination of the two sections, characterised by means of the very same terms (7, 23: Unseen but seeing, unheard but hearing, &c. There is no other seer but he, there is no other hearer but he, &c.; and 8, 11: That Brahman is unseen but seeing, unheard but hearing, &c.
There is nothing that sees but it, nothing that hears but it, &c.).—Nothing can be clearer than that all these sections aim at describing one and the same being, and know nothing of the distinctions made by the developed Vedânta, however valid the latter may be from a purely philosophic point of view.
We may refer to one more similar instance from the Chândogya Upanishad. We there meet in III, 14 with one of the most famous vidyâs describing the nature of Brahman, called after its reputed author the Sândilya-vidyâ. This small vidyâ is decidedly one of the finest and most characteristic texts; it would be difficult to point out another passage setting forth with greater force and eloquence and in an equally short compass the central doctrine of the Upanishads. Yet this text, which, beyond doubt, gives utterance to the highest conception of Brahman's nature that Sândilya's thought was able to reach, is by Sa@nkara and his school again declared to form part of the lower vidyâ only, because it represents Brahman as possessing qualities. It is, according to their terminology, not jñâna, i.e. knowledge, but the injunction of a mere upâsanâ, a devout meditation on Brahman in so far as possessing certain definite attributes such as having light for its form, having true thoughts, and so on. The Râmânujas, on the other hand, quote this text with preference as clearly describing the nature of their highest, i.e. their one Brahman. We again allow that Sa@nkara is free to deny that any text which ascribes qualities to Brahman embodies absolute truth; but we also again remark that there is no reason whatever for supposing that Sândilya, or whoever may have been the author of that vidyâ, looked upon it as anything else but a statement of the highest truth accessible to man.
We return to the question as to the true philosophy of the Upanishads, apart from the systems of the commentators.—From what precedes it will appear with sufficient distinctness that, if we understand by philosophy a philosophical system coherent in all its parts, free from all contradictions and allowing room for all the different statements made in all the chief Upanishads, a philosophy of the Upanishads cannot even be spoken of. The various lucubrations on Brahman, the world, and the human soul of which the Upanishads consist do not allow themselves to be systematised simply because they were never meant to form a system. Sândilya's views as to the nature of Brahman did not in all details agree with those of Yâjñavalkya, and Uddâlaka differed from both. In this there is nothing to wonder at, and the burden of proof rests altogether with those who maintain that a large number of detached philosophic and theological dissertations, ascribed to different authors, doubtless belonging to different periods, and not seldom manifestly contradicting each other, admit of being combined into a perfectly consistent whole.
The question, however, assumes a different aspect, if we take the terms 'philosophy' and 'philosophical system,' not in the strict sense in which Sa@nkara and other commentators are not afraid of taking them, but as implying merely an agreement in certain fundamental features. In this latter sense we may indeed undertake to indicate the outlines of a philosophy of the Upanishads, only keeping in view that precision in details is not to be aimed at. And here we finally see ourselves driven back altogether on the texts themselves, and have to acknowledge that the help we receive from commentators, to whatever school they may belong, is very inconsiderable. Fortunately it cannot be asserted that the texts on the whole oppose very serious difficulties to a right understanding, however obscure the details often are. Concerning the latter we occasionally depend entirely on the explanations vouchsafed by the scholiasts, but as far as the general drift and spirit of the texts are concerned, we are quite able to judge by ourselves, and are even specially qualified to do so by having no particular system to advocate.
The point we will first touch upon is the same from which we started when examining the doctrine of the Sûtras, viz. the question whether the Upanishads acknowledge a higher and lower knowledge in Sa@nkara's sense, i.e. a knowledge of a higher and a lower Brahman. Now this we find not to be the case. Knowledge is in the Upanishads frequently opposed to avîdyâ, by which latter term we have to understand ignorance as to Brahman, absence of philosophic knowledge; and, again, in several places we find the knowledge of the sacrificial part of the Veda with its supplementary disciplines contrasted as inferior with the knowledge of the Self; to which latter distinction the Mundaka Up. (I, 4) applies the terms aparâ and parâ vîdyâ. But a formal recognition of the essential difference of Brahman being viewed, on the one hand, as possessing distinctive attributes, and, on the other hand, as devoid of all such attributes is not to be met with anywhere. Brahman is indeed sometimes described as saguna and sometimes as nirguna (to use later terms); but it is nowhere said that thereon rests a distinction of two different kinds of knowledge leading to altogether different results. The knowledge of Brahman is one, under whatever aspects it is viewed; hence the circumstance (already exemplified above) that in the same vidyâs it is spoken of as saguna as well as nirguna. When the mind of the writer dwells on the fact that Brahman is that from which all this world originates, and in which it rests, he naturally applies to it distinctive attributes pointing at its relation to the world;
Brahman, then, is called the Self and life of all, the inward ruler, the omniscient Lord, and so on. When, on the other hand, the author follows out the idea that Brahman may be viewed in itself as the mysterious reality of which the whole expanse of the world is only an outward manifestation, then it strikes him that no idea or term derived from sensible experience can rightly be applied to it, that nothing more may be predicated of it but that it is neither this nor that. But these are only two aspects of the cognition of one and the same entity.
Closely connected with the question as to the double nature of the Brahman of the Upanishads is the question as to their teaching Mâyâ.—From Colebrooke downwards the majority of European writers have inclined towards the opinion that the doctrine of Mâyâ, i.e. of the unreal illusory character of the sensible world, does not constitute a feature of the primitive philosophy of the Upanishads, but was introduced into the system at some later period, whether by Bâdarâyana or Sa@nkara or somebody else. The opposite view, viz. that the doctrine of Mâyâ forms an integral element of the teaching of the Upanishads, is implied in them everywhere, and enunciated more or less distinctly in more than one place, has in recent times been advocated with much force by Mr. Gough in the ninth chapter of his Philosophy of the Upanishads.
In his Matériaux, &c. M. Paul Régnaud remarks that 'the doctrine of Mâyâ, although implied in the teaching of the Upanishads, could hardly become clear and explicit before the system had reached a stage of development necessitating a choice between admitting two co-existent eternal principles (which became the basis of the Sâ@nkhya philosophy), and accepting the predominance of the intellectual principle, which in the end necessarily led to the negation of the opposite principle.'—To the two alternatives here referred to as possible we, however, have to add a third one, viz. that form of the Vedânta of which the theory of the Bhâgavatas or Râmânujas is the most eminent type, and according to which Brahman carries within its own nature an element from which the material universe originates; an element which indeed is not an independent entity like the pradhâna of the Sâ@nkhyas, but which at the same time is not an unreal Mâyâ but quite as real as any other part of Brahman's nature. That a doctrine of this character actually developed itself on the basis of the Upanishads, is a circumstance which we clearly must not lose sight of, when attempting to determine what the Upanishads themselves are teaching concerning the character of the world.
In enquiring whether the Upanishads maintain the Mâyâ doctrine or not, we must proceed with the same caution as regards other parts of the system, i.e. we must refrain from using unhesitatingly, and without careful consideration of the merits of each individual case, the teaching—direct or inferred—of any one passage to the end of determining the drift of the teaching of other passages. We may admit that some passages, notably of the Brihadâranyaka, contain at any rate the germ of the later developed Mâyâ doctrine25, and thus render it quite intelligible that a system like Sa@nkara's should evolve itself, among others, out of the Upanishads; but that affords no valid reason for interpreting Mâyâ into other texts which give a very satisfactory sense without that doctrine, or are even clearly repugnant to it. This remark applies in the very first place to all the accounts of the creation of the physical universe. There, if anywhere, the illusional character of the world should have been hinted at, at least, had that theory been held by the authors of those accounts; but not a word to that effect is met with anywhere. The most important of those accounts—the one given in the sixth chapter of the Chândogya Upanishad—forms no exception.
There is absolutely no reason to assume that the 'sending forth' of the elements from the primitive Sat, which is there described at length, was by the writer of that passage meant to represent a vivarta rather than a parinâma that the process of the origination of the physical universe has to be conceived as anything else but a real manifestation of real powers hidden in the primeval Self. The introductory words, addressed to Svetaketu by Uddâlaka, which are generally appealed to as intimating the unreal character of the evolution about to be described, do not, if viewed impartially, intimate any such thing26. For what is capable of being proved, and manifestly meant to be proved, by the illustrative instances of the lump of clay and the nugget of gold, through which there are known all things made of clay and gold? Merely that this whole world has Brahman for its causal substance, just as clay is the causal matter of every earthen pot, and gold of every golden ornament, but not that the process through which any causal substance becomes an effect is an unreal one. We—including Uddâlaka—may surely say that all earthen pots are in reality nothing but earth—the earthen pot being merely a special modification (vikâra) of clay which has a name of its own—without thereby committing ourselves to the doctrine that the change of form, which a lump of clay undergoes when being fashioned into a pot, is not real but a mere baseless illusion.
In the same light we have to view numerous other passages which set forth the successive emanations proceeding from the first principle. When, for instance, we meet in the Katha Up. I, 3, 10, in the serial enumeration of the forms of existence intervening between the gross material world and the highest Self (the Person), with the 'avyâkrita,' the Undeveloped, immediately below the purusha; and when again the Mundaka Up. II, 1, 2, speaks of the 'high Imperishable' higher than which is the heavenly Person; there is no reason whatever to see in that 'Undeveloped' and that 'high Imperishable' anything but that real element in Brahman from which, as in the Râmânuja system, the material universe springs by a process of real development. We must of course render it quite clear to ourselves in what sense the terms 'real' and 'unreal' have to be understood. The Upanishads no doubt teach emphatically that the material world does not owe its existence to any principle independent from the Lord like the pradhâna of the Sâ@nkhyas; the world is nothing but a manifestation of the Lord's wonderful power, and hence is unsubstantial, if we take the term 'substance' in its strict sense. And, again, everything material is immeasurably inferior in nature to the highest spiritual principle from which it has emanated, and which it now hides from the individual soul. But neither unsubstantiality nor inferiority of the kind mentioned constitutes unreality in the sense in which the Mâyâ of Sa@nkara is unreal.
According to the latter the whole world is nothing but an erroneous appearance, as unreal as the snake, for which a piece of rope is mistaken by the belated traveller, and disappearing just as the imagined snake does as soon as the light of true knowledge has risen. But this is certainly not the impression left on the mind by a comprehensive review of the Upanishads which dwells on their general scope, and does not confine itself to the undue urging of what may be implied in some detached passages. The Upanishads do not call upon us to look upon the whole world as a baseless illusion to be destroyed by knowledge; the great error which they admonish us to relinquish is rather that things have a separate individual existence, and are not tied together by the bond of being all of them effects of Brahman, or Brahman itself. They do not say that true knowledge sublates this false world, as Sa@nkara says, but that it enables the sage to extricate himself from the world—the inferior mûrta rûpa of Brahman, to use an expression of the Brihadâranyaka—and to become one with Brahman in its highest form. 'We are to see everything in Brahman, and Brahman in everything;' the natural meaning of this is, 'we are to look upon this whole world as a true manifestation of Brahman, as sprung from it and animated by it.' The mâyâvâdin has indeed appropriated the above saying also, and interpreted it so as to fall in with his theory; but he is able to do so only by perverting its manifest sense.
For him it would be appropriate to say, not that everything we see is in Brahman, but rather that everything we see is out of Brahman, viz. as a false appearance spread over it and hiding it from us.
Stress has been laid27 upon certain passages of the Brihadâranyaka which seem to hint at the unreality of this world by qualifying terms, indicative of duality or plurality of existence, by means of an added 'iva,' i.e. 'as it were' (yatrânyad iva syât; yatra dvaitam iva bhavati; âtmâ dhyâyatîva lelâyatîva). Those passages no doubt readily lend themselves to Mâyâ interpretations, and it is by no means impossible that in their author's mind there was something like an undeveloped Mâyâ doctrine. I must, however, remark that they, on the other hand, also admit of easy interpretations not in any way presupposing the theory of the unreality of the world. If Yâjñavalkya refers to the latter as that 'where there is something else as it were, where there is duality as it were,' he may simply mean to indicate that the ordinary opinion, according to which the individual forms of existence of the world are opposed to each other as altogether separate, is a mistaken one, all things being one in so far as they spring from—and are parts of—Brahman. This would in no way involve duality or plurality being unreal in Sa@nkara's sense, not any more than, for instance, the modes of Spinoza are unreal because, according to that philosopher, there is only one universal substance. And with regard to the clause 'the Self thinks as it were' it has to be noted that according to the commentators the 'as it were' is meant to indicate that truly not the Self is thinking, but the upadhis, i.e. especially the manas with which the Self is connected.
But whether these upadhis are the mere offspring of Mâyâ, as Sa@nkara thinks, or real forms of existence, as Râmânuja teaches, is an altogether different question.