The poetic Edda

[388]

Prose. The introductory prose follows without break the prose concluding the Fafnismol, the point of division being arbitrary and not agreed upon by all editors. Hindarfjoll: cf. Fafnismol, 42 and note. Franks: this does not necessarily mean that Sigurth was on his way to the Gjukungs’ home, for Sigmund had a kingdom in the land of the Franks (cf. Fra Dautha Sinfjotla). Shields: the annotator probably drew the notion of the shield-tower from the reference in Helreith Brynhildar, 9. The flame-girt tower was not uncommon; cf. Mengloth’s hall in Svipdagsmol. [389]

1. This stanza, and the two lines included in the prose after stanza 4, and possibly stanza 5 as well, evidently come from a different poem from stanzas 2–4. Lines 3–4 in the original are obscure, though the general meaning is clear.

Prose (after stanza 1). In the manuscript stanza 4 stands before this prose note and stanzas 2–3. The best arrangement of the stanzas seems to be the one here given, following Müllenhoff’s suggestion, but the prose note is out of place anywhere. The first sentence of it ought to follow stanza 4 and immediately precede the next prose note; the second sentence ought to precede stanza 5.

2.Sons of day: the spirits of light. The daughter of night (Not), according to Snorri, was Jorth (Earth). [390]

Prose (after stanza 4). Sigrdrifa: on the error whereby this epithet, “victory-bringer,” became a proper name cf. Fafnismol, 44 and note. Hjalmgunnar: in Helreith Brynhildar (stanza 8) he is called a king of the Goths, which means little; of him and his adversary, Agnar, we know nothing beyond what is told here. The two lines quoted apparently come from the same poem as stanza 1; the two first lines of the stanza have been reconstructed from the prose thus: “Hjalmgunnar was one, | the hoary king, / And triumph to him | had Heerfather promised.” A few editions insert in this prose passage stanzas 7–10 of Helreith Brynhildar, which may or may not have belonged originally to this poem. [391]

5. This stanza is perhaps, but by no means surely, from the same poem as stanza 1. Tree of battle: warrior. Runes: the earliest runes were not letters, but simply signs supposed to possess magic power; out of them developed the “runic alphabet.”

6. Stanzas 6–12 give a list of runes which probably had no original connection with the Brynhild-Sigurth story. Tyr: the sword-god (cf. Hymiskvitha, 4 and note); “tyr” is also the name of a rune which became “T.”

7.Regius gives only lines 1–6; lines 7–8 are added from Volsungasaga. Lies, etc.: a guest on his arrival received a draught of ale from the hands of his host’s wife, and it was to prevent this draught from bewitching him that the runes were recommended. Need: the word “nauth,” meaning “need,” is also the name of the rune which became “N.” Leek: leeks were long supposed to have the power of counteracting poison or witchcraft. [392]

9.Sail-steeds: ships.

10.Branch-runes: runes cut in the bark of trees. Such runes were believed to transfer sickness from the invalid to the tree. Some editors, however, have changed “limrunar” (“branch-runes”) to “lifrunar” (“life-runes”). [393]

11. Lines 3–6 look like an accidental addition, replacing two lines now lost. They mean, apparently, that the man who interweaves his speech with “speech-runes” when he pleads his case at the “Thing,” or popular tribunal, will not unduly enrage his adversary in the argument of the case.

12. Here the list of runes breaks off, though the manuscript indicates no gap, and three short passages of a different type, though all dealing with runes, follow.

13. Stanzas 13–14 appear to have come from a passage regarding Othin’s getting of the runes similar to Hovamol, 139–146. Editors have tried various combinations of the lines in stanzas 12–14. Hropt: Othin; cf. Voluspo, 62. The draught, etc.: apparently the reference is to the head of Mim, from which Othin derived his wisdom in magic (cf. Voluspo, 47 and note); Heithdraupnir (“Light-Dropper”) and Hoddrofnir (“Treasure-Opener”) seem to be names for Mim. [394]

14. This stanza is clearly in bad shape; perhaps, as the manuscript indicates, a new stanza, of which most has been lost, should begin with line 3. Brimir: a giant (cf. Voluspo, 9 and 37); why Othin should have his sword is unknown.

15. Stanzas 15–17 constitute a wholly distinct rune-chant. Line 1 is unusually long in the original, as here. Shield: the shield Svalin (“Cooling”) that stands in front of the sun; cf. Grimnismol, 38. Arvak (“Early Walter”) and Alsvith (“All-Swift”): the horses that draw the sun’s car; cf. Grimnismol, 37. Hrungnir: the slayer of the giant Hrungnir was Thor (cf. Harbarthsljoth, 14 and note), but the line is in bad shape; the name may not be Hrungnir, and “killer” is a conjectural addition. Sleipnir: Othin’s eight-legged horse; cf. Grimnismol, 44 and note. Sledge: perhaps the one mentioned in Grimnismol, 49.

16.Bragi: the god of poetry; cf. Grimnismol, 44 and note. [395]

17.Charms: the wearing of amulets was very common. Gungnir: Othin’s spear, made by the dwarfs, which he occasionally lent to heroes to whom he granted victory. Grani: Sigurth’s horse; the Volsungasaga has “giantesses’.”

18. Stanzas 18–19, which editors have freely rearranged, apparently come from another source than any of the rest. Shaved off: the runes were shaved off by Othin from the wood on which they were carved, and the shavings bearing them were put into the magic mead. Wanes: cf. Voluspo, 21, note.

19. Lines 3, 6, and 7 look like spurious additions, but the whole stanza is chaotic. Beech-runes: runes carved on beech-trees. [396]

20. Stanzas 20–21 are all that remains of the dialogue between Brynhild and Sigurth from the poem to which stanzas 2–4 belong; cf. Introductory Note. In the intervening lost stanzas Brynhild has evidently warned Sigurth of the perils that will follow if he swears loyalty to her; hence the choice to which she here refers. Tree, etc.: warrior. The manuscript does not indicate the speaker of either this or the following stanza; the Volsungasaga names Sigurth before stanza 21.

21. It is quite possible that the original poem concluded with two stanzas after this, paraphrased thus in the Volsungasaga: “Sigurth said: ‘Nowhere is to be found any one wiser than thou, and this I swear, that I shall have thee for mine, and that thou art after my heart’s desire.’ She answered: ‘I would rather have thee though I might choose among all men.’ And this they bound between them with oaths.” Stanzas 22–37, which the Volsungasaga paraphrases, may have been introduced at a relatively early time, but can hardly have formed part of the original poem. [397]

22. With this stanza begins the list of numbered counsels, closely resembling the Loddfafnismol (Hovamol, 111–138), here attributed to Brynhild. That the section originally had anything to do with Brynhild is more than improbable.

23.Wolf of his word: oath-destroyer, oath-breaker.

25. This chaotic and obscure jumble of lines has been unsuccessfully “improved” by various editors. It is clearly an interpolation, meaning, in substance: “It is dangerous to keep silent too long, as men may think you a coward; but if any one taunts [398]you falsely because of your silence, do not argue with him, but the next morning kill him as proof that he is a liar.”

27. Probably another interpolation.

28.Silver of kinship: the passage is doubtful, but apparently it means the “marriage-price” for which a bride was “bought.”

29. Line 1 comes at the end of the thirty-second leaf of Regius, and whatever further was contained in that manuscript has vanished [399]with the lost eight-leaf folio (cf. Introductory Note). The rest of stanza 29, and stanzas 30–37, are added from later paper manuscripts, which were undoubtedly copied from an old parchment, though probably not from the complete Regius. The Volsungasaga paraphrases these additional stanzas.

30. Probably an interpolation.

31. The meaning is that it is better to go forth to battle than to stay at home and be burned to death. Many a Norse warrior met his death in this latter way; the burning of the house in the Njalssaga is the most famous instance.

34. Probably an interpolation. [400]

35. Lines 3–4 are probably interpolated. Race of wolves: family of a slain foe.

36. Probably an interpolation.

37. Lines 3–4 may well have come from the old Sigurth-Brynhild poem, like stanzas 2–4 and 20–21, being inserted here, where they do not fit particularly well, in place of the two lines with which the eleventh counsel originally ended. Perhaps they formed part of the stanza of warning which evidently preceded Brynhild’s speech in stanza 20. In the Volsungasaga they are paraphrased at the end of Brynhild’s long speech of advice (stanzas 20–37), and are immediately followed by the prose passage given in the note on stanza 21. It seems likely, therefore, [401]that the paper manuscripts have preserved all of the so-called Sigrdrifumol which was contained in the lost section of Regius, with the possible exception of these two concluding stanzas, and these may very well have been given only in the form of a prose note, though it is practically certain that at one time they existed in verse form. [402]