Proem. The Reed-Flute.

Project Gutenberg EPUB edition Jalal al-Din Rumi, Maulana and Redhouse, James W. (James William), Sir
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From reed-flute55 hear what tale it tells;
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What plaint it makes of absence’ ills:
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“From jungle-bed since me they tore,
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Men’s, women’s, eyes have wept right sore.
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My breast I tear and rend in twain,
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To give, through sighs, vent to my pain.
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Who’s from his home snatched far away,
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Longs to return some future day.
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I sob and sigh in each retreat,
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Be’t joy or grief for which men meet.5
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They fancy they can read my heart;
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Grief’s secrets I to none impart.
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My throes and moans form but one chain,
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Men’s eyes and ears catch not their train.
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Though soul and body be as one,
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Sight of his soul hath no man won.
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A flame’s the flute’s wail; not a breath,
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That flame who feels not, doom him death.
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The flame of love, ’tis, prompts the flute,
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Wine’s ferment, love; its tongue not mute.10
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The absent lover’s flute’s no toy;
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Its trills proclaim his grief, his joy.
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Or bane, or cure, the flute is still;
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Content, complaining, as you will.
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It tells its tale of burning grief;
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Recounts how love is mad, in brief.
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The lover lover’s pangs best knows;
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As ear receives tongue’s plaint of woes.
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Through grief, his day is but a dawn;
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Each day of sorrow, torment’s pawn.15
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My days are waste; take thou no heed,
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Thou still are left; my joy, indeed.
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Whole seas a fish will never drown;
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A poor man’s day seems all one frown.
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What boot from counsel to a fool?
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Waste not thy words; thy wrath let cool.
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Cast off lust’s bonds; stand free from all.
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Slave not for pelf; be not greed’s thrall.
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Pour rivers into one small gill,
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It can but hold its little fill.20

Source attribution

The Mesnevi, Project Gutenberg eBook #61724

Opening invocation I. The Prince and the Handmaid.