The Life of Reason: The Phases of Human Progress

We may give intent a somewhat more congenial aspect if we remember that thought comes to animals in proportion to their docility in the world and to their practical competence. The more plastic a being is to experience, so long as he retains vital continuity and a cumulative structure, the more intelligent he becomes. Intelligence is an expression of adaptation, of impressionable and prophetic structure. What wonder, then, that intelligence should speak of the things that inspire it and that lend it its oracular and practical character, namely, of things at that moment absent and merely potential, in other words, of the surrounding world? Mere feeling might suffice to translate into consciousness each particle of protoplasm in its isolation; but to translate the relations of that particle to what is not itself and to express its response to those environing presences, intent and conscious signification are required. Intellect transcends the given and means the absent because life, of which intellect is the fulfilment or entelechy, is itself absorbed from without and radiated outward. As life depends on an equilibrium of material processes which reach far beyond the individual they sustain in being, so intent is a recognition of outlying existences which sustain in being that very sympathy by which they are recognised. Intent and life are more than analogous.

If we use the word life in an ideal sense, the two are coincident, for, as Aristotle says, the act proper to intellect is life.[F] The flux is so pervasive, so subtle in its persistency, that even those miracles which suspend it must somehow share its destiny. Intent bridges many a chasm, but only by leaping across. The life that is sustained for years, the political or moral purpose that may bind whole races together, is condemned to be partly a memory and partly a plan and wholly an ideal. Its scope is nothing but the range to which it can continually extend its sympathies and its power of representation. Its moments have nothing in common except their loyalties and a conspiring interest in what is not themselves.

This moral energy, so closely analogous to physical interplay, is of course not without a material basis. Spiritual sublimation does not consist in not using matter but in using it up, in making it all useful. When life becomes rational it continues to be mechanical and to take up room and energy in the natural world. That new direction of attention upon form which finds in facts instances of ideas, does not occur without a certain heat and labour in the brain. In its most intimate and supernatural functions intellect has natural conditions. In dreams and madness intent is confused and wayward, in idiocy it is suspended altogether; nor has discourse any other pledge that it is addressing kindred interlocutors except that which it receives from the disposition and habit of bodies. People who have not yet been born into the world have not yet begun to think about it.

There is, of course, an inner dialectical relevance among all propositions that have the same ideal theme, no matter how remote or unknown to one another those who utter the propositions may be; but the medium in which this infinite dialectical network is woven is motionless, and indifferent to the direction in which thought might traverse it; in other words, it is not discourse or intelligence but eternal truth. From the point of view of experience this prior dialectical relation of form to form is merely potential; for the thoughts between which it would obtain need never exist or be enacted. There is society only among incarnate ideas; and it is only by expressing some material situation that an idea is selected out of the infinity of not impossible ideas and promoted to the temporal dignity of actual thought.

Moreover, even if the faculty of intelligence were disembodied and could exist in a vacuum, it would still be a vain possession if no data were given for it to operate upon and if no particular natural structure, animal, social, or artistic, were at hand for intelligence to ally itself to and defend. Reason would in that case die of inanition; it would have no subject-matter and no sanction, as well as no seat. Intelligence is not a substance; it is a principle of order and of art; it requires a given situation and some particular natural interest to bring it into play. In fact, it is nothing but a name for the empire which conscious, but at bottom irrational, interests attain over the field in which they operate; it is the fruition of life, the token of successful operation.

Every theme or motive in the Life of Reason expresses some instinct rooted in the body and incidental to natural organisation. The intent by which memory refers to past or absent experience, or the intent by which perception becomes recognition, is a transcript of relations in which events actually stand to one another. Such intent represents modifications of structure and action important to life, modifications that have responded to forces on which life is dependent. Both desire and meaning translate into cognitive or ideal energy, into intent, mechanical relations subsisting in nature. These mechanical relations give practical force to the thought that expresses them, and the thought in turn gives significance and value to the forces that subserve it. Fulfilment is mutual, in one direction bringing material potentialities to the light and making them actual and conscious, and in the other direction embodying intent in the actual forms of things and manifesting reason. Nothing could be more ill-considered than the desire to disembody reason. Reason cries aloud for reunion with the material world which she needs not only for a basis but, what concerns her even more, for a theme.

In private and silent discourse, when words and grammar are swathed in reverie, the material basis and reference of thought may be forgotten. Desire and intent may then seem to disport themselves in a purely ideal realm; moral or logical tensions alone may seem to determine the whole process. Meditative persons are even inclined to regard the disembodied life which they think they enjoy at such times as the true and native form of experience; all organs, applications, and expressions of thought they deprecate and call accidental. As some pious souls reject dogma to reach pure faith and suspend prayer to enjoy union, so some mystical logicians drop the world in order to grasp reality. It is an exquisite suicide; but the energy and ideal that sustain such a flight are annihilated by its issue, and the soul drops like a paper balloon consumed by the very flame that wafted it. No thought is found without an organ; none is conceivable without an expression which is that organ’s visible emanation; and none would be significant without a subject-matter lying in the world of which that organ is a part.

The natural structure underlying intent is latent in silent thought, and its existence might be denied by a sceptical thinker over whose mind the analogies and spirit of physics exercised little influence. This hypothetical structure is not, however, without obvious extensions which imply its existence even where we do not perceive it directly. A smile or a blush makes visible to the observer movements which must have been at work in the body while thought occupied the mind—even if, as more often happens, the blush or smile did not precede and introduce the feeling they suggest, the feeling which in our verbal mythology is said to cause them. No one would be so simple as to suppose that such involuntary signs of feeling spring directly and by miracle out of feeling. They surely continue some previous bodily commotion which determines their material character, so that laughter, for instance, becomes a sign of amusement rather than of rage, which it might just as well have represented, so far as the abstract feeling itself is concerned.

In the same way a sigh, a breath, a word are but the last stage and superficial explosion of nervous tensions, tensions which from the point of view of their other eventual expressions we might call interplaying impulses or potential memories. As these material seethings underlay the budding thought, so the uttered word, when it comes, underlies the perfect conception. The word, in so far as it is material, undeniably continues an internal material process, for aphasia and garrulity have known physical causes. In the vibrations which we call words the hidden complexities of cerebral action fly out, so to speak, into the air; they become recognisable sounds emitted by lips and tongue and received by the ear. The uttered word produces an obvious commotion in nature; through it thought, being expressed in that its material basis is extended outward, becomes at the same moment rational and practical; for its expression enters into the chain of its future conditions and becomes an omen of that thought’s continuance, repetition, and improvement. Thought’s rational function consists, as we then perceive, in expressing a natural situation and improving that situation by expressing it, until such expression becomes a perfect and adequate state of knowledge, which justifies both itself and its conditions. Expression makes thought a power in the very world from which thought drew its being, and renders it in some measure self-sustaining and self-assured.

A thirsty man, let us say, begs for drink. Had his petition been a wordless desire it might have been supposed, though falsely, to be a disembodied and quite immaterial event, a transcendental attitude of will, without conditions or consequences, but somehow with an absolute moral dignity. But when the petition became articulate and audible to a fellow-mortal, who thereupon proceeded to fetch a cup of water, the desire, through the cry that expressed it, obviously asserted itself in the mechanical world, to which it already secretly belonged by virtue of its cause, a parched body. This material background for moral energy, which even an inarticulate yearning would not have lacked, becomes in language an overt phenomenon, linked observably with all other objects and processes.

Language is accordingly an overflow of the physical basis of thought. It is an audible gesture, more refined than the visible, but in the same sense an automatic extension of nervous and muscular processes. Words underlie the thought they are said to express—in truth it is the thought that is the flower and expression of the language—much as the body underlies the mind.

Language contains, side by side two distinct elements. One is the meaning or sense of the words—a logical projection given to sensuous terms. The other is the sensuous vehicle of that meaning—the sound, sign, or gesture. This sensuous term is a fulcrum for the lever of signification, a point d’appui which may be indefinitely attenuated in rapid discourse, but not altogether discarded. Intent though it vaults high must have something to spring from, or it would lend meaning to nothing. The minimal sensuous term that subsists serves as a clue to a whole system of possible assertions radiating from it. It becomes the sign for an essence or idea, a logical hypostasis corresponding in discourse to that material hypostasis of perceptions which is called an external thing.

The hypostasised total of rational and just discourse is the truth. Like the physical world, the truth is external and in the main potential. Its ideal consistency and permanence serve to make it a standard and background for fleeting assertions, just as the material hypostasis called nature is the standard and background for all momentary perceptions. What exists of truth in direct experience is at any moment infinitesimal, as what exists of nature is, but all that either contains might be represented in experience at one time or another.[G]

The tensions and relations of words which make grammar or make poetry are immediate in essence, the force of language being just as empirical as the reality of things. To ask a thinker what he means by meaning is as futile as to ask a carpenter what he means by wood; to discover it you must emulate them and repeat their experience—which indeed you will hardly be able to do if some sophist has so entangled your reason that you can neither understand what you see nor assert what you mean. But as the carpenter’s acquaintance with wood might be considerably refined if he became a naturalist or liberalised if he became a carver, so a casual speaker’s sense of what he means might be better focussed by dialectic and more delicately shaded by literary training. Meantime the vital act called intent, by which consciousness becomes cognitive and practical, would remain at heart an indescribable experience, a sense of spiritual life as radical and specific as the sense of heat.

Significant language forms a great system of ideal tensions, contained in the mutual relations of parts of speech, and of clauses in propositions. Of these tensions the intent in a man’s mind at any moment is a living specimen. Experience at that moment may have a significance, a transitive force, that asks to be enshrined in some permanent expression; the more acute and irrevocable the crisis is, the more urgent the need of transmitting to other moments some cognisance of what was once so great. But were this experience to exhale its spirit in a vacuum, using no conventional and transmissible medium of expression, it would be foiled in its intent. It would leave no monument and achieve no immortality in the world of representation; for the experience and its expression would remain identical and perish together, just as a perception and its object would remain identical and perish together if there were no intelligence to discover the material world, to which the perplexing shifts of sensation may be habitually referred. Spontaneous expression, if it is to be recognisable and therefore in effect expressive, labours under the necessity of subordinating itself to an ideal system of expressions, a permanent language in which its spontaneous utterances may be embedded. By virtue of such adoption into a common medium expression becomes interpretable; a later moment may then reconstruct the past out of its surviving memorial.

Intent, beside the form it has in language, where it makes the soul of grammar, has many other modes of expression, in mathematical and logical reasoning, in action, and in those contemplated and suspended acts which we call estimation, policy, or morals. Moral philosophy, the wisdom of Socrates, is merely a consideration of intent. In intent we pass over from existence to ideality, the nexus lying in the propulsive nature of life which could not have been capped by any form of knowledge which was not itself in some way transitive and ambitious. Intent, though it looks away from existence and the actual, is the most natural and pervasive of things. Physics and dialectic meet in this: that the second brings to fruition what the first describes, namely, existence, and that both have their transcendental root in the flux of being. Matter cannot exist without some form, much as by shedding every form in succession it may proclaim its aversion to fixity and its radical formlessness or infinitude. Nor can form, without the treacherous aid of matter, pass from its ideal potentiality into selected and instant being.

In order to live—if such a myth may be allowed—the Titan Matter was eager to disguise his incorrigible vagueness and pretend to be something. He accordingly addressed himself to the beautiful company of Forms, sisters whom he thought all equally beautiful, though their number was endless, and equally fit to satisfy his heart. He wooed them hypocritically, with no intention of wedding them; yet he uttered their names in such seductive accents (called by mortals intelligence and toil) that the virgin goddesses offered no resistance—at least such of them as happened to be near or of a facile disposition. They were presently deserted by their unworthy lover; yet they, too, in that moment’s union, had tasted the sweetness of life. The heaven to which they returned was no longer an infinite mathematical paradise. It was crossed by memories of earth, and a warmer breath lingered in some of its lanes and grottoes. Henceforth its nymphs could not forget that they had awakened a passion, and that, unmoved themselves, they had moved a strange indomitable giant to art and love.