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The Amores; or, Amours Literally Translated into English...

FOOTNOTES BOOK TWO: (continued 1)

Project Gutenberg EPUB3 edition Ovid and Riley, Henry T. (Henry Thomas)
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654 (return) [ Enceladus.—Ver. 27. He was the son of Titan and Terra, and joining in the war against the Gods, he was struck by lightning, and thrown beneath Mount Ætna. See the Pontic Epistles, Book ii. Ep.ii. 1.11.]
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655 (return) [ The-two-shaped damsels.—Ver. 28. He evidently alludes to the Sirens, with their two shapes, and not to Circe, as some have imagined.]
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656 (return) [ The Ithacan bags.—Ver. 29. Æolus gave Ulysses favourable wind* sewn up in a leather bag, to aid him in his return to Ithaca. See tha Metamorphoses, Book xiv. 1. 223]
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657 (return) [ The Cecropian bird.—Ver. 32. He calls Philomela the daughter of Pandion, king of Athens, 'Cecropis ales Cc crops having been the first king of Athens. Her story is told in the Sixth Book of the Metamorphoses.]
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658 (return) [ A bird, or into gold.—Ver. 33. He alludes to the transformation of Jupiter into a swan, a shower of gold, and a bull; in the cases of Leda, Danaë, and Europa.]
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659 (return) [ The Theban seed.—Ver. 35. He alludes to the dragon's teeth sown by Cadmus. See the Third Book of the Metamorphoses.]
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660 (return) [ Distil amber tears.—Ver. 37. Reference is made to the transformation of the sisters of Phaeton into poplars that distilled amber. See the Second Book of the Metamorphoses, 1. 364.]
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661 (return) [ Who once were ships.—Ver. 38. He alludes to the ships of Æneas, which, when set on fire by Turnus, were changed into sea Nymphs.]
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662 (return) [ The hellish banquet.—Ver. 39. Reference is made to the revenge of Atreus, who killed the children of Thyestes, and set them on table before their father, on which occasion the Sun is said to have hidden his face.]
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663 (return) [ Stonesfollowed the lyre.—Ver. 40. Amphion is said to have raised the walls of Thebes by the sound of his lyre.]
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664 (return) [ Camillus, by thee.—Ver. 2. Marcus Furius Camillus, the Roman general, took the city of Falisci.]
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665 (return) [ The covered paths.—Ver. 12. The pipers, or flute players, led the procession, while the ground was covered with carpets or tapestry.]
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666 (return) [ Snow-white heifers.—Ver. 14. Pliny the Elder, in his Second Book, says, 'The river Clitumnus, in the state of Falisci, makes those cattle white that drink of its waters.']
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667 (return) [ In the lofty woods.—Ver. 20. It is not known to what occasion this refers. Juno is stated to have concealed herself on two occasions; once before her marriage, when she fled from the pursuit of Jupiter, who assumed the form of a cuckoo, that he might deceive her; and again, when, through fear of the giants, the Gods took refuge in Egypt and Libya. Perhaps the former occasion is here referred to.]
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668 (return) [ As a mark.—Ver. 21. This is similar to the alleged origin of the custom of throwing sticks at cocks on Shrove Tuesday. The Saxons being about to rise in rebellion against their Norman oppressors, the conspiracy is said to have been discovered through the inopportune crowing of a cock, in revenge for which the whole race of chanticleers were for centuries submitted to this cruel punishment.]
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669 (return) [ With garments.—Ver. 24. As 'vestis' was a general name for a covering of any kind, it may refer to the carpets which appear to be mentioned in the twelfth line, or it may mean, that the youths and damsels threw their own garments in the path of the procession.]
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670 (return) [ After the Grecian manner.—Ver. 27. Falisci was said to have been a Grecian colony.]
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671 (return) [ Hold religious silence.—Ver. 29. 'Favere linguis' seems here to mean, 'to keep religious silence as to the general meaning of the term, see the Fasti, Book i. 1. 71.]
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672 (return) [ Halesus.—Ver. 33. Halesus is said to have been the son of Agamemnon, by a concubine. Alarmed at the tragic death of his father, and of the murderers, Ægisthus and Clytemnestra, he fled to Italy, where he founded the city of Phalesus, which title, with the addition of one letter, was given to it after his name. Phalesus afterwards became corrupted, to 'Faliscus,' or 'Falisci.']
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673 (return) [ One side and the other.—Ver. 32. For the 'torus exterior' and 'interior,' and the construction of the beds of the ancients, see the Note to the Eighth Book of the Metamorphoses, 1. 659. * Forced to love.—Ver. 39. This passage seems to be hopelessly corrupt.]
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674 (return) [ Turning-place is grazed.—Ver. 2. On rounding the 'meta' in the chariot race, from which the present figure is derived, see the Note to the 69th line of the Second Elegy of this Book.]
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675 (return) [ Heir to my rank.—Ver. 5. See the Tristia, Book ii. 1. 112, where he enlarges upon the rank and circumstances of his family.]
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676 (return) [ To glorious arms.—Ver. 9. He alludes to the Social war which was commenced in the year of the City 659, by the Marsi, the Peligni, and the Picentes, for the purpose of obtaining equal rights and privileges with the Roman citizens. He calls them 'arma honesta,' because wielded in defence of their liberties.]
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677 (return) [ Rome dreaded.—Ver. 10. The Romans were so alarmed, that they vowed to celebrate games in honour of Jupiter, if their arms should prove successful.]
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678 (return) [ Amathusian parent.—Ver. 15. Venus was worshipped especially at Amathus, a city of Cyprus; it is mentioned by Ovid as abounding in metals. See the Metamorphoses, Book x. 1. 220 and 531, B. III.]
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679 (return) [ The homed.—Ver. 17. In addition to the reasons already mentioned for Bacchus being represented as horned, it is said, by some, that it arose from the fact, of wine being drunk from horns in the early ages. It has been suggested, that it had a figurative meaning, and implied the violence of those who are overtaken with wine.]
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680 (return) [ Lyæus.—Ver. 17. For the meaning of the word Lyæus, see the Metamorphoses, Book iv. 1. 11, and the Note to the passage.]
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681 (return) [ My sportive.—Ver. 19. Genialis; the Genii were the Deities of pure, unadorned nature. See the Fasti, Book iii. 1. 58, and the Note to the passage. 'Genialis,' consequently, 'voluptuous,' or 'pleasing to the impulses of nature.']

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The Amores; or, Amours Literally Translated into English Prose, with Copious Notes, Project Gutenberg eBook #47676

FOOTNOTES BOOK THREE: