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The Builders: A Story and Study of Masonry

FOOTNOTES: (continued 8)

Project Gutenberg EPUB edition Newton, Joseph Fort

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[113] We should not forget that noble dynasty of large and liberal souls in the seventeenth century—John Hales, Chillingsworth, Whichcote, John Smith, Henry More, Jeremy Taylor—whose Liberty of Prophesying set the principle of toleration to stately strains of eloquence—Sir Thomas Browne, and Richard Baxter; saints, every one of them, finely-poised, sweet-tempered, repelled from all extremes alike, and walking the middle path of wisdom and charity. Milton, too, taught tolerance in a bigoted and bitter age (see Seventeenth Century Men of Latitude, E.A. George).
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[114] For instance the Cooke MS, next to the oldest of all, as well as the W. Watson and York No. 4 MSS. It is rather surprising, in view of the supremacy of the Church in those times, to find such evidence of what Dr. Mackey called the chief mission of primitive Masonry—the preservation of belief in the unity of God. These MSS did not succumb to the theology of the Church, and their invocations remind us more of the God of Isaiah than of the decrees of the Council of Nicæa.
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[115] It was, perhaps, a picture of the Masonic Lodges of that era that Toland drew in his Socratic Society, published in 1720, which, however, he clothed in a vesture quite un-Grecian. At least, the symposia or brotherly feasts of his society, their give-and-take of questions and answers, their aversion to the rule of mere physical force, to compulsory religious belief, and to creed hatred, as well as their mild and tolerant disposition and their brotherly regard for one another, remind one of the spirit and habits of the Masons of that day.
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[116] Now is as good a time as another to name certain curious theories which have been put forth to account for the origin of Masonry in general, and of the organization of the Grand Lodge in particular. They are as follows: First, that it was all due to an imaginary Temple of Solomon described by Lord Bacon in a Utopian romance called the New Atlantis; and this despite the fact that the temple in the Bacon story was not a house at all, but the name of an ideal state. Second, that the object of Freemasonry and the origin of the Third Degree was the restoration of Charles II to the throne of England; the idea being that the Masons, who called themselves "Sons of the Widow," meant thereby to express their allegiance to the Queen. Third, that Freemasonry was founded by Oliver Cromwell—he of all men!—to defeat the royalists. Fourth, that Free-masons were derived from the order of the Knights Templars. Even Lessing once held this theory, but seems later to have given it up. Which one of these theories surpasses the others in absurdity, it would be hard to say. De Quincey explodes them one by one with some detail in his "Inquiry into the Origin of the Free-masons," to which he might also have added his own pet notion of the Rosicrucian origin of the order—it being only a little less fantastic than the rest (De Quincey's Works, vol. xvi).
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[117] Of the Masonic feasts of St. John the Baptist and St. John the Evangelist much has been written, and to little account. In pre-Christian times, as we have seen, the Roman Collegia were wont to adopt pagan deities as patrons. When Christianity came, the names of its saints—some of them martyrs of the order of builders—were substituted for the old pagan gods. Why the two Saints John were chosen by Masons—rather than St. Thomas, who was the patron saint of architecture—has never been made clear. At any rate, these two feasts, coming at the time of the summer and winter solstices, are in reality older than Christianity, being reminiscences of the old Light Religion in which Masonry had its origin.
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[118] The badge of office was a huge white apron, such as we see in Hogarth's picture of the Night. The collar was of much the same shape as that at present in use, only shorter. When the color was changed to blue, and why, is uncertain, but probably not until 1813, when we begin to see both apron and collar edged with blue. (See chapter on "Clothing and Regalia," in Things a Freemason Ought to Know, by J.W. Crowe.) In 1727 the officers of all private—or as we would say, subordinate—Lodges were ordered to wear "the jewels of Masonry hanging to a white apron." In 1731 we find the Grand Master wearing gold or gilt jewels pendant to blue ribbons about the neck, and a white leather apron lined with blue silk.
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[119] This is clear from the book of Constitutions of 1723, which is said to be "for the use of Lodges in London." Then follow the names of the Masters and Wardens of twenty Lodges, all in London. There was no thought at the time of imposing the authority of the Grand Lodge upon the country in general, much less upon the world. Its growth we shall sketch later. For an excellent article on "The Foundation of Modern Masonry," by G.W. Speth, giving details of the organization of the Grand Lodge and its changes, see A. Q. C., ii, 86. If an elaborate account is wanted, it may be found in Gould's History of Masonry, vol. iii.
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[120]History of the Four Lodges, by R.F. Gould. Apparently the Goose and Gridiron Lodge—No. 1—is the only one of the four now in existence. After various changes of name it is now the Lodge of Antiquity, No. 2.
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[122] From a meager sketch of Dr. Anderson in the Gentlemen's Magazine, 1783, we learn that he was a native of Scotland—the place of his birth is not given—and that for many years he was minister of the Scots Presbyterian Church in Swallow Street, Piccadilly, and well known to the folk of that faith in London—called "Bishop" Anderson by his friends. He married the widow of an army officer, who bore him a son and a daughter. Although a learned man—compiler of a book of Royal Genealogies, which seems to have been his hobby—he was somewhat imprudent in business, having lost most of his property in 1720. Whether he was a Mason before coming to London is unknown, but he took a great part in the work of the Grand Lodge, entering it, apparently, in 1721. Toward the close of his life he suffered many misfortunes, but of what description we are not told. He died in 1739. Perhaps his learning was exaggerated by his Masonic eulogists, but he was a noble man and manifestly a useful one (Gould's History of Masonry, vol. iii).
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[123] Having emphasized this point so repeatedly, the writer feels it just to himself to state his own position, lest he be thought a kind of materialist, or at least an enemy of mysticism. Not so. Instead, he has long been an humble student of the great mystics; they are his best friends—as witness his two little books, The Eternal Christ, and What Have the Saints to Teach Us? But mysticism is one thing, and mystification is another, and the former may be stated in this way:
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First, by mysticism—only another word for spirituality—is meant our sense of an Unseen World, of our citizenship in it, of God and the soul, and of all the forms of life and beauty as symbols of things higher than themselves. That is to say, if a man has any religion at all that is not mere theory or form, he is a mystic; the difference between him and Plato or St. Francis being only a matter of genius and spiritual culture—between a boy whistling a tune and Beethoven writing music.
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Second, since mysticism is native to the soul of man and the common experience of all who rise above the animal, it is not an exclusive possession of any set of adepts to be held as a secret. Any man who bows in prayer, or lifts his thought heavenward, is an initiate into the eternal mysticism which is the strength and solace of human life.
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Third, the old time Masons were religious men, and as such sharers in this great human experience of divine things, and did not need to go to Hidden Teachers to learn mysticism. They lived and worked in the light of it. It shone in their symbols, as it does in all symbols that have any meaning or beauty. It is, indeed, the soul of symbolism, every emblem being an effort to express a reality too great for words.
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So, then, Masonry is mystical as music is mystical—like poetry, and love, and faith, and prayer, and all else that makes it worth our time to live; but its mysticism is sweet, sane, and natural, far from fantastic, and in nowise eerie, unreal, or unbalanced. Of course these words fail to describe it, as all words must, and it is therefore that Masonry uses parables, pictures, and symbols.
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[124]Seventeenth Century Descriptions of Solomon's Temple, by Prof. S.P. Johnston (A. Q. C., xii, 135).
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[125]Transactions Jewish Historical Society of England, vol. ii.
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[126] Smith's Dictionary of the Bible, article "Temple."
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[127]Jewish Encyclopedia, art. "Freemasonry." Also Builder's Rites, G.W. Speth.
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[128] In the Book of Constitutions, 1723, Dr. Anderson dilates at length on the building of the Temple—including a note on the meaning of the name Abif, which, it will be remembered, was not found in the Authorized Version of the Bible; and then he suddenly breaks off with the words: "But leaving what must not, indeed cannot, be communicated in Writing." It is incredible that he thus introduced among Masons a name and legend unknown to them. Had he done so, would it have met with such instant and universal acceptance by old Masons who stood for the ancient usages of the order?
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[129] Letter to Gould "Touching Masonic Symbolism."
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[130]Hermes and Plato, Edouard Schure.
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[131]History of the Lodge of Edinburgh.
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[132] Steinbrenner, following Findel, speaks of the Third Degree as if it were a pure invention, quoting a passage from Ahiman Rezon, by Lawrence Dermott, to prove it. He further states that Anderson and Desaguliers were "publicly accused of manufacturing the degree, which they never denied" (History of Masonry, chap. vii). But inasmuch as they were not accused of it until they had been many years in their graves, their silence is hardly to be wondered at. Dr. Mackey styles Desaguliers "the Father of Modern Speculative Masonry," and attributes to him, more than to any other one man, the present existence of the order as a living institution (Encyclopedia of Freemasonry). Surely that is going too far, much as Desaguliers deserves to be honored by the order. Dr. J.T. Desaguliers was a French Protestant clergyman, whose family came to England following the revocation of the Edict of Nantes. He was graduated from Christ Church College, Oxford, in 1710, succeeding Keill as lecturer in Experimental Philosophy. He was especially learned in natural philosophy, mathematics, geometry, and optics, having lectured before the King on various occasions. He was very popular in the Grand Lodge, and his power as an orator made his manner of conferring a degree impressive—which may explain his having been accused of inventing the degrees. He was a loyal and able Mason, a student of the history and ritual of the order, and was elected as the third Grand Master of Masons in England.
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Like Anderson, his later life is said to have been beclouded by poverty and sorrow, though some of the facts are in dispute (Gould's History of Masonry, vol. iii).

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The Builders: A Story and Study of Masonry, Project Gutenberg eBook #19049

III UNIVERSAL MASONRY