The Secret Doctrine, Vol. 2 of 4 The Synthesis of...

It is they who were the first to reveal to the world that which had remained concealed for ages; namely, the Tau, in the shape of a Procrustean bed, and Christos as incarnating in Chrestos, he who became for certain purposes a willing candidate for a series of tortures, mental and physical.

This Decad, representing the Universe and its evolution out of Silence and the Unknown Depths of the Spiritual Soul, or Anima Mundi, presented two sides or aspects to the student. It could be, and was at first, applied to the Macrocosm, after which it descended to the Microcosm, or man. There was, then, the purely intellectual and metaphysical, or the “Inner Science,” and the as purely materialistic or “surface science,” both of which could be expounded by and contained in the Decad. It could be studied, in short, both by the deductive method of Plato, and the inductive method of Aristotle. The former started from a divine comprehension, when the plurality proceeded from unity, or the digits of the Decad appeared, only to be finally reäbsorbed, lost in the infinite Circle. The latter depended on sensuous perception alone, when the Decad could be regarded either as the unity that multiplies, or matter which differentiates; its study being limited to the plane surface, to the cross, or the seven which proceeds from the ten, or the perfect number, on Earth as in Heaven.

This dual system was brought, together with the Decad, by Pythagoras from India. That it was that of the Brachmans and Iranians, as [pg 606] they are called by the ancient Greek Philosophers, is warranted to us by the whole range of Sanskrit literature, such as the Purânas and the Laws of Manu. In these Laws or Ordinances of Manu, it is said that Brahmâ first creates the “ten Lords of Being,” the ten Prajâpati or Creative Forces; which ten produce seven other Manus, or, rather, as some MSS. have it, Munîn (instead of Manûn) “devotees,” or holy beings, which are the seven Angels of the Presence in the Western religion. This mysterious number seven, born from the upper Triangle △, the latter itself born from the apex thereof, or the Silent Depths of the Unknown Universal Soul (Sigê and Bythos), is the sevenfold Saptaparna plant, born and manifested on the surface of the soil of mystery, from the threefold root buried deep under that impenetrable soil. This idea is fully elaborated in one of the Sections of Volume I, Part II, Section III, “Primordial Substance and Divine Thought,” which the reader should notice carefully, if he would grasp the metaphysical idea involved in the above symbol. In man as in nature, according to the Cis-Himâlayan Esoteric Philosophy, which is that of the Cosmogony of the original Manu, it is the septenary division that is intended by Nature herself.

The seventh principle (Purusha) alone is the Divine Self, strictly speaking; for, as said in Manu, “he [Brahmâ] having pervaded the subtile parts of those six, of unmeasured brightness,”1361 created or called them forth to “Self”-consciousness or the consciousness of that One Self. Of these six, five elements (or principles, or Tattvas, as Medhâtithi, the commentator thinks) “are called the atomic destructible elements”;1362 these are described in the above-named Section.1363

We have now to speak of the mystery language, that of the prehistoric races. It is not a phonetic, but a purely pictorial and symbolical tongue. It is known at present in its fulness to the very few, having become with the masses for more than 5,000 years an absolutely dead language. Yet most of the learned Gnostics, Greeks and Jews, knew it, and used it, though very differently. A few instances may be given.

On the plane above, the number is no number but a nought—a circle. On the plane below, it becomes one—which is an odd number. Each letter of the ancient alphabets had its philosophical meaning and raison d'être. The number one (1) signified with the Alexandrian [pg 607] Initiates a body erect, a living standing man, he being the only animal that has this privilege. And, by adding to the “I” a head, it was transformed into a “P,” a symbol of paternity, of the creative potency; while “R” signified a “moving man,” one on his way. Hence Pater Zeus had nothing sexual or phallic either in its sound or the form of its letters; nor had Πατὴρ Δεὺς (according to Ragon).1364 If we turn now to the Hebrew alphabet, we shall find that while one or Aleph (א) has a bull or an ox for its symbol, ten, the perfect number, or one of the Kabalah, is a Yod (י, y, i, or j), and means, as the first letter of Jehovah, the procreative organ, and the rest.

The odd numbers are divine, the even numbers are terrestrial, devilish, and unlucky. The Pythagoreans hated the Binary. With them it was the origin of differentiation, hence of contrasts, discord, or matter, the beginning of evil. In the Valentinian Theogony, Bythos and Sigê (Depth, Chaos, Matter born in Silence) are the primordial Binary. With the early Pythagoreans, however, the Duad was that imperfect state into which the first manifested being fell when it got detached from the Monad. It was the point from which the two roads—the good and the evil—bifurcated. All that which was double-faced or false was called by them “binary.” One was alone good and harmony, because no disharmony can proceed from One alone. Hence the Latin word Solus in relation to the One and Only God, the Unknown of Paul. Solus, however, very soon became Sol—the Sun.

The Ternary is the first of the odd numbers, as the triangle is the first of the geometrical figures.1365 This number is truly the number of mystery par excellence. To study it on the exoteric lines one has to read Ragon's Cours Philosophique et Interprétatif des Initiations, on the Esoteric—the Hindû symbolism of numerals; for the combinations which were applied to it are numberless. It is on the Occult properties of the three equal sides of the triangle that Ragon based his studies and founded the famous Masonic Society of the Trinosophists—those who study three sciences; an improvement upon the ordinary three Masonic degrees, given to those who study nothing except eating and drinking at the meetings of their Lodges. As the founder writes:

The second side on which the companion has to meditate, is thevegetable kingdom, symbolized by Schibb [Symbol: Three dots in a triangle] [Schibboleth]. In this kingdom begins thegeneration of the bodies. This is why the letter G is presented radiant before the eyes of the adept [?!].

The Pythagoreans taught the connection and relation between the Gods and the numbers, in a science called Arithmomancy. The Soul is a number, they said, which moves of itself and contains the number 4; and spiritual and physical man is number 3, as the Ternary represented for them not only the surface but also the principle of the formation of the physical body. Thus animals were Ternaries only, man alone being a Septenary, when virtuous; a Quinary when bad, for:

Number Five was composed of a Binary and a Ternary, and of these the Binary threw everything in the perfect form into disorder and confusion. The perfect man, they said, was a Quaternary and a Ternary, or four material and three immaterial elements; and these three Spirits or Elements we likewise find in Five when it represents the microcosm. The latter is a compound of a Binary directly relating to gross Matter and of three Spirits. Since, as Ragon says:

This ingenious figure is the union of two Greek breathings placed over vowels which have or have not to be aspirated. The first sign (῾) is called the“strong”or superior“spiritus,”the Spirit of God aspired (spiratus) and breathed by man. The second sign (᾿) the lower, is the soft“spiritus”representing the secondary spirit; ... the whole embraces the whole man. It is theuniversal quintessence, the vital fluid or life.1367

The more mystic meaning of the number Five is given in an excellent article by Mr. T. Subba Row, in Five Years of Theosophy, in an article entitled “The Twelve Signs of the Zodiac,” in which he gives some rules that may help the enquirer to ferret out “the deep significance of ancient Sanskrit nomenclature in the old Âryan myths and allegories.” Meanwhile, let us see what has been hitherto stated about [pg 609] the constellation Capricornus in Theosophical publications, and what is known of it generally. Every one knows that ♑ is the tenth sign of the Zodiac, into which the Sun enters at the winter solstice, about December 21st. But very few are those who know—even in India, unless they are initiated—the real mystic connection which seems to exist, as we are told, between the names Makara and Kumâra. The first means some amphibious animal, flippantly called the “crocodile,” as some Orientalists think, and the second is the title of the great patrons of Yogins, according to the Shaiva Purânas, the sons of, and even one with, Rudra (Shiva), who is a Kumâra himself. It is through their connection with Man that the Kumâras are likewise connected with the Zodiac. Let us try to find out what the word Makara means.

Makara ... contains within itself the clue to its correct interpretation. The lettermais equivalent to number 5, andkarameans hand. Now in Sanskrit Tribhujam means a triangle,bhujamorkaram(both synonymous) being understood to mean a side. So, Makaram or Panchakaram means a Pentagon.1368

But the true Esoteric sense of the word Makara is not, in truth, “crocodile” at all, even when it is compared with the animal depicted on the Hindû Zodiac. For it has the head and the fore-legs of an antelope and the body and tail of a fish. Hence the tenth sign of the Zodiac has been taken variously to mean a shark, a dolphin, etc.; as it is the Vâhana of Varuna, the Ocean God, and is often called, for this [pg 610] reason, Jala-rûpa or “water-form.” The dolphin was the vehicle of Poseidon-Neptune with the Greeks, and one with him, Esoterically; and this “dolphin” is the “sea-dragon” as much as the crocodile of the Sacred Nile is the Vehicle of Horus, and Horus himself. Says the mummy-form God with the crocodile's head:

As the rising Sun was considered the Soul of the Gods sent to manifest itself to men every day, and as the crocodile rose out of the water at the first sunbeam, that animal came finally to personify a solar-fire devotee in India, as it personified that Fire, or the highest Soul with the Egyptians.

Their very name shows their connection with the said constellation Makara, and with some other Paurânic characters connected with the zodiacal signs. This is done in order to veil what was one of the most suggestive glyphs of the primitive Temples. The Kumâras are mixed up, astronomically, physiologically, and mystically in general, with a number of Paurânic personages and events. Hardly hinted at in the Vishnu, they figure in various dramas and events throughout all the other Purânas and sacred literature; so that the Orientalists, having to pick up the threads of connection hither and thither, have ended by proclaiming the Kumâras “due chiefly to the fancy of the Purânic writers.” But—

Ma—we are told by the author of the “Twelve Signs of the Zodiac”—is “five”; kara, a “hand” with its five fingers, as also a five-sided sign or a Pentagon. The Kumâra (in this case an anagram for Occult purposes), as Yogîs, are five in Esotericism, because the last two names have ever been kept secret; they are the fifth order of Brahma-devas, and the five-fold Chohans, having the Soul of the five Elements in [pg 611] them, Water and Ether predominating, and therefore their symbols were both aquatic and fiery.

In India this is Vishnu, one of whose Avatâras was Buddha, as claimed in days of old. The Prachetasas, the worshippers of Nârâyana—who, like Poseidon, moved or dwelt over not under the Waters—plunged into the depths of the Ocean for their devotions and remained therein 10,000 years; and the Prachetasas are ten exoterically, but five, Esoterically. Prachetâs is, in Sanskrit, the name of Varuna, the Water God, Nereus, an aspect of Neptune, the Prachetasas being thus identical with the “five ministers” of the male-female Chozzar (Χωζζάρ or Χορζάρ), or Poseidon, of the Peratæ Gnostics. These are respectively called Ou, Aoai, Ouô, Ouôab and ... (Οὔ, Ἀοαὶ, Οὐώ, Οὐωάβ ...),1375 the fifth, a triple name (making seven in all) being lost1376—i.e., kept secret. Thus much for the “aquatic” symbol; the “fiery” connecting them with the fiery symbol—spiritually. For purposes of identity, let us remember that as the mother of the Prachetasas was Savarnâ, the daughter of the Ocean, so was Amphitrite the mother of Neptune's mystic “ministers.”

Now the reader is reminded that these “five ministers” are symbolized both in the Dolphin, who had overcome the chaste Amphitrite's unwillingness to wed Poseidon, and in Triton their son. The latter, whose body above the waist is that of a man and below a dolphin, a fish, is, again, most mysteriously connected with Oannes, the Babylonian Dag, and further also with the Matsya (Fish) Avatâra of Vishnu, both teaching mortals Wisdom. The Dolphin, as every Mythologist knows, was placed, for his service, by Poseidon, among the constellations, and became with the Greeks, Capricornus, the Goat, whose hind part is that of a dolphin, and is thus identical with Makara, whose head is also that of an antelope and the body and tail those of a fish. This is why the sign of the Makara was borne on the banner of Kâmadeva, the Hindû God of Love, identified, in the Atharva Veda, with Agni, the Fire-god, the son of Lakshmî, as correctly given by the Harivamsha. For Lakshmî and Venus are one, and Amphitrite is the early form of Venus. Now Kâma, the Makara-ketu, is Aja, the “unborn,” [pg 612] and Âtmâ-bhû, the “self-existent,” and Aja is the Logos in the Rig Veda, as he is shown therein to be the first manifestation of the One; for “Desire first arose in It, which was the primal germ of mind,” that “which connects entity with non-entity”—or Manas, the fifth, with Âtmâ, the seventh, Esoterically—say the Sages. This is the first stage.

The second, on the following plane of manifestation, shows Brahmâ—whom we select as a representative for all the other First Gods of the nations—causing to issue from his body his Mind-born Sons, “Sanandana and others,” who, in the fifth “creation,” and again in the ninth (for purposes of a “blind”) become the Kumâra. Let us close by reminding the reader that goats were sacrificed to Amphitrite and the Nereids on the sea-shore—as goats are sacrificed to this day to Durgâ Kâlî, who is only the black side of Lakshmî (Venus), the white side of Shakti—and by suggesting what connection these animals may have with Capricornus, in which appear twenty-eight stars in the form of a goat, which goat was transformed by the Greeks into Amalthæa, Jupiter's foster-mother. Pan, the God of Nature, had goat's feet, and changed himself into a goat at the approach of Typhon. But this is a mystery which the writer dares not dwell upon at length, not being sure of being understood. Thus the mystical side of the interpretation must be left to the intuition of the student. Let us note one more thing in relation to the mysterious number Five. It symbolizes at one and the same time the Spirit of Life Eternal and the spirit of life and love terrestrial—in the human compound; and, it includes divine and infernal magic, and the universal and the individual quintessence of being.

Thus, the five mystic words or vowels uttered by Brahmâ at “creation,” which forthwith became the Panchadasha (certain Vedic Hymns, attributed to that God), are in their creative and magical potentiality, the white side of the black Tântric five Ma-kâras, or the five m's. Makara, the constellation, is a seemingly meaningless and absurd name; yet, even besides its anagrammatical significance in conjunction with the term Kumâra, the numerical value of its first syllable and its Esoteric resolution into five has a very great and Occult meaning in the mysteries of Nature.

Suffice it to say that, as the sign of Makara is connected with the birth of the spiritual Microcosm, and the death or dissolution of the physical Universe—its passage into the realm of the Spiritual,1377 so the [pg 613] Dhyân Chohans, called in India Kumâras, are connected with both. Moreover, in the exoteric religions, they have become the synonyms of the Angels of Darkness. Mâra is the God of Darkness, the Fallen One, and Death;1378 and yet it is one of the names of Kâma, the First God in the Vedas, the Logos, from whom have sprung the Kumâras, and this connects them still more with our “fabulous” Indian Makara, and the crocodile-headed God in Egypt.1379 The Crocodiles in the Celestial Nile are five, and the God Toom, the Primordial Deity, creating the heavenly bodies and living beings, calls forth these Crocodiles in his fifth “creation.” When Osiris, the “Defunct Sun,” is buried and enters into Amenti, the sacred Crocodiles plunge into the abyss of primordial Waters—the “Great Green One.” When the Sun of Life rises, they reëmerge out of the sacred river. All this is highly symbolical, and shows how primeval Esoteric truths found their expression in identical symbols. But, as Mr. T. Subba Row truly declares:

Nor was number Five less sacred with the Greeks. The “Five Words” of Brahmâ have become with the Gnostics the “Five Words” written upon the Âkâshic (Shining) Garment of Jesus at his glorification—the words “Zama Zama Ôzza Rachama Ôzai” (ΖΑΜΑ ΖΑΜΑ ΩΖΖΑ ΡΑΧΑΜΑ ΩΖΑΙ), translated by the Orientalists “the robe, the glorious robe of my strength.” These words were, in their turn, the anagrammatic “blind” of the five mystic Powers represented on the robe of the “resurrected” Initiate after his last trial of three days' trance; the five becoming seven only after his “death,” when the Adept became the full Christos, the full Krishna-Vishnu, i.e., merged in Nirvâna. The E Delphicum, a sacred symbol, was the numeral five, again; and how sacred it was is shown by the fact that the Corinthians, according to Plutarch, replaced the wooden numeral in the Delphic Temple by a bronze one, and this one was transmuted by Livia Augusta into a facsimile in gold.1381