Library

The Crown of Wild Olive also Munera Pulveris;...

Open passage
By the fireside, in the Drawing-room. Evening.
Open passage
Dora. Now, the curtains are drawn, and the fire's bright and here's your arm-chair—and you're to tell us all about what you promised.
Open passage
Kathleen. Yes, and about the words that begin with V.
Open passage
L. I heard you singing about a word that begins with V, in the playground, this morning, Miss Katie.
Open passage
May. Oh tell us—tell us.
Open passage
L. 'Vilikens and his——'
Open passage
Kathleen (stopping his mouth). Oh! please don't. Where were you?
Open passage
Isabel. I'm sure I wish I had known where he was! We lost him among the rhododendrons, and I don't know where he got to; oh, you naughty—naughty—(climbs on his knee).
Open passage
Dora. Now, Isabel, we really want to talk.
Open passage
Dora. Oh, but you must. You promised, you know.
Open passage
L. Yes, if all was well; but all's ill. I'm tired, and cross; and I won't.
Open passage
Dora. You're not a bit tired, and you're not crosser than two sticks; and we'll make you talk, if you were crosser than six. Come here, Egypt; and get on the other side of him.
Open passage
(Egypt takes up a commanding position near the hearth-brush.)
Open passage
Dora (reviewing her forces). Now, Lily, come and sit on the rug in front.
Open passage
(Lily does as she is bid.)
Open passage
L. (seeing he has no chance against the odds.) Well, well; but I'm really tired. Go and dance a little, first; and let me think.
Open passage
Dora. No; you mustn't think. You will be wanting to make us think next; that will be tiresome.
Open passage
L. Well, go and dance first, to get quit of thinking; and then I'll talk as long as you like.
Open passage
Dora. Oh, but we can't dance to-night. There isn't time; and we want to hear about virtue.
Open passage
L. Let me see a little of it first. Dancing is the first of girl's virtues.
Open passage
Egypt. Indeed! And the second?
Open passage
Egypt. Now, you needn't say that! I mended that tear the first thing before breakfast this morning.
Open passage
L. I cannot otherwise express the ethical principle, Egypt; whether you have mended your gown or not.
Open passage
Dora. Now don't be tiresome. We really must hear about virtue, please; seriously.
Open passage
L. Well. I'm telling you about it, as fast as I can.
Open passage
Dora. What! the first of girls' virtues is dancing?
Open passage
L. More accurately, it is wishing to dance, and not wishing to tease, nor hear about virtue.
Open passage
Dora (to Egypt). Isn't he cross?
Open passage
Egypt. How many balls must we go to in the season, to be perfectly virtuous?
Open passage
L. As many as you can without losing your colour. But I did not say you should wish to go to balls. I said you should be always wanting to dance.
Open passage
Egypt. So we do; but everybody says it is very wrong.
Open passage
L. Why, Egypt, I thought—
Open passage
'There was a lady once, That would not be a queen,—that would she not, For all the mud in Egypt.'
Open passage
You were complaining the other day of having to go out a great deal oftener than you liked.
Open passage
Egypt. Yes, so I was; but then, it isn't to dance. There's no room to dance: it's—(Pausing to consider what it is for).

Source attribution

The Crown of Wild Olive also Munera Pulveris; Pre-Raphaelitism; Aratra Pentelici; The Ethics of the Dust; Fiction, Fair and Foul; The Elements of Drawing, Project Gutenberg eBook #26716

FOOTNOTES: Formal Lecture in Schoolroom, after some practical examination of minerals.