(From the Greek of Plotinus)
Project Gutenberg EPUB3 edition
Plotinus and Taylor, Thomas
For what else is true temperance than not to indulge in corporeal delights, but to fly from their connection, as things which are neither pure, nor the offspring of purity? And true fortitude is not to fear death; for death is nothing more than a certain separation of soul from body, and this he will not fear, who desires to be alone. Again, magnanimity is the contempt of every mortal concern; it is the wing by which we fly into the regions of intellect. And lastly, prudence is no other than intelligence, declining subordinate objects; and directing the eye of the soul to that which is immortal and divine. The soul, thus defined, becomes form and reason, is altogether incorporeal and intellectual, and wholly participates of that divine nature, which is the fountain of loveliness, and of whatever is allied to the beautiful and fair. Hence the soul reduced to intellect becomes astonishingly beautiful; for as the lambent flame which appears detached from the burning wood, enlightens its dark and smoky parts, so intellect irradiates and adorns the inferior powers of the soul, which, without its aid, would be buried in the gloom of formless matter. But intellect, and whatever emanates from intellect, is not the foreign, but the proper ornament of the soul, for the being of the soul, when absorbed in intellect, is then alone real and true. It is, therefore, rightly said, that the beauty and good of the soul consists in her similitude to the Deity; for from hence flows all her beauty, and her allotment of a better being.
But the beautiful itself is that which is called beings; and turpitude is of a different nature and participates more of non-entity than being.
But, perhaps, the good and the beautiful are the same, and must be investigated by one and the same process; and in like manner the base and the evil. And in the first rank we must place the beautiful, and consider it as the same with the good; from which immediately emanates intellect as beautiful. Next to this, we must consider the soul receiving its beauty from intellect, and every inferior beauty deriving its origin from the forming power of the soul, whether conversant in fair actions and offices, or sciences and arts. Lastly, bodies themselves participate of beauty from the soul, which, as something divine, and a portion of the beautiful itself, renders whatever it supervenes and subdues, beautiful as far as its natural capacity will admit.
Let us, therefore, re-ascend to the good itself, which every soul desires; and in which it can alone find perfect repose. For if anyone shall become acquainted with this source of beauty he will then know what I say, and after what manner he is beautiful. Indeed, whatever is desirable is a kind of good, since to this desire tends. But they alone pursue true good, who rise to intelligible beauty, and so far only tend to good itself; as far as they lay aside the deformed vestments of matter, with which they become connected in their descent. Just as those who penetrate into the holy retreats of sacred mysteries, are first purified and then divest themselves of their garments, until someone by such a process, having dismissed everything foreign from the God, by himself alone, beholds the solitary principle of the universe, sincere, simple and pure, from which all things depend, and to whose transcendent perfections the eyes of all intelligent natures are directed, as the proper cause of being, life and intelligence. With what ardent love, with what strong desire will he who enjoys this transporting vision be inflamed while vehemently affecting to become one with this supreme beauty! For this it is ordained, that he who does not yet perceive him, yet desires him as good, but he who enjoys the vision is enraptured with his beauty, and is equally filled with admiration and delight.
Hence, such a one is agitated with a salutary astonishment; is affected with the highest and truest love; derides vehement affections and inferior loves, and despises the beauty which he once approved. Such, too, is the condition of those who, on perceiving the forms of gods or daemons, no longer esteem the fairest of corporeal forms. What, then, must be the condition of that being, who beholds the beautiful itself?
In itself perfectly pure[7], not confined by any corporeal bond, neither existing in the heavens, nor in the earth, nor to be imaged by the most lovely form imagination can conceive; since these are all adventitious and mixed, and mere secondary beauties, proceeding from the beautiful itself. If, then, anyone should ever behold that which is the source of munificence to others, remaining in itself, while it communicates to all, and receiving nothing, because possessing an inexhaustible fulness; and should so abide in the intuition, as to become similar to his nature, what more of beauty can such a one desire? For such beauty, since it is supreme in dignity and excellence, cannot fail of rendering its votaries lovely and fair. Add too, that since the object of contest to souls is the highest beauty, we should strive for its acquisition with unabated ardour, lest we should be deserted of that blissful contemplation, which, whoever pursues in the right way, becomes blessed from the happy vision; and which he who does not obtain is unavoidably unhappy. For the miserable man is not he who neglects to pursue fair colours, and beautiful corporeal forms; who is deprived of power, and falls from dominion and empire but he alone who is destitute of this divine possession, for which the ample dominion of the earth and sea and the still more extended empire of the heavens, must be relinquished and forgot, if, despising and leaving these far behind, we ever intend to arrive at substantial felicity, by beholding the beautiful itself.
What measures, then, shall we adopt? What machine employ, or what reason consult by means of which we may contemplate this ineffable beauty; a beauty abiding in the most divine sanctuary without ever proceeding from its sacred retreats lest it should be beheld by the profane and vulgar eye? We must enter deep into ourselves, and, leaving behind the objects of corporeal sight, no longer look back after any of the accustomed spectacles of sense. For, it is necessary that whoever beholds this beauty, should withdraw his view from the fairest corporeal forms; and, convinced that these are nothing more than images, vestiges and shadows of beauty, should eagerly soar to the fair original from which they are derived. For he who rushes to these lower beauties, as if grasping realities, when they are only like beautiful images appearing in water, will, doubtless, like him in the fable, by stretching after the shadow, sink into the lake and disappear. For, by thus embracing and adhering to corporeal forms, he is precipitated, not so much in his body as in his soul, into profound and horrid darkness; and thus blind, like those in the infernal regions, converses only with phantoms, deprived of the perception of what is real and true.
It is here, then, we may more truly exclaim, "Let us depart from hence, and fly to our father's delightful land".[8] But, by what leading stars shall we direct our flight, and by what means avoid the magic power of Circe, and the detaining charms of Calypso?[9] For thus the fable of Ulysses obscurely signifies, which feigns him abiding an unwilling exile, though pleasant spectacles were continually presented to his sight; and everything was promised to invite his stay which can delight the senses, and captivate the heart. But our true country, like that of Ulysses, is from whence we came, and where our father lives. But where is the ship to be found by which we can accomplish our flight? For our feet are unequal to the task since they only take us from one part of the earth to another. May we not each of us say,
"What ships have I, what sailors to convey, What oars to cut the long laborious way".[10]
But it is in vain that we prepare horses to draw our ships to transport us to our native land. On the contrary, neglecting all these, as unequal to the task, and excluding them entirely from our view, having now closed the corporeal eye,[11] we must stir up and assume a purer eye within, which all men possess, but which is alone used by a few. What is it, then, this inward eye beholds? Indeed, suddenly raised to intellectual vision, it cannot perceive an object exceeding bright. The soul must therefore be first accustomed to contemplate fair studies and then beautiful works, not such as arise from the operations of art, but such as are the offspring of worthy men; and next to this it is necessary to view the soul, which is the parent of this lovely race. But you will ask, after what manner is this beauty of a worthy soul to be perceived? It is thus. Recall your thoughts inward, and if while contemplating yourself, you do not perceive yourself beautiful, imitate the statuary; who when he desires a beautiful statue cuts away what is superfluous, smooths and polishes what is rough, and never desists until he has given it all the beauty his art is able to effect. In this manner must you proceed, by lopping what is luxuriant, directing what is oblique, and, by purgation, illustrating what is obscure, and thus continue to polish and beautify your statue until the divine splendour of Virtue shines upon you, and Temperance seated in pure and holy majesty rises to your view.
If you become thus purified residing in yourself, and having nothing any longer to impede this unity of mind, and no farther mixture to be found within, but perceiving your whole self to be a true light, and light alone; a light which though immense is not measured by any magnitude, nor limited by any circumscribing figure, but is everywhere immeasurable, as being greater than every measure, and more excellent than every quantity; if, perceiving yourself thus improved, and trusting solely to yourself, as no longer requiring a guide, fix now steadfastly your mental view, for with the intellectual eye alone can such immense beauty be perceived. But if your eye is yet infected with any sordid concern, and not thoroughly refined, while it is on the stretch to behold this most shining spectacle, it will be immediately darkened and incapable of intuition, though someone should declare the spectacle present, which it might be otherwise able to discern. For, it is here necessary that the perceiver and the thing perceived should be similar to each other before true vision can exist. Thus the sensitive eye can never be able to survey, the orb of the sun, unless strongly endued with solar fire, and participating largely off the vivid ray. Everyone therefore must become divine, and of godlike beauty, before he can gaze upon a god and the beautiful itself.
Thus proceeding in the right way of beauty he will first ascend into the region of intellect, contemplating every fair species, the beauty of which he will perceive to be no other than ideas themselves; for all things are beautiful by the supervening irradiations of these, because they are the offspring and essence of intellect. But that which is superior to these is no other than the fountain of good, everywhere widely diffusing around the streams of beauty, and hence in discourse called the beautiful itself because beauty is its immediate offspring. But if you accurately distinguish the intelligible objects you will call the beautiful the receptacle of ideas; but the good itself, which is superior, the fountain and principle of the beautiful; or, you may place the first beautiful and the good in the same principle, independent of the beauty which there subsists.[12]
NOTES
1 Pope's Homer's Odyssey, Book xiii., ver. 37.
2 Odyssey, Book xiii., ver. 223.
3 Odyssey, Book vii., ver. 303.
4 It is necessary to inform the Platonical reader, that the Beautiful, in the present discourse, is considered according to its most general acceptation, as the same with the Good: though, according to a more accurate distinction, as Plotinus himself informs us, the Good is considered as the fountain and principle of the Beautiful. I think it likewise proper to observe, that as I have endeavoured, by my paraphrase, to render as much as possible the obscure parts evident, and to expand those sentences which are so very much contracted in the original, I shall be sparing of notes; for my design is not to accommodate the sublimest truths to the meanest understandings (as this would be a contemptible and useless prostitution), but to render them perspicuous to truly liberal and philosophic minds. My reasons for adopting this mode of paraphrase, may be seen in the preface to my translation of Orpheus's Hymns.
5 "Enters deep into its essence," etc. The Platonic Philosophy insists much on the necessity of retiring into ourselves in order to the discovery of truth; and on this account Socrates, in the first Alcibiades, says that the soul entering into herself will contemplate whatever exists and the divinity himself. Upon which Proclus thus comments, with his usual elegance and depth (in Theol. Plat, p. 7): "For the soul," says he, "contracting herself wholly into a union with herself, and into the centre of universal life, and removing the multitude and variety of all-various powers, ascends into the highest place of speculation, from whence she will survey the nature of beings. For if she looks back upon things posterior to her essence, she will perceive nothing but the shadows and resemblances of beings; but if she returns into herself she will evolve her own essence, and the reasons she contains. And at first indeed she will, as it were, only behold herself; but when by her knowledge she penetrates more profoundly in her investigations she will find intellect seated in her essence and the universal orders of beings; but when she advances into the more interior recesses of herself, and as it were into the sanctuary of the soul, she will be enabled to contemplate, with her eyes closed to corporeal vision, the genus of the gods and the unities of beings. For all things reside in us, after a manner correspondent to the nature of the soul; and on this account we are naturally enabled to know all things, by exciting our inherent powers and images of whatever exists."
6 "And such is matter," etc. There is nothing affords more wonderful speculation than matter, which ranks as the last among the universality of things, and has the same relation to being as shade to substance. For, as in an ascending series of causes it is necessary to arrive at something, which is the first cause of all, and to which no perfection is wanting; so in a descending series of subjects, it is equally necessary we should stop at some general subject, the lowest in the order of things, and to which every perfection of being is denied. But let us hear the profound and admirable description which Plotinus gives us of matter (lib. vi., Ennead 3), and of which the following is a paraphrase: "Since matter," says he, "is neither soul, nor intellect, nor life, nor form, nor reason, nor bound, but a certain indefiniteness; nor yet capacity, for what can it produce? Since it is foreign from all these, it cannot merit the appellation of being, but is deservedly called non-entity. Nor yet is it non-entity in the manner as motion or station; but it is true non-entity, the mere shadow and imagination of bulk and the desire of subsistence; abiding without station, of itself invisible, and avoiding the desire of him who wishes to perceive its nature. Hence, when no one perceives it, it is then in a manner present, but cannot be viewed by him who strives intently to behold it. Again, in itself contraries always appear, the small and the great, the less and the more, deficience and excess.
So that it is a phantom, neither abiding nor yet able to fly away; capable of no one denomination and possessing no power from intellect, but constituted in the defect and shade, as it were, of all real being. Hence, too, in each of its vanishing appellations it eludes our search; for if we think of it as something great, it is in the meantime small; if as something more, it becomes less; and the apparent being which we meet with in its image is non-being, and as it were a flying mockery. So that the forms which appear in matter are merely ludicrous, shadows falling upon shadow, as in a mirror, where the position of a thing is different from its real situation; and which, though apparently full of forms, possesses nothing real and true--but imitations of being and semblances flowing about a formless semblance. They appear, indeed, to affect something in the subject matter, but in reality produce nothing; from their debile and flowing nature being endued with no solidity and no rebounding power. And since matter, likewise, has no solidity they penetrate it without division, like images in water, or as if anyone should fill a vacuum with forms."
7 "In itself perfectly pure." This is analogous to the description of the beautiful in the latter part of Diotima's Speech in the Banquet; a speech which is surely unequalled, both for elegance of composition and sublimity of sentiment. Indeed, all the disciples of Plato are remarkable for nothing so much as their profound and exalted conceptions of the Deity; and he who can read the works of Plotinus and Proclus in particular, and afterwards pity the weakness and erroneousness of their opinions on this subject, may be fairly presumed to be himself equally an object of pity and contempt.
8 "Let us depart," etc., vide Hom., Iliad, lib. ii., 140, et lib. ix., 27.
9 Porphyry informs us in his excellent treatise, De Antro Nymph, that it was the opinion of Numenius, the Pythagorean (to which he also assents), that the person of Ulysses in the Odyssey, represents to us a man, who passes in a regular manner, over the dark and stormy sea of generation; and thus, at length, arrives at that region where tempests and seas are unknown, and finds a nation who
"Ne'er knew salt, or heard the billows roar."
Indeed, he who is conscious of the delusions of the present life and the enchantments of this material house, in which his soul is detained like Ulysses in the irriguous cavern of Calypso, will like him continually bewail his captivity, and inly pine for a return to his native country. Of such a one it may be said as of Ulysses (in the excellent and pathetic translation of Mr Pope):
"But sad Ulysses by himself apart Pour'd the big sorrows of his swelling heart, All on the lonely shore he sate to weep And roll'd his eyes around the restless deep Tow'rd the lov'd coast he roll'd his eyes in vain Till, dimmed with rising grief, they stream'd again." Odyssey, book v., 103.
Such a one too, like Ulysses, will not always wish in vain for a passage over the dark ocean of a corporeal life, but by the assistance of Mercury, who may be considered as the emblem of reason, he will at length be enabled to quit the magic embraces of Calypso, the Goddess of Imagination, and to return again into the arms of Penelope, or Philosophy, the long lost and proper object of his love.
10 See Pope's Homer's Odyssey, book v., 182.
11 "We must stir up and assume a purer eye within." This inward eye is no other than intellect, which contains in its most inward recesses a certain ray of light, participated from the sun of Beauty and Good, by which the soul is enabled to behold and become united with her divinely solitary original. This divine ray, or, as Proclus calls it, mark or impression, is thus beautifully described by that philosopher (Theol. Plat, p. 105): "The Author of the Universe," says he, "has planted in all beings impressions of his own perfect excellence, and through these he has placed all beings about himself, and is present with them in an ineffable manner, exempt from the universality of things. Hence, every being entering into the ineffable sanctuary of its own nature finds there a symbol of the Father of all. And by this mystical impression which corresponds to his nature they become united with their original, divesting themselves of their own essence and hastening to become his impression alone; and, through a desire of his unknown nature and of the fountain of good, to participate in him alone. And when they have ascended as far as to this cause they enjoy perfect tranquillity and are conversant in the perception of his divine progeny and of the love which all things naturally possess, and goodness, unknown, ineffable, without participation and transcendently full."
12 But before I take my leave of Plotinus, I cannot refrain from addressing a few words to the Platonical part of my readers. If such then is the wisdom contained in the works of this philosopher, as we may conclude from the present specimen, is it fit so divine a treasure should be concealed in shameful oblivion? With respect to true philosophy you must be sensible that all modern sects are in a state of barbarous ignorance; for Materialism and its attendant Sensuality have darkened the eyes of the many with the mists of error, and are continually strengthening their corporeal tie. And can anything more effectually dissipate this increasing gloom than discourses composed by so sublime a genius, pregnant with the most profound conceptions, and everywhere full of intellectual light? Can anything so thoroughly destroy the phantom of false enthusiasm as establishing the real object of the true? Let us then boldly enlist ourselves under the banners of Plotinus, and, by his assistance, vigorously repel the encroachments of error, plunge her dominions into the abyss of forgetfulness, and disperse the darkness of her baneful night. For indeed there never was a period which required so much philosophic exertion, or such vehement contention from the lovers of Truth. On all sides nothing of philosophy remains but the name, and this is become the subject of the vilest prostitution; since it is not only engrossed by the naturalist, chemist, and anatomist, but is usurped by the mechanic in every trifling invention, and made subservient to the lucre of traffic and merchandise.
There cannot surely be a greater proof of the degeneracy of the times than so unparalleled a degradation and so barbarous a perversion of terms. For the word philosophy, which implies the love of wisdom, is now become the ornament of folly. In the times of its inventor, and for many succeeding ages, it was expressive of modesty and worth; in our days it is the badge of impudence and vain pretensions. It was formerly the symbol of the profound contemplative genius, it is now the mark of the superficial and unthinking practitioner. It was once reverenced by kings and clothed in the robes of nobility; it is now (according to its true acceptation) abandoned and despised and ridiculed by the vilest plebeian. Permit me, then, my friends, to address you in the words of Achilles to Hector:
"Rouse, then, your forces this important hour, Collect your strength and call forth all your pow'r."
Since, to adopt the animated language of Neptune to the Greeks,
" . . . On dastards, dead to fame, I waste no anger, for they feel no shame, But you, the pride, the flower of all our host, My heart weeps blood, to see your glory lost."
Nor deem the exhortation impertinent, and the danger groundless:
"For lo! the fated time, th' appointed shore, Hark, the gates burst, the brazen barriers roar."
Impetuous ignorance is thundering at the bulwarks of philosophy and her sacred retreats are in danger of being demolished, through our feeble resistance. Rise then, my friends, and the victory will be ours. The foe is indeed numerous, but at the same time feeble; and the weapons of truth in the hands of vigorous union, descend with irresistible force, and are fatal wherever they fall.
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[Transcriber's Notes: I have made minor changes to the punctuation and the format of the notes. I have also made the following spelling changes:
"powerfully attacts" to "powerfully attracts"