HIIAKA’S BATTLE WITH PANA-EWA
Project Gutenberg EPUB3 edition
Emerson, Nathaniel Bright
Ka-ko’i guides the warrior-van;
The rousing peals of pearly conch
And thrilling notes of woodland shells
Stir every heart with tuneful cheer.
Heaven’s blue is turmoiled with fire-clouds—
Boiling fountains of flame and cinder—
Such the form we give to our message:
Will he heed it, or turn a deaf ear?
Ah, you see, he scorns our entreaty.
Be valiant! now forward to battle!
Hé-he-hé-e-e!
Thus chanting their battle-mele (mele ka’i kaua), these gods of an old-time mythology marched, or flew, with resolute purpose to their task of rescuing Hiiaka and her little band and of ridding the land, at one and the same stroke, of their old entrenched foe, Pana-ewa. Heaven and earth stirred at their onset. The visible signs of their array were manifest in columns of seething fire-shot clouds that hovered like vultures over the advancing army. Arrived at striking distance, they let loose their lightning-bolts and sounded their thunder-gongs. Earth and heaven at once became turmoiled in one confused whirl of warring elements.
The warriors of Pana-ewa, who—in imitation of their chief—had for the most part taken the guise of trees and other natural objects, found themselves from the first fettered and embarrassed by a tangle of parasitic vines, so that their thrusts against Hiiaka were of little avail. Now comes the onset of the Pele gods in the tempest-forms of hurricane, lightning, hail, and watery cloud-bursts that opened heaven’s flood-gates. Against these elemental forces the dryad-forms of Pana-ewa’s host could not stand for a moment. Their tree-shapes were riven and torn limb from limb, engulfed in a swirling tide that swept them down to the ocean and far out to sea.
Two staunch fighters remained, Kiha, who had chosen to retain the honest dragon-form; and Pua’a-loa, a creature, like Kama-pua’a, in the demi-shape of a boar, whom Pana-ewa, at the scent of disaster, had thrust into the confinement of a secret cave. This manner of retreat saved the twain from the immediate disaster by flood but not from the vengeance of Pele’s army. Detected in their lairs, they were slain and their petrified bodies are pointed out to this day in verification of this story.
The fate of Pana-ewa himself was most tragical. He no sooner had taken the form of a kukui tree than he found himself overlaid and entangled with meshes of parasitic growth; he could neither fight nor fly. The spot on which he stood sank and became a swamp, a lake, a sink; the foundations on which its bottom rested were broken up and fell away. Pana-ewa, swallowed up in the gulf, was swept out to sea and perished in the waves. Kane-lu-honua had broken up the underlying strata and made of the place a bottomless sink.
(A reef is pointed out in the ocean opposite Papa’i which is the remains of the body of the mo’o Pana-ewa.)
The part taken by Hiiaka in this last act of her deliverance was hardly more than that of a spectator. She had but to look on and witness the accomplishment of her own salvation. Having been roused from the refreshment of sleep by the long-drawn recitative of Paú-o-pala’e’s prayer-mele (see pp. 37–40), she did her best to cheer her two companions with assurances of coming deliverance and, gathering her little brood about her, after the manner of a mother-hen, figuratively, bade them cling to her, nestle under her wings, lest they should be swept away in the flood of waters that soon began to surge about them—a flood which carried far out to sea the debris of battle—as already described.
The victory for Hiiaka was complete. Hawaii for once, and for all time, was rid of that pestilential, man-eating, mo’o band headed by Pana-ewa who, from the time of Pele’s coming, had remained entrenched in the beautiful forest-land that still bears the name—Pana-ewa.
Source notes
1Kukui, the tree whose nuts furnished torches. ↑
2Uli, an elder sister of Pele, a character much appealed to by sorcerers. ↑
3Kahuna, in this case probably Hiiaka. ↑
4Alohi-lani, literally, the brightness of heaven; a term applied to the residence or heavenly court of both Uli and Kapo. In verses 36 and 37 it is distinctly mentioned as the abode of Kapo-ula-kina’u: “E ho’i, e komo i kou hale, O Ke-alohi-lani.” ↑
5Ilio-uli, literally, a dog of dark blue-black color. The primitive Aryans, according to Max Müller, poetically applied the term “sheep” to the fleecy white clouds that float in the sky. The Hawaiian poet, in the lack of a nobler animal, spoke of the clouds as ilio, dogs. With this homely term, however, he coupled—by way of distinction—some ennobling adjective. ↑
6Ilio-ehu, literally, a white dog. ↑
7Ilio-mea, literally, a dog—cloud—of a warm pinkish hue. ↑
8Ku-ke-ao-iki, Ao-iki, small clouds that stand ranged about the horizon. ↑
9Ao-poko, a short cloud, in contrast with ao-loa.—J. H. ↑
10Ao-loa, long clouds—stratus?—such as are seen along the horizon. ↑
11Ao-awihiwihi-ula, a cloud-pile having a pinkish, or ruddy, tint. ↑
12Hoalii, the relatives of Hiiaka. ↑
13Ko-wawa, a notched pali that formed part of the wall enclosing the caldera of Kilauea—on its Kau side. ↑
14Kupina’e, echo, hero personified and endowed with the attributes of a superhuman being. ↑
15Ku-haili-moe, one of the forms, or characters, of god Ku, representing him as a smoother and beautifier of the landscape. ↑
16Ha’iha’i-lau-ahea, a goddess who had to do with the flame of fire. Her share in the care of a fire, or, perhaps, of Pele’s peculiar fire, seems to have been confined to the base of the flame. ↑
17Mau-a-ke-alii-hea, a being who had special charge of the flame-tip. ↑
18Kanaka loloa o ka mauna, this included Ku-pulupulu and his fellows. ↑
19Ku-pulupulu, described as a hairy being, the chief god of canoe-makers, who had his residence in the wildwoods. ↑
20Kuli-pe’e-nui. This much-used term is the embodiment in a word of the wild, lumbering, progress of a lava-flow, or lava-tongue. Translating the figure into words, my imagination pictures a huge, shapeless monster, hideous as Caliban drunk, wallowing, sprawling, stumbling along on swollen disjointed knees—a picture of uncouth desolation. ↑
21Kike-alana, the formulation in a word of the rending and crashing sounds—rock smiting rock—made by a lava-flow. ↑
22Kahuna i ka, puoko o ke ahi. The word Kahuna is used here where the word akua or kupua would seem to have served the purpose of the meaning, which, as I take it, is the spirit, or genius, of flame. ↑