Primitive culture, vol. 1 (of 2)

The proof of the force and obstinacy of the mythic faculty, thus given by the relapse of parable into pseudo-history, may conclude this dissertation on mythology. In its course there have been examined the processes of animating and personifying nature, the formation of legend by exaggeration and perversion of fact, the stiffening of metaphor by mistaken realization of words, the conversion of speculative theories and still less substantial fictions into pretended traditional events, the passage of myth into miracle-legend, the definition by name and place given to any floating imagination, the adaptation of mythic incident as moral example, and the incessant crystallization of story into history. The investigation of these intricate and devious operations has brought ever more and more broadly into view two principles of mythologic science. The first is that legend, when classified on a sufficient scale, displays a regularity of development which the notion of motiveless fancy quite fails to account for, and which must be attributed to laws of formation whereby every story, old and new, has arisen from its definite origin and sufficient cause. So uniform indeed is such development, that it becomes possible to treat myth as an organic product of mankind at large, in which individual, national, and even racial distinctions stand subordinate to universal qualities of the human mind. The second principle concerns the relation of myth to history.

It is true that the search for mutilated and mystified traditions of real events, which formed so main a part of old mythological researches, seems to grow more hopeless the farther the study of legend extends. Even the fragments of real chronicle found embedded in the mythic structure are mostly in so corrupt a state, that, far from their elucidating history, they need history to elucidate them. Yet unconsciously, and as it were in spite of themselves, the shapers and transmitters of poetic legend have preserved for us masses of sound historical evidence. They moulded into mythic lives of gods and heroes their own ancestral heirlooms of thought and word, they displayed in the structure of their legends the operations of their own minds, they placed on record the arts and manners, the philosophy and religion of their own times, times of which formal history has often lost the very memory. Myth is the history of its authors, not of its subjects; it records the lives, not of superhuman heroes, but of poetic nations.