The Secret Doctrine, Vol. 1 of 4 The Synthesis of...

The Monad [the manifested One] is the principle of all things. From the Monad and the indeterminate Duad (Chaos), Numbers; from Numbers, Points; from Points, Lines; from Lines, Superficies; from Superficies, Solids; from these, Solid Bodies,[pg 468]whose elements are four, Fire, Water, Air, Earth; of all which transmuted [correlated], and totally changed, the World consists.705

And this, if it does not unriddle the mystery altogether, may at any rate lift a corner of the veil off those wondrous allegories that have been thrown over Vâch, the most mysterious of all the Brâhmanical Goddesses; she who is termed “the melodious Cow who milked forth sustenance and Water”—the Earth with all her mystic powers; and again she “who yields us nourishment and sustenance”—the physical Earth. Isis is also mystic Nature and also Earth; and her cow's horns identify her with Vâch, who, after being recognized in her highest form as Parâ, becomes, at the lower or material end of creation, Vaikharî. Hence she is mystic, though physical, Nature, with all her magic ways and properties.

Again, as Goddess of Speech and of Sound, and a permutation of Aditi, she is Chaos, in one sense. At any rate, she is the “Mother of the Gods,” and it is from Brahmâ, Îshvara or the Logos, and Vâch, as from Adam Kadmon and Sephira, that the real manifested Theogony has to start. Beyond, all is Darkness and abstract speculation. With the Dhyân Chohans or the Gods, the Seers, the Prophets and the Adepts in general are on firm ground. Whether as Aditi, or the Divine Sophia of the Greek Gnostics, she is the mother of the Seven Sons, the Angels of the Face, of the Deep, or the Great Green One of the Book of the Dead. Says the Book of Dzyan, or Real Knowledge, obtained through meditation:

The Great Mother lay with the [triangle], and the |, and the [square], the second | and the [five-pointed star],706in her Bosom, ready to bring them forth, the valiant Sons of the [square] [triangle] || [or 4,320,000, the Cycle], whose two Elders are the [circle] [Circle] and the · [Point].

At the beginning of every Cycle of 4,320,000, the Seven, or as some nations had it Eight, Great Gods, descend to establish the new order of things and to give the impetus to the new cycle. That eighth God was the unifying Circle, or Logos, separated and made distinct from its Host, in exoteric dogma, just as the three divine hypostases of the ancient Greeks are now considered in the Churches as three distinct personæ. As a Commentary says:

Thus we are taught that the great Pyramids were built under their direct supervision, “when Dhruva [the then Pole-star], was at his lowest culmination, and the Krittikâs [Pleiades] looked over his head [were on the same meridian but above] to watch the work of the Giants.” Thus, as the first Pyramids were built at the beginning of a Sidereal Year, under Dhruva (Alpha Polaris), it must have been over 31,000 years (31,105) ago. Bunsen was right in admitting for Egypt an antiquity of over 21,000 years, but this concession hardly exhausts truth and fact in this question. As Mr. Gerald Massey says:

The stories told by Egyptian priests and others of time-keeping in Egypt are now beginning to look less like lies in the sight of all who have escaped from biblical bondage. Inscriptions have lately been found at Sakkarah, making mention of two Sothiac cycles ... registered at that time, now some 6,000 years ago. Thus when Herodotus was in Egypt, the Egyptians had—as now known—observed at least five different Sothiac cycles of 1,461 years....

The priests informed the Greek enquirer that time had been reckoned by them for so long that the sun had twice risen where it then set, and twice set where it then arose. This ... can only be realized as a fact in nature by means of two cycles of Precession, or a period of 51,736 years.708

Mor Isaac709 shows the ancient Syrians defining their World of the “Rulers” and “Active Gods” in the same way as the Chaldeans. The lowest World was the Sublunary—our own—watched by the Angels of the first or lower order; the one that came next in rank, was Mercury, ruled by the Archangels: then came Venus, whose Gods were the Principalities; the fourth was that of the Sun, the domain and region of the highest and mightiest Gods of our system, the solar Gods of all nations; the fifth was Mars, ruled by the Virtues; the sixth, that of Bel or Jupiter, was governed by the Dominions; the seventh, the World of Saturn, by the Thrones. These are the Worlds of Form. Above come the Four higher ones, making Seven again, since the Three highest are “unmentionable and unpronounceable.” The eighth, composed of 1,122 stars, is the domain of the Cherubs; the ninth, belonging to the walking and numberless stars on account of their [pg 470] distance, has the Seraphs; as to the tenth, Kircher, quoting Mor Isaac, says that it is composed “of invisible stars that could be taken, they said, for clouds, so massed are they in the zone that we call Via Straminis, the Milky Way”; and he hastens to explain that “these are the stars of Lucifer, engulfed with him in his terrible shipwreck.” That which comes after and beyond the ten Worlds (our Quaternary), or the Arûpa World, the Syrians could not tell. “All they knew was that it is there that begins the vast and incomprehensible Ocean of the Infinite, the abode of the True Divinity, without boundary or end.”

Champollion shows the same belief among the Egyptians. Hermes having spoken of the Father-Mother and Son, whose Spirit—collectively the Divine Fiat—shapes the Universe, says: “Seven Agents [Media] were also formed, to contain the Material [or manifested] Worlds within their respective Circles, and the action of these Agents was named Destiny.” He further enumerates seven and ten and twelve orders, but it would take too long to detail them here.

As the Rig Vidhâna together with the Brahmânda Purâna and all such works, whether describing the magic efficacy of the Rig Vedic Mantras, or the future Kalpas, are declared by Dr. Weber and others to be modern compilations “belonging probably only to the time of the Purânas,” it is useless to refer the reader to their mystic explanations; and one may as well simply quote from the archaic books utterly unknown to the Orientalists. These works explain that which so puzzles the scholars, namely that the Saptarshis, the “Mind-born Sons” of Brahmâ, are referred to in the Shatapatha Brâhmana under one set of names; in the Mahâbhârata under another set; and that the Vâyu Purâna makes even nine instead of seven Rishis, by adding the names of Bhrigu and Daksha to the list. But the same occurs in every exoteric Scripture. The Secret Doctrine gives a long genealogy of Rishis, but separates them into many classes. Like the Gods of the Egyptians, who were divided into seven, and even twelve, Classes, so are the Indian Rishis in their Hierarchies. The first three Groups are the Divine, the Cosmical and the Sublunary. Then come the Solar Gods of our System, the Planetary, the Submundane, and the purely Human—the Heroes and the Mânushi.

At present, however, we are only concerned with the Pre-cosmic, Divine Gods, the Prajâpatis, or the Seven Builders. This Group is found unmistakably in every Cosmogony. Owing to the loss of [pg 471] Egyptian archaic documents, since, according to M. Maspero, “the materials and historical data on hand to study the history of the religious evolution in Egypt are neither complete nor very often intelligible,” the ancient Hymns and inscriptions on the tombs must be appealed to, in order to have the statements brought forward from the Secret Doctrine partially and indirectly corroborated. One such shows that Osiris, like Brahmâ-Prajâpati, Adam Kadmon, Ormazd, and so many other Logoi, was the chief and synthesis of the Group of “Creators” or Builders. Before Osiris became the “One” and the Highest God of Egypt, he was worshipped at Abydos as the Head, or Leader, of the Heavenly Host of the Builders belonging to the higher of the three Orders. The Hymn engraved on the votive stele of a tomb from Abydos (3rd register) addresses Osiris thus:

Salutations to thee, O Osiris, elder son of Seb; thou the greatest over the six Gods issued from the Goddess Noo [Primordial Water], thou the great favourite of thy father Ra; Father of Fathers, King of Duration, Master in the Eternity ... who, as soon as these issued from thy Mother's Bosom, gathered all the Crowns and attached the Uræus [serpent or naja]710on thy head; multiform God,whose name is unknownand who has many names in towns and provinces.

Coming out from the Primordial Water crowned with the Uræus, which is the serpent-emblem of Cosmic Fire, and himself the seventh over the six Primary Gods, issued from Father-Mother, Noo and Noot, the Sky, who can Osiris be, but the chief Prajâpati, the chief Sephira, the chief Amshaspend, Ormazd! That this latter Solar and Cosmic God stood, in the beginning of religious evolution, in the same position as the Archangel, “whose name was secret,” is certain. This Archangel was Michael, the representative on earth of the Hidden Jewish God; in short, it is his “Face” that is said to have gone before the Jews like a “Pillar of Fire.” Burnouf says: “The seven Amshaspends, who are most assuredly our Archangels, designate also the personifications of the Divine Virtues.”711 And these Archangels, therefore, are as certainly the Saptarshis of the Hindus, though it is next to impossible to class each with its Pagan prototype and parallel, since, as in the case of Osiris, they have all so “many names in towns and provinces.” Some of the most important, however, will be shown in their order.

One thing is thus undeniably proven. The more we study their Hierarchies and find out their identity, the more proofs we acquire that there is not one of the past or present personal Gods, known to us from the earliest days of history, that does not belong to the third stage of cosmic manifestation. In every religion we find the Concealed Deity forming the ground work; then the Ray therefrom, that falls into primordial Cosmic Matter, the first manifestation; then the Androgyne result, the dual Male and Female abstract Force personified, the second stage; this finally separates itself, in the third, into Seven Forces, called the Creative Powers by all the ancient religions, and the Virtues of God by the Christians. The later explanations and abstract metaphysical qualifications have not prevented the Roman and Greek Churches from worshipping these “Virtues” under the personifications and distinct names of the Seven Archangels. In the Book of Druschim,712 in the Talmud, a distinction between these groups is given which is the correct Kabalistical explanation. It says:

There are three Groups (or Orders) of Sephiroth. 1st. The Sephiroth called the“Divine Attributes”[abstract]. 2nd. The Physical or Sidereal Sephiroth [personal]—one group ofseven, the other often. 3rd. The metaphysical Sephiroth, or periphrasis of Jehovah, who are the first three Sephiroth [Kether, Chokmah and Binah], the rest of the seven being the (personal) seven Spirits of the Presence [also of the planets].

The same division has to be applied to the primary, secondary and tertiary evolution of Gods in every Theogony, if one wishes to translate the meaning esoterically. We must not confuse the purely metaphysical personifications of the abstract attributes of Deity, with their reflection—the Sidereal Gods. This reflection, however, is in reality the objective expression of the abstraction; living Entities and the models formed on that divine Prototype. Moreover, the three metaphysical Sephiroth, or the “periphrasis of Jehovah,” are not Jehovah. It is the latter himself, with the additional titles of Adonai, Elohim, Sabbaoth, and the numerous names lavished on him, who is the periphrasis of the Shaddai (שדי), the Omnipotent. The name is a circumlocution, indeed, a too abundant figure of Jewish rhetoric, and has always been denounced by the Occultists. To the Jewish Kabalists, and even the Christian Alchemists and Rosicrucians, Jehovah was a convenient screen, unified by the folding of its many panels, and adopted [pg 473] as a substitute; one name of an individual Sephira being as good as another name, for those who had the secret.

The Tetragrammaton, the Ineffable, the Sidereal “Sum Total,” was invented for no other purpose than to mislead the profane and to symbolize life and generation.713 The real secret and unpronounceable Name, the “Word that is no word,” has to be sought in the seven names of the first Seven Emanations, or the “Sons of the Fire,” in the secret Scriptures of all the great nations, and even in the Zohar, the Kabalistic lore of the smallest of all of them, viz., the Jewish. This word, composed of seven letters in every tongue, is found embodied in the architectural remains of every great sacred building in the world; from the Cyclopean remains on Easter Island—part of a Continent buried under the seas nearer 4,000,000 years ago714 than 20,000—down to the earliest Egyptian pyramids.

For the present it is sufficient to show, by a few instances, the truth of what has been asserted at the beginning of this work, namely, that no Cosmogony, the world over, with the sole exception of the Christian, has ever attributed to the One Highest Cause, the Universal Deific Principle, the immediate creation of our earth, or man, or anything connected with these. This statement holds as well for the Hebrew or Chaldean Kabalah as it does for Genesis, had the latter been ever thoroughly understood and, what is still more important, correctly [pg 474] translated.715 Everywhere there is either a Logos—a “Light shining in Darkness,” truly—or the Architect of the Worlds is esoterically in the plural number. The Latin Church, paradoxical as ever, while applying the epithet of Creator to Jehovah alone, adopts a whole Kyriel of names for the working Forces of the latter, names which betray the secret. For if the said Forces had nought to do with “Creation” so-called, why call them Elohim (Alhim), a plural word; Divine Workmen and Energies (Ἐνέργειαι), incandescent celestial stones (lapides igniti cœlorum); and especially Supporters of the World (Κοσμοκράτορες), Governors or Rulers of the World (Rectores Mundi), Wheels of the World (Rotæ), Auphanim, Flames and Powers, Sons of God (B'ne Alhim), Vigilant Counsellors, etc.?

It is often asserted, and unjustly, as usual, that China, nearly as old a country as India, had no Cosmogony. It was unknown to Confucius, and the Buddhists extended their Cosmogony without introducing a Personal God,716 it is complained. The Yi-King, “the very essence of ancient thought and the combined work of the most venerated sages,” fails to show a distinct Cosmogony. Nevertheless, one existed, and a very distinct one. Only as Confucius did not admit of a future life717 and the Chinese Buddhists reject the idea of One Creator, accepting one Cause and its numberless effects, they are misunderstood by the believers in a Personal God. The “Great Extreme,” as the commencement of “changes” (transmigrations), is the shortest and, perhaps, the most suggestive of all Cosmogonies for those who, like the Confucianists, love virtue for its own sake and try to do good unselfishly without [pg 475] perpetually looking to reward and profit. The “Great Extreme” of Confucius produces “Two Figures.” These Two produce in their turn the “Four Images”; these again the “Eight Symbols.” It is complained that though the Confucianists see in them “heaven, earth and man in miniature,” we can see in them anything we like. No doubt, and so it is with regard to many symbols, especially those of the latest religions. But they who know something of Occult numerals, see in these “Figures” the symbol, however rude, of a harmonious progressive Evolution of Kosmos and its Beings, both Heavenly and Terrestrial.

And any one who has studied the numerical evolution in the primeval Cosmogony of Pythagoras—a contemporary of Confucius—can never fail to find in his Triad, Tetraktys and Decad, emerging from the One and solitary Monad, the same idea. Confucius is laughed at by his Christian biographer for “talking of divination,” before and after this passage, and is represented as saying:

The eight symbols determine good and ill fortune, and these lead to great deeds. There are no imitable images greater than heaven and earth. There are no changes greater than the four seasons [meaning North, South, East and West, etc.]. There are no suspended images brighter than the sun and moon. In preparing things for use, there is none greater than the sage. In determining good and ill-luck there is nothing greater than thedivining strawsand thetortoise.718

Therefore, the “divining straws” and the “tortoise,” the “symbolic sets of lines,” and the great sage who looks at them as they become one and two, and two become four, and four become eight, and the other sets “three and six,” are laughed to scorn, only because his wise symbols are misunderstood.

So the author of the volume cited and his colleagues will no doubt scoff at the Stanzas given in our text, for they represent precisely the same idea. The old archaic map of Cosmogony is full of lines in the Confucian style, of concentric circles and dots. Yet all these represent the most abstract and philosophical conceptions of the Cosmogony of our Universe. At all events it may, perhaps, answer better to the requirements and the scientific purposes of our age, than the cosmogonical essays of St. Augustine and the Venerable Bede, though these were published over a millennium later than the Confucian.

Confucius, one of the greatest sages of the ancient world, believed [pg 476] in ancient magic, and practised it himself, “if we take for granted the statements of Kià-yü” and “he praised it to the skies in the Yi-king,” we are told by his reverend critic. Nevertheless, even in his age, 600 b.c., Confucius and his school taught the sphericity of the earth and even the heliocentric system; while, at about thrice 600 years after the Chinese philosopher, the Popes of Rome threatened and even burnt “heretics” for asserting the same. He is laughed at for speaking of the “Sacred Tortoise.” No unprejudiced person can see any great difference between a Tortoise and a Lamb as candidates for sacredness, as both are symbols and no more. The Ox, the Eagle,719 and the Lion, and occasionally the Dove are the “sacred animals” of the Western Bible; the first three are found grouped round the Evangelists; the fourth, associated with these, a human face, is a Seraph, i.e., a “fiery serpent,” the Gnostic Agathodæmon probably.

The choice is curious, and shows how paradoxical were the first Christians in their selections. For why should they have chosen these symbols of Egyptian Paganism, when the Eagle is never mentioned in the New Testament save once, when Jesus refers to it as a carrion eater,720 and in the Old Testament it is called unclean; when the Lion is made a point of comparison with Satan, both roaring for men to devour; and the Oxen are driven out of the Temple? On the other hand the Serpent, brought in as an exemplar of wisdom, is now regarded as the symbol of the Devil. The esoteric pearl of Christ's religion, degraded into Christian theology, may indeed be said to have chosen a strange and unfitting shell to be born in and evolved from.

As explained, the Sacred Animals and the Flames or Sparks, within the Holy Four, refer to the Prototypes of all that is found in the Universe in the Divine Thought, in the Root, which is the Perfect Cube, or the Foundation of the Kosmos, collectively and individually. [pg 477] They have all an occult reference to primordial Cosmic Forms, and the first concretions, work, and evolution of Kosmos.

It is this action “that causes each sphere to turn around itself, and all around the Sun.” After which action, “it is the Brahmândika,” the Solar and Lunar Pitris, the Dhyân Chohans, “who take charge of their respective spheres [earths and planets], to the end of the Kalpa.” The Creators are the Rishis, most of whom are credited with the authorship of the Mantras, or Hymns, of the Rig Veda. They are sometimes seven, sometimes ten, when they become Prajâpati, the Lord of Beings; then they rebecome the seven and the fourteen Manus, as the representatives of the seven and fourteen Cycles of Existence, or Days of Brahmâ, thus answering to the seven Æons, when, at the end of the first stage of Evolution, they are transformed into the seven stellar Rishis, the Saptarshis; while their human Doubles appear as Heroes, Kings and Sages on this earth.

The Esoteric Doctrine of the East having thus furnished and struck the key-note, which, under its allegorical garb, is, as may be seen, as scientific as it is philosophical and poetical, every nation has followed its lead. It is from the exoteric religions that we have to dig out the root-idea before we turn to esoteric truths, lest the latter should be rejected. Furthermore, every symbol, in every national religion, may be read esoterically; and the proof of its being correctly read when transliterated into its corresponding numerals and geometrical forms, may be obtained from the extraordinary agreement of all glyphs and symbols, however much they may externally vary among themselves. For in the origin those symbols were all identical. Take, for instance, the opening sentences in various Cosmogonies; in every case it is a Circle, an Egg, or a Head. Darkness is always associated with this first symbol and surrounds it, as is shown in the Hindû, the Egyptian, the Chaldeo-Hebrew and even the Scandinavian systems. Hence black ravens, black doves, black waters and even black flames; the seventh tongue of Agni, the Fire-God being called Kâlî, the “Black,” since it was a black flickering flame. Two “black” doves flew from Egypt and, settling on the oaks of Dodona, gave their names to the Grecian Gods. Noah sends out a “black” raven after the Deluge, which [pg 478] is a symbol for the Cosmic Pralaya, after which began the real creation or evolution of our Earth and Humanity.

Odin's “black” ravens fluttered round the Goddess Saga and “whispered to her of the past and of the future.” Now what is the inner meaning of all those black birds? It is that they are all connected with the primeval Wisdom, which flows out of the pre-cosmic Source of All, symbolized by the Head, the Circle or the Egg; and they all have an identical meaning and relate to the primordial Archetypal Man, Adam Kadmon, the Creative Origin of all things, which is composed of the Host of Cosmic Powers—the Creative Dhyân Chohans, beyond which all is Darkness.

The term Raven is used but once, and taken as Eth-h' orebv את־הערב=678, or 113 × 6; while the Dove is mentioned five times. Its value is 71, and 71 × 5=355. Six diameters, or the Raven, crossing, would divide the circumference of a circle of 355 into 12 parts or compartments; and 355 subdivided for each unit by 6, would equal 213-0, or the Head [“beginning”] in the first verse ofGenesis. This divided, or subdivided, after the same fashion, by 2, or the 355 by 12, would give 213-2, or the word B'râsh, ב־ראש, or the first word ofGenesis, with its prepositional prefix, signifying the same concreted general form, astronomically, with the one here intended.

Now the secret reading of the first verse in Genesis being: “In Râsh (B'râsh) or Head, developed Gods, the Heavens and the Earth”—it is easy to comprehend the esoteric meaning of the Raven, once that the like meaning of the Flood, or Noah's Deluge, is ascertained. Whatever the many other meanings of this emblematical allegory may be, its chief meaning is that of a new Cycle and a new Round—our Fourth Round.721 The Raven, or the Eth-h' orebv, yields the same numerical value as the Head, and returned not to the Ark, while the Dove returned, carrying the olive-branch; when Noah, the new man of the new Race—whose prototype is Vaivasvata Manu, prepared to leave the Ark, the Womb, or Argha, of terrestrial Nature, he is the symbol of the purely spiritual, sexless and androgyne man of the first three Races, [pg 479] who vanished from Earth for ever. Numerically, in the Kabalah, Jehovah, Adam, Noah, are one. At best, then, it is Deity descending on Ararat and later, on Sinai, to incarnate henceforth in man, his image, through the natural process, the mother's womb, whose symbols are the Ark, the Mount (Sinai), etc., in Genesis. The Jewish allegory is astronomical and physiological, rather than anthropomorphic.

The basic idea underlying the philosophy of the Hebrews was that God contained all things within himself and that man washis image; man, including woman [as androgynes; and that] geometry (and numbers and measures applicable to astronomy) are contained in the termsmanandwoman; and the apparent incongruity of such a mode was eliminated by showing the connection of man and woman with a particular system of numbers and measures and geometry, by the parturient time-periods, which furnished the connecting link between the terms used and the facts shown, and perfected the mode used.722

It is argued that, the primal cause being absolutely incognizable, “the symbol of its first comprehensible manifestation was the conception of a circle with its diameter line, so as at once to carry the idea of geometry, phallicism, and astronomy”; and this was finally applied to the “signification of simply human generative organs.” Hence the whole cycle of events from Adam and the Patriarchs down to Noah is made to apply to phallic and astronomical uses, the one regulating the other, as the lunar periods, for instance. Hence, too, the Genesis of the Hebrews begins after their coming out of the Ark, and the end of the Flood, i.e., at the Fourth Race. With the Aryan people it is different.