Demonology and Devil-lore

A Scottish Munasa—Rudra—Siva’s lightning eye—The flaming sword—Limping demons—Demons of the storm—Helios, Elias, Perun—Thor arrows—The Bob-tailed Dragon—Whirlwind—Japanese thunder god—Christian survivals—Jinni—Inundations—Noah—Nik, Nicholas, Old Nick—Nixies—Hydras—Demons of the Danube—Tides—Survivals in Russia and England.

During some recent years curious advertisements have appeared in a journal of Edinburgh, calling for pious persons to occupy certain hours of the night with holy exercises. It would appear that they refer to a band of prayerful persons who provide that there shall be an unbroken round of prayers during every moment of the day and night. Their theory is, that it is the usual cessation of christian prayers at night which causes so many disasters. The devils being then less restrained, raise storms and all elemental perils. The praying circle, which hopes to bind these demons by an uninterrupted chain of prayers, originated, as I am informed, in the pious enthusiasm of a lady whose kindly solicitude in some pre-existent sister was no doubt personified in the Hindu Munasa, who, while all gods slept, sat in the shape of a serpent on a branch of Euphorbia to preserve mankind from the venom of snakes. It is to be feared, however, that it is hardly the wisdom of the serpent which is on prayerful watch at Edinburgh, but rather a vigilance of that perilous kind which was exercised by ‘Meggie o’ the Shore,’ anno 1785, as related by Hugh Miller.1 On a boisterous night, when two young girls had taken refuge in her cottage, they all heard about midnight cries of distress mingling with the roar of the sea, ‘Raise the window curtain and look out,’ said Meggie. The terrified girls did so, and said, ‘There is a bright light in the middle of the Bay of Udall.

It hangs over the water about the height of a ship’s mast, and we can see something below it like a boat riding at anchor, with the white sea raging around her.’ ‘Now drop the curtain,’ said Meggie; ‘I am no stranger, my lasses, to sights and noises like these—sights and noises of another world; but I have been taught that God is nearer to me than any spirit can be; and so have learned not to be afraid.’ Afterwards it is not wonderful that a Cromarty yawl was discovered to have foundered, and all on board to have been drowned; though Meggie’s neighbours seemed to have preserved the legend after her faith, and made the scene described a premonition of what actually occurred. It was in a region where mariners when becalmed invoke the wind by whistling; and both the whistling and the praying, though their prospects in the future may be slender, have had a long career in the past.

5. May I propitiate with hymns this Rudra who is worshipped with invocations and oblations; may the tender-hearted, easily-entreated, tawny-haired, beautiful-chinned god not deliver us up to the plotter of evil [literally, to the mind meditating ‘I kill’].

11. Celebrate the renowned and ever-youthful god who is seated on a chariot, who is, like a wild beast, terrible, fierce, and destructive; have mercy upon the singer, O Rudra, when thou art praised; may thy hosts strike down another than us.

14. May the dart of Rudra be turned aside from us, may the great malevolence of the flaming-god be averted; unbend thy strong bow from those who are liberal with their wealth; O generous god, have mercy upon our offspring and our posterity (i.e., our children and children’s children).

In this hymn (verse 1) Rudra is described as ‘having braided hair;’ and in the ‘Yajur-veda’ and the ‘Atharva-veda’ other attributes of Siva are ascribed to him, such as the epithet nîla-grîva, or blue-necked. In the ‘Rig-veda’ Siva occurs frequently as an epithet, and means auspicious. It was used as a euphemistic epithet to appease Rudra, the lord of tempests; and finally, the epithet developed into a distinct god.

The parentage of Siva is further indicated in the legends that his glance destroyed the head of the youthful deity Ganesa, who now wears the elephant head, with which it was replaced; and that the gods persuaded him to keep his eyes perpetually winking (like sheet-lightning), lest his concentrated look (the thunderbolt) should reduce the universe to ashes. With the latter legend the gaze of the evil eye in India might naturally be associated, though in the majority of countries this was rather associated with the malign influences ascribed to certain planets, especially Saturn; the charms against the evil eye being marked over with zodiacal signs. The very myth of Siva’s eye survives in the Russian demon Magarko (‘Winker’) and the Servian Vii, whose glance is said to have power to reduce men, and even cities, to ashes.

The terrible Rudra is represented in a vast number of beliefs, some of them perhaps survivals; in the rough sea and east-wind demon Oegir of the northern world, and Typhon in the south; and in Luther’s faith that ‘devils do house in the dense black clouds, and send storms, hail, thunder and lightning, and poison the air with their infernal stench,’ a doctrine which Burton, the Anatomist of Melancholy, too, maintained against the meteorologists of his time.

Among the ancient Aryans lightning seems to have been the supreme type of divine destructiveness. Rudra’s dart, Siva’s eye, reappear with the Singhalese prince of demons Wessamonny, described as wielding a golden sword, which, when he is angry, flies out of his hand, to which it spontaneously returns, after cutting off a thousand heads.4 A wonderful spear was borne by Odin, and was possibly the original Excalibur. The four-faced Sviatevit of Russia, whose mantle has fallen to St. George, whose statue was found at Zbrucz in 1851, bore a horn of wine (rain) and a sword (lightning).

In Greece similar swords were wielded by Zeus, and also by the god of war. Through Zeus and Ares, the original wielders of the lightning—Indra and Siva—became types of many gods and semi-divine heroes. The evil eye of Siva glared from the forehead of the Cyclopes, forgers of thunderbolts; and the saving disc of Indra flashed in the swords and arrows of famous dragon-slayers—Perseus, Pegasus, Hercules, and St. George. The same sword defended the Tree of Life in Eden, and was borne in the hand of Death on the Pale Horse (a white horse was sacrificed to Sviatevit in Russia within christian times). And, finally, we have the wonderful sword which obeys the command ‘Heads off!’ delighting all nurseries by the service it does to the King of the Golden Mountain.

‘I beheld Satan as lightning falling out of heaven.’ To the Greeks this falling of rebellious deities out of heaven accounted, as we have seen explained, for their lameness. But a universal phenomenon can alone account for the many demons with crooked or crippled legs (like ‘Diable Boiteux’)5 all around the world. The Namaquas of South Africa have a ‘deity’ whose occupation it is to cause pain and death; his name is Tsui’knap, that is ‘wounded knee.’6 Livingstone says of the Bakwains, another people of South Africa, ‘It is curious that in all their pretended dreams or visions of their god he has always a crooked leg, like the Egyptian Thau.’7 In Mainas, South America, they believe in a treacherous demon, Uchuella-chaqui, or Lame-foot, who in dark forests puts on a friendly shape to lure Indians to destruction; but the huntsmen say they can never be deceived if they examine this demon’s foot-track, because of the unequal size of the two feet.8 The native Australians believed in a demon named Biam; he is black and deformed in his lower extremities; they attributed to him many of their songs and dances, but also a sort of small-pox to which they were liable.9 We have no evidence that these superstitions migrated from a common centre; and there can be little doubt that many of these crooked legs are traceable to the crooked lightning.10 At the same time this is by no means inconsistent with what has been already said of the fall of Titans and angels from heaven as often accounting for their lameness in popular myths.

But in such details it is hard to reach certainty, since so many of the facts bear a suspicious resemblance to each other. A wild boar with ‘distorted legs’ attacked St. Godric, and the temptation is strong to generalise on the story, but the legs probably mean only to certify that it was the devil.

Dr. Schliemann has unearthed among his other treasures the remarkable fact that a temple of Helios (the sun) once stood near the site of the present Church of Elias, at Mycenæ, which has from time immemorial been the place to which people repair to pray for rain.11 When the storm-breeding Sun was succeeded by the Prophet whose prayer evoked the cloud, even the name of the latter did not need to be changed. The discovery is the more interesting because it has always been a part of the christian folklore of that region that, when a storm with lightning occurs, it is ‘Elias in his chariot of fire.’ A similar phrase is used in some part of every Aryan country, with variation of the name: it is Woden, or King Waldemar, or the Grand Veneur, or sometimes God, who is said to be going forth in his chariot.

These storm-demons in their chariots have their forerunner in Vata or Vayu, the subject of one of the most beautiful Vedic hymns. ‘I celebrate the glory of Vata’s chariot; its noise comes rending and resounding. Touching the sky he moves onward, making all things ruddy; and he comes propelling the dust of the earth.

This last verse, as Mr. Muir has pointed out, bears a startling resemblance to the passage in John, ‘The Wind bloweth where it listeth, and thou canst not tell whence it cometh or whither it goeth; so is every one that is born of the Wind.’13

But an equally striking development of the Vedic idea is represented in the Siamese legend of Buddha, and in this case the Vedic Wind-god Vayu reappears by name for the Angels of Tempests, or Loka Phayu. The first portent which preceded the descent of Buddha from the Tushita heavens was ‘when the Angels of the Tempest, clothed in red garments, and with streaming hair, travel among the abodes of mankind crying, ‘Attend all ye who are near to death; repent and be not heedless! The end of the world approaches, but one hundred thousand years more and it will be destroyed. Exert yourselves, then, exert yourselves to acquire merit. Above all things be charitable; abstain from doing evil; meditate with love to all beings, and listen to the teachings of holiness. For we are all in the mouth of the king of death. Strive then earnestly for meritorious fruits, and seek that which is good.’14

Not less remarkable is the Targum of Jonathan Ben Uzziel to 1 Kings xix., where around Elias on the mountain gather ‘a host of angels of the wind, cleaving the mountain and breaking the rocks before the Lord;’ and after these, ‘angels of commotion,’ and next ‘of fire,’ and, finally, ‘voices singing in silence’ preceded the descent of Jehovah. It can hardly be wondered that a prophet of whom this story was told, and that of the storm evoked from a small cloud, should be caught up into that chariot of the Vedic Vayu which has rolled on through all the ages of mythology.

Mythologic streams seem to keep their channels almost as steadfastly as rivers, but as even these change at last or blend, so do the old traditions. Thus we find that while Thor and Odin remain as separate in survivals as Vayu and Parjanya in India, in Russia Elias has inherited not the mantle of the wind-god or storm-breeding sun, but of the Slavonic Thunderer Perun. There is little doubt that this is Parjanya, described in the ‘Rig-Veda’ as ‘the thunderer, the showerer, the bountiful,’15 who ‘strikes down trees’ and ‘the wicked.’ ‘The people of Novgorod,’ says Herberstein, ‘formerly offered their chief worship and adoration to a certain idol named Perun. When subsequently they received baptism they removed it from its place, and threw it into the river Volchov; and the story goes that it swam against the stream, and that near the bridge a voice was heard saying, ‘This for you, O inhabitants of Novgorod, in memory of me;’ and at the same time a certain rope was thrown upon the bridge. Even now it happens from time to time on certain days of the year that this voice of Perun may be heard, and on these occasions the citizens run together and lash each other with ropes, and such a tumult arises therefrom that all the efforts of the governor can scarcely assuage it.’16 The statue of Perun in Kief, says Mr. Ralston, had a trunk of wood, while the head was of silver, with moustaches of gold, and among its weapons was a mace. Afanasief states that in White-Russian traditions Perun is tall and well-shaped, with black hair and a long golden beard.

This beard relates him to Barbarossa, and, perhaps, though distantly, with the wood-demon Barbatos, the Wild Archer, who divined by the songs of birds.17 Perun also has a bow which is ‘sometimes identified with the rainbow, an idea which is known also to the Finns. From it, according to the White Russians, are shot burning arrows, which set on fire all things that they touch. In many parts of Russia (as well as of Germany) it is supposed that these bolts sink deep into the soil, but that at the end of three or seven years they return to the surface in the shape of longish stones of a black or dark grey colour—probably belemnites, or masses of fused sand—which are called thunderbolts, and considered as excellent preservations against lightning and conflagrations. The Finns call them Ukonkiwi—the stone of thunder-god Ukko, and in Courland their name is Perkuhnsteine, which explains itself. In some cases the flaming dart of Perun became, in the imagination of the people, a golden key. With it he unlocked the earth, and brought to light its concealed treasures, its restrained waters, its captive founts of light. With it also he locked away in safety fugitives who wished to be put out of the power of malignant conjurors, and performed various other good offices. Appeals to him to exercise these functions still exist in the spells used by the peasants, but his name has given way to that of some christian personage.

In one of them, for instance, the Archangel Michael is called upon to secure the invoker behind an iron door fastened by twenty-seven locks, the keys of which are given to the angels to be carried to heaven. In another, John the Baptist is represented as standing upon a stone in the Holy Sea [i.e., in heaven], resting upon an iron crook or staff, and is called upon to stay the flow of blood from a wound, locking the invoker’s veins ‘with his heavenly key.’ In this case the myth has passed into a rite. In order to stay a violent bleeding from the nose, a locked padlock is brought, and the blood is allowed to drop through its aperture, or the sufferer grasps a key in each hand, either plan being expected to prove efficacious. As far as the key is concerned, the belief seems to be still maintained among ourselves.’18

The Key has a holy sense in various religions, and consequently an infernal key is its natural counterpart. The Vedic hymns, which say so much about the shutting and opening, imprisoning and releasing, of heavenly rains and earthly fruits by demons and deities, interpret many phenomena of nature, and the same ideas have arisen in many lands. We cannot be certain, therefore, that Calmet is right in assigning an Indian origin to the subjoined Figure 5, an ancient Persian medal. The signs of the zodiac on its body show it to be one of those celestial demons believed able to bind the beneficent or loose the formidable powers of nature. The Key is of especial import in Hebrew faith. It was the high-priest Eliakim’s symbol of office, as being also prefect in the king’s house. ‘The key of the house of David will I lay upon his shoulder: he shall open and none shall shut; he shall shut and none shall open.’19 The Rabbins had a saying that God reserves to himself four keys, which he will intrust not even to the angels: the key of rain, the key of the grave, the key of fruitfulness, and the key of barrenness. It was the sign of one set above angels when Christ was seen with the keys of Hell and Death, or when he delivered the keys of heaven to Peter,20—still thrust down the backs of protestant children to cure nose-bleed.