EXPLANATION.
Project Gutenberg EPUB3 edition
Ovid and Riley, Henry T. (Henry Thomas)
Though Ovid has separated the adventures of Orpheus, whose death he does not relate till the beginning of the eleventh Book, we will here shortly enter upon an examination of some of the more important points of his history.
As, in his time, Poetry and Music were in a very low state of perfection, and as he excelled in both of those arts, it was said that he was the son of Apollo and the Muse Calliope; and it was added, that he charmed lions and tigers, and made even the trees sensible of the melodious tones of his lyre. These were mere hyperbolical expressions, which signified the wondrous charms of his eloquence and of his music combined, which he employed in cultivating the genius of a savage and uncouth people. Some conjecture that this personage originally came from Asia into Thrace, and suppose that he, together with Linus and Eumolpus, brought poetry and music into Greece, the use of which, till then, was unknown in that country; and that they introduced, at the same time, the worship of Ceres, Mars, and the orgies of Bacchus, which, from him who instituted them, received their name of ‘Orphica.’ Orpheus, too, is supposed to have united the office of high priest with that of king. Horace styles him the interpreter of the Gods; and he was said to have interposed with the Deities for the deliverance of the Argonauts from a dangerous tempest. It is thought that he passed some part of his life in Egypt, and became acquainted with many particulars of the ancient religion of the Egyptians, which he introduced into the theology of Greece. Some modern writers even go so far as to suggest that he learned from the Hebrews, who were then sojourning in Egypt, the knowledge of the true God.
His wife, Eurydice, dying very young, he was inconsolable for her loss. To alleviate his grief, he went to Thesprotia, in Epirus, the natives of which region were said to possess incantations, for the purpose of raising the ghosts of the departed. Here, according to some accounts, being deceived by a phantom, which was made to appear before him, he died of sorrow; but, according to other writers, he renounced the society of mankind for ever and retired to the mountains of Thrace. His journey to that distant country gave occasion to say, that he descended to the Infernal Regions. This is the more likely, as he is supposed to have there promulgated his notions of the infernal world, which, according to Diodorus Siculus, he had learned among the Egyptians.
Tzetzes, however, assures us that this part of his history is founded on the circumstance, that Orpheus cured his wife of the bite of a serpent, which had till then been considered to be mortal; and that the poets gave an hyperbolical version of the story, in saying that he had rescued her from Hell. He says, too, that he had learned in Egypt the art of magic, which was much cultivated there, and especially the method of charming serpents.
After the loss of his wife, he retired to mount Rhodope, to assuage the violence of his grief. There, according to Ovid and other poets, the Mænades, or Bacchanals, to be revenged for his contempt of them and their rites, tore him in pieces; which story is somewhat diversified by the writers who relate that Venus, exasperated against Calliope, the mother of Orpheus, for having adjudged to Proserpine the possession of Adonis, caused the women of Thrace to become enamoured of her son, and to tear him in pieces while disputing the possession of him. An ancient author, quoted by Hyginus, says that Orpheus was killed by the stroke of a thunderbolt, while he was accompanying the Argonauts; and Apollodorus says the same. Diodorus Siculus calls him one of the kings of Thrace; while other writers, among whom are Cicero and Aristotle, assert that there never was such a person as Orpheus. The learned Vossius says, that the Phœnician word ‘ariph,’ which signifies ‘learned,’ gave rise to the story of Orpheus. Le Clerc thinks that in consequence of the same Greek word signifying ‘an enchanter,’ and also meaning ‘a singer,’ he acquired the reputation of having been a most skilful magician.
We may, perhaps, safely conclude, that Orpheus really did introduce the worship of many Gods into Greece; and that, possibly, while he promulgated the necessity of expiating crimes, he introduced exorcism, and brought magic into fashion in Greece. Lucian affirms that he was also the first to teach the elements of astronomy. Several works were attributed to him, which are now no longer in existence; among which were a Poem on the Expedition of the Argonauts, one on the War of the Giants, another on the Rape of Proserpine, and a fourth upon the Labours of Hercules. The Poem on the Argonautic Expedition, which now exists, and is attributed to him, is supposed to have been really written by a poet named Onomacritus, who lived in the sixth century B.C., in the time of Pisistratus.
After his death, Orpheus was reckoned in the number of Heroes or Demigods; and we are informed by Philostratus that his head was preserved at Lesbos, where it gave oracular responses. Orpheus is not mentioned by Homer or Hesiod. The learned scholar Lobeck, in his Aglaophamus, has entered very deeply into an investigation of the real nature of the discoveries and institutions ascribed to him.