Hidden Symbolism of Alchemy and the Occult Arts

says the Highest Being to Arjuna in the Bhagavad-Gita (IX, 25). The mystic is in the position from the moment of regeneration, to create in himself a new world with laws that he may, to a certain extent, himself select. Fortunate is he who makes a good selection. Every one is the architect of his own fortune. This is most true when after introversion the [pg 350] power of self determining one's own destiny is directed toward the most intensive living. The formation and cultivation of the new earth is a beginning that is rich with significant consequences. The alchemists speak of a maidenly earth or a flaky white earth (i.e., crystalline) as a certain stage in the work. This is probably the stage that we are examining now, the stage of the new, still undeveloped earth that is now to be organized (according to the conceived ideal). The soil is crystalline because the old earth was dissolved and has been freshly formed from the solution. The crystallization corresponds to regeneration. The “white earth” probably corresponds to the “white stone,” which is the first stage of completion after the blacks (first mystical death, putrefaction, trituration, or contrition). In the white earth a seed is sown. We shall hear of it later.

If the work is not to make men unserviceable and is not again to bring them into conflict with the demands of life, so that all the effort would have been fruitless, the new world must be organized in such a way that it is compatible with the demands of real life. In other words, the ideal that regulates the new world must be an ethical one. The mystic who wishes to be freed from contradictions will have to follow his conscience as a guide, and not the unexplored but the explored conscience. He cannot escape it in the long run (the magicians that defy it are, as the legend informs us, finally torn to pieces by the devil); it is better for him to get upon its [pg 351] side and so turn the conflict in his favor. It appears that this manly attitude would have a marvelous inner concord as a result and outwardly, a remarkable firmness of character. It is not my object to decide what metaphysical significance the strengthening through mysticism of the ideal (God in me) may have.

“Take, O soul, not the unworthy and common as a model, for such use and word will adhere to thee finally as a nature opposed to thine own. By this means, however, the strong impulse itself towards union with thy nature and to the return into thy home goes astray. Know that the exalted and majestic Originator of things, is himself the noblest of all things. Take then the noble things as a model, in order by that means to get nearer thy Creator on the path of elective affinity. And know that the noble attaches itself to the noble and the vulgar to the common.” (Fleischer, Herm. a. d. Seele, p. 18.)

What is to be sown in the new earth is generally called love. A crop of love is to arise; with love will the new world be saturated; its laws will be the laws of love. By love a transmutation of the subject is to take place. One alchemist (quoted in H. A., pp. 133 ff.) writes as follows:

“In the second place I find Love to be the most [pg 352] perfect and absolute liberty. Nothing can move Love, but Love; nothing touch Love, but Love; nor nothing constrain Love, but Love. It is free from all things; itself only gives laws to itself, and those laws are the laws of Liberty; for nothing acts more freely than Love, because it always acts from itself, and is moved by itself, by which prerogatives Love shows itself to be allied to the Divine Nature, yea, to be God himself.

“Thirdly, Love is all strength and power. Make a diligent search through Heaven and Earth, and you will find nothing so powerful as Love. What is stronger than Hell and Death? Yet Love is the triumphant conqueror of both. What more formidable than the wrath of God? Yet Love overcomes it, and dissolves and changes it into itself. In a word, nothing can withstand the prevailing strength of Love: it is the strength of Mount Zion, which can never be moved.

“In the fourth place: Love is of a transmuting and transforming nature. The great effect of Love is to turn all things into its own nature, which is all goodness, sweetness, and perfection. This is that Divine power which turns water into wine; sorrow and anguish into exulting and triumphant joy; and curses into blessings. Where it meets with a barren and heathy desert, it transmutes it into a paradise of delights; yea, it changeth evil into good, and all imperfection into perfection. It restores that which is fallen and degenerated to its primary beauty, excellence and perfection. It is the Divine Stone, [pg 353] the White Stone with the name written upon it, which no one knows but he that hath it. [Cf. Rev. II, 17. ‘He that hath an ear, let him hear what the Spirit saith unto the churches; To him that overcometh will I give to eat [nutritio] of the hidden manna, and will give him a white stone, and in the stone a new name written, which no man knoweth saving he that receiveth it.’ Also III, 12: ‘Him that overcometh will I make a pillar in the temple of my God, and he shall go no more out: and I will write upon him the name of my God, and the name of the city of my God, which is new Jerusalem, which cometh down out of heaven from my God: and I will write upon him my new name.’ Cf. also XIX, 12, and XXI, 2. The White Stone with the new name is also joined with the new earth.

Because of this it is important that the new Jerusalem is ‘prepared as a bride adorned for her husband.’] In a word, it is the Divine Nature, it is God himself, whose essential property it is to assimilate all things with himself; or [if you will have it in the scripture phrase] to reconcile all things to himself, whether they be in Heaven or in Earth; and all by means of this Divine Elixir, whose transforming power and efficacy nothing can withstand....” (H. A., pp. 133 ff.)

At the end of the work there ensues the union of sun and moon, typifying God and man. As in the Vedanta the teaching of the holy books of India, the Upanishads, so in alchemy, the difference between the one soul and the All Soul is of no importance. [pg 354] For every one who succeeds in overcoming the fundamental error, in which we are all implicated, the difference vanishes, and the two things previously separated coalesce. In reality there is only the one thing: God.

Irenæus writes: “... The fire of nature assimilates all that it nourishes to its own likeness, and then our mercury or menstruum vanishes, that is, it is swallowed by the solar nature [The soul of man dissolves and is taken up by the divine or All Soul] and all together make but one universal mercury [All Soul] by intimate union. And this mercury is the material principle of the Stone; for formerly, when it was compounded of three mercuries, [namely, when they thought they had to distinguish spirit, soul and body, or some other division in it] then Soul, world and God were, for example, to be thought of, or as they are called in Soeta-svatara-Upanishad V, Enjoyer, Object of Enjoyment, and Inciter.

Cf. also Deussen, Syst. d. Ved., p. 232, and Sutr. d. Ved., pp. 541 ff.: “Frequently we are told of the connection of the highest with the individual soul, and then again of a splitting up [conditioned by them] inside the Brahma, by virtue of which their two parts are mutually opposed and limited. Both of these things happen, however, only from the [pg 355] standpoint of the distinctions [upadhi].... There were two which were superficial (in that they formed an unjustified opposition) and the third essential to Sol and Luna only, not to the Stone; for nature would produce these two out of it by artificial decoction.... [These distinctions depend on ignorance, after throwing off which the individual is one with the highest. The connection of the individual soul with Brahman is in truth its entering into its own self, and the division in Brahma is as unreal as that between space in general and space within the body.] But when the two perfect bodies are dissolved [prepared for the mystical work] they are transmuted with the mercury that dissolved them, and then there is no more repugnancy in it; then there is no longer a distinction between superficial and essential. And this is that one matter of the stone, that one thing which is the subject of all wonders. When thou art come to this then shalt thou no more discern a distinction between the Dissolver [God] and the dissolved [soul] ... and the color of the ripe sulphur [the divine nature] inseparably united to it will tinge your water [soul].”

Irenæus says that the two bodies, Sol and Luna, are compared by the alchemists to two mountains, first because they are found in mountains, and second by way of opposition: “For where mountains are highest above ground, there they lie deepest underground,” and he adds: “The name is not of so much consequence, take the body which is gold [i.e., here the consummate man] and throw it into mercury, [pg 356] such a mercury as is bottomless [infinite], that is, whose center it can never find but by discovering its own.” (H. A., 283 ff.)

In reference to these and similar expressions of the alchemists, Hitchcock rightly calls our attention to Plotinus, who writes, for example (Enn., VI, 9, 10): “We must comprehend God with our whole being, so that we no longer have in us a single part that is not dependent upon God. Then we may see him and ourselves as it beseems us to see, in radiant beams, filled with spiritual light, or rather as pure light itself [notice this fullness of light] without weight, imponderable, become God or rather being God. Our life's flame is then kindled; but if we sink down into the world of sense, it is as if extinguished.... Whoever has thus seen himself will, then, when he looks, see himself as one who has become unified, or rather he will be united to himself as such a one and feel himself as such. Possibly one should not in this case speak of seeing. But as regards the seen, if we can indeed distinguish the seeing and the seen, and not rather have to describe both as one, which is, to be sure, a bold statement, then the seeing really does not see in this condition, nor does he differentiate two things, nor has he the idea of two things. He is, as it were, another; he ceases to be himself, he belongs no longer to himself; arriving there, he has ascended unto God and has become one with him, as a center that coincides with another center; the two coinciding things are here one, and only two when they are separated. [pg 357] In this sense we speak of the soul's being another than God.”

I recall also the passage in Amor Proximi where it is said that the earth will again be placed in Solis punctum. The center of the sun [God] is to be seen in the symbol [Symbol: Gold]. We now understand the mystical difference between the hieroglyphs [Symbol: Gold] and [Symbol: Alum], between gold and alum. In order to express in the mercury symbol [Symbol: Mercury] the accomplished union (represented by +) of [Symbol: Gold] and [Symbol: Silver], which takes place through the newly discovered central point, the symbol [Symbol: Mercury] is also used.

I have mentioned the vedantic teachings, whose agreement with alchemy has also been noticed by Hitchcock. It takes emphatically the point of view of the “non-existence of a second.” Multiplicity is appearance; the difference between the individual soul and the All Soul depends upon an error which we can overcome. The goal of salvation is the ascent into the universal spirit Brahma (in the nirvana of the Buddhists there is the same thought). Whoever has entered into the highest spirit, there is no longer any “other” for him. Brhadaranyaka-Upanishad, IV, 3: (23) “If he does not then [The man in the deep sleep (susupti),] see, he is yet seeing although he sees not, for there is no interruption of vision for the seeing, because he is imperishable; but there is no second beside him, no other different from him that he could see. (24.) If he does not smell, he is yet smelling although he smells not, for there is for the smelling [person] no [pg 358] interruption of smelling because he is imperishable; but there is no second thing beside him, no other thing different from him that he could smell.... (32.) He stands like water [i.e., so pure] seer alone and without a second ... he whose world is Brahm. This is his highest goal, this is his highest fortune, this is his highest world, this is his highest joy; through a minute particle of only this joy the other creatures have their life.”

If I compare the hermetic teachings on the one hand with the vedanta, and on the other with the Samkhya-Yoga, I do not lose sight of the fundamental antagonism of both—Vedanta is monistic, Samkhya is dualistic—but in appreciation of the doctrine of salvation which is common to both. That the mystic finds the same germ in both systems is shown by the Bhagavad-Gita. For him the theoretical difference is trivial, whether the materia is dissolved as mere illusion, when he has attained his mystic goal, or whether, as an eternal substance, it is as something overcome, simply withdrawn, never more to be seen. According to the Samkhya doctrine, too, the saved soul enters into its own being, and every connection with objects of knowledge ceases.

In Yogavasistha it is written: “So serene as would the light appear if all that is illumined, i.e., space, earth, ether, did not exist, such is the isolated state of the seer, of the pure self, when the threefold world, you and I, in brief, all that is visible, is gone. As the state of a mirror is, in which no reflection [pg 359] falls, neither of statues nor of anything else—only representing in itself the being [of the mirror]—such is the isolation of the seer, who remains without seeing, after the jumble of phenomena, I, you, the world, etc., has vanished.” (Garbe, Samkhya-Phil., p. 326.)

In the materia (prakri) of the Samkhya system reside the three qualities or constituents already familiar to us, Rajas, Tamas, and Sattva. Whoever unmasks these as the play of qualities, raises himself above the world impulses. For him, as he is freed from antagonisms, the play ceases. When a soul is satiated with the activity of matter and turns away from it with disdain, then matter ceases its activity for this soul with the thought, “I am discovered.” It has performed what it was destined to perform, and withdraws from the soul that has attained the highest goal, as a dancing girl stops dancing when she has performed her task and the spectators have enough. But in one respect matter is unlike the dancing girl or actress; for while they repeat their performance at request, matter “is tenderly disposed like a woman of good family,” who, if she is seen by a man, modestly does not display herself again to his view. This last simile is facilitated in the original texts by the fact that the Sanskrit for soul and man has the same phonetic notation (pums, purusa). (Garbe, l. c., pp. 165 ff.)

In comparing the common mystic content of Vedanta and Samkhya-Yoga with alchemy, I avoid the difficulty involved in establishing a detailed concordance [pg 360] of the hermetic philosophy with one or another system. An inquiry into this topic would result differently according to which hermetic authors we should particularly consider.

It is probably worthy of notice that the Yoga-Mystics, like the alchemists, are acquainted with the idea of the union of the sun and the moon. Two breath or life currents are to be united, one of which corresponds to the sun, the other to the moon. The expression Hathayoga (where hatha = mighty effort. Cf. Garbe, Samkhya and Yoga, p. 43) will also be interpreted so that Ha = sun, tha = moon, their union = the yoga leading to salvation. (Cf. Hatha-Yoga-Prad., p. 1.)

The union of two things, the sun with the moon, the soul with God, the seer with the seen, etc., is also taught by the image of the connection of man and woman. That is the mystic marriage (Hieros gamos), a universally widespread symbol of quite supreme importance. In alchemy the last process, i.e., according to the viewpoint of representation, the tincturing or the unification, is quite frequently represented in the guise of a marriage—sometimes of a king and a queen. We cannot interchange this final process with the initial one of introversion, which (as a seeking for the uterus for the purpose of a rebirth) is likewise readily conceived of as a sexual union. If the symbol of coitus was conceivable there, so here, too, the same symbol is appropriate for the representation of the definite union with the object longed for.

It is quite suggestive to associate the anagogic idea of the Unio mystica, precisely on account of the erotic allegory, with the primal motive of sexual union (with the mother) instead of with the wish to die, as I have done at another place. It may be that the primal erotic power supplies something for the accomplishment of this last purpose; it may be that all powers must coöperate. If I now still abide by my original exposition, this happens because it appears to me that the symbolism emphasizes the going over of the one into the other more than the attainment of the sexual goal; and even in the cases where the unio mystica is described as a sexual union. We should not forget that the sexual gratification is to be regarded also as a kind of annihilation. It is a condition of intoxication and of oblivion or perishing. It is this side of the sexual procedure that the symbolism of the unio mystica particularly emphasizes.

Brhadaranyaka-Upanisad, IV, 3, 21: “... For even as one embraced by a beloved woman has no consciousness of what is within or without, so the spirit, embraced by the most percipient self (prajena almana, i.e., the Brahm), has no knowledge of that which is external or internal. That is its form of existence, in which it is characterized by stilled desire, even its own desire is without desire and separated from sorrow.” This passage treats of the deep sleep (susupti) which is regarded as a passing union with the highest spirit, and so, as essentially the same as the definitive unificatio. Sleep is the [pg 362] brother of death. Susupti is, furthermore, conceived only as a preliminary; a German mystic would call it a foretaste of the definitive ascent into Brahm.

The attainment of an inner harmony, of a serene peace, is what, as it seems to me, is most clearly brought out as the characteristic of the final unificatio—not merely by the Hindus or Neoplatonists, but also by the Christian mystics and by the alchemists.

Artephius is quoted by H. A., p. 86, as follows: “... This water [water of life] causes the dead body to vegetate, increase and spring forth, and to rise from death to life by being dissolved first, and then sublimed. And in doing this the body is converted into a spirit, and the spirit afterwards into a body; and then is effected the amity, the peace, the concord and the union of the contraries.”

Similarly Ripley (H. A., p. 245): “This is the highest perfection to which any sublunary body can be brought, by which we know that God is one, for God is perfection; to which, whenever any creature arrives in its kind [according to its nature], it rejoiceth in unity, in which there is no division nor alterity, but peace and rest without contention.”

The final character of the completed philosopher's stone makes it conceivable, that, as the hermetic [pg 363] masters say, it is made only once by a man and then not again. The Stone is an absolutely imperishable Good; but if it should be lost it is surely not the right stone.

I have now to offer some conjectures regarding further interpretations of the two and the three principles [Symbol: Gold] and [Symbol: Silver], namely [Symbol: Sulfur] [Symbol: Mercury] [Symbol: Salt]. We are aware of a general difference. I add now first the remark of Hitchcock that the “two” things are to be regarded as an antithesis: natura naturans and natura naturata. We might intellectually conceive the [Symbol: Mercury] (mercury) given by many writers at the beginning of the work as a double one, on the one hand as nature and on the other as our world picture. We cause it to work on our [Symbol: Sulphur] (sulphur), i.e., on our affectivity by which the [Symbol: Sulphur] is purified and dissolved, for it is compelled to adapt itself to the requirements of the world laws. But by this means a new world picture is produced, for the former had been influenced by the unclarified [Symbol: Sulphur]; our affective life limits our intellectual. The new world picture or the newly gained [Symbol: Mercury] we combine with our [Symbol: Sulfur] and so on, until finally after a gradual clarification nature and our world picture harmonize. Then there are no longer two mercuries but only one; and the sulphur, our completed subject, has become more or less a unity. Now we may advance to the unification of the two clarified things, which in this stage are called [Symbol: Gold] and [Symbol: Silver].

Now subject and object are bound together and man enters, as is so wonderfully expressed in Chandogya-Upanisad, VIII, 13, as a being [pg 364] adapted into the unadapted (uncreated-primordial) world of Brahma. [Symbol: Sol] and [Symbol: Luna] may, to be sure, be conceived also as the love of God towards man and the love of man towards God. The different masters of the art are the same in different ways in that the one sees more the intellectual, the other the emotional. They describe different sides or aspects of the same process, for which we do not indeed possess appropriate concepts, and whose best form of expression is through symbols. The sign [Symbol: Sol] is then neither = subject nor love but just = [Symbol: Sol], i.e., a thing to which we may approximate nearest by a form of integration of all partial meanings. In view of the fact that [Symbol: Sulfur] and [Symbol: Mercury] are contrasted at the beginning of the process also as body and soul, we can, by making [Symbol: Sulfur] = passions and [Symbol: Mercury] = knowledge (reason) conceive the rest thus: [Symbol: Sulfur] is to be purified by an exalted [Symbol: Mercury] (in distinction from the common [Symbol: Mercury], called also “our” [Symbol: Mercury]), and so to be purified by a higher knowledge. From [Symbol: Sulfur] is developed (i.e., it unmasks itself to the initiated as) [Symbol: Luna], i.e., Maya, the object, that in its difference from the subject is mere illusion; and from [Symbol: Mercury] comes [Symbol: Sol], the Brahm or subject, and now the unio mystica can take place.

Another use of symbolism is the one by which we are able to concoct gold out of sulphur; from the affects we derive, through purification, love (toward God). The spirit [Symbol: Mercury] exalts [raises] the antithesis [Symbol: Sol] and [Symbol: Luna] (soul and body) in such a way that finally it simply opposes itself as subject and object. (Cf. H. A., pp. 143 ff.)

Sometimes the making of gold is described as an amalgamation; from the raw material, [Symbol: Sol] is derived by an amalgamation with [Symbol: Mercury] [quicksilver]. That naturally signifies the search for the Atman or highest spirit in man by means of contemplation, which belongs to [Symbol: Mercury], the [act of] knowing.

With regard to the trinity [Symbol: Sol] [Symbol: Luna] [Symbol: Mercury]: The solar divinity [creating, impregnating] in man is [Symbol: Sulfur] that by its triangle moreover marks the fiery nature [Symbol: Sulfur]; that which is comprised in the bodily nature, the terrestrial is [Symbol: Salt] salt, which is also represented as a cube, like the element earth. The two can be called [Symbol: Sol], anima, and [Symbol: Luna], corpus. The celestial messenger who appears as a mediator for the antithesis is the conscience [Symbol: Mercury], who has his constant influx from God, the real [Symbol: Sol], and is therefore a divine spirit. We have then the triad Spiritus, anima, corpus [[Symbol: Mercury] [Symbol: Sol] [Symbol: Luna]] or, because [Symbol: Mercury] is to be regarded as a mediator, [Symbol: Sol] [Symbol: Mercury] [Symbol: Luna]. The intervention of the [Symbol: Mercury] effects the previously mentioned exaltation of [Symbol: Sol] and [Symbol: Luna] or of [Symbol: Sulfur] and [Symbol: Mercury] (crude state) to [Symbol: Sol] and [Symbol: Luna].

In view of the difficulty of the mystic work that attempts to accomplish a sheerly superhuman task, it is not surprising that it cannot be finished in one attempt but requires time. It necessitates great persistence. In the life of the mystic the states of love and aspiration for God alternate with those of spiritual helplessness and barrenness. (Horten, Myst., I, p. 9.)

Arabi sings in his ode on man's becoming godlike: “[1] O thou ancient temple. A light has arisen [pg 366] for thee (you) that gleams in our hearts. [2] To thee I lament the wilderness that I have traversed, and in which I have poured forth an unlimited flood of tears. [3] Neither at dawn nor at dusk do I get repose. From morning until evening I fare on my way without ceasing. [4] The camels go forth on their journey at night; even if they have injured their feet, they still hasten. [5] These (mighty) riding camels bore us to you (probably God) with passionate longing, although they did not hope to attain the goal....” The riding camels signify the longing of the mystics for God. “It seeks and strives ceaselessly, although its powers are drained by the difficulties of the search.” (Horten, l. c., p. 16 ff.)