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The Principles of Psychology, Volume 1 (of 2)

ACCURACY OF OUR ESTIMATE OF SHORT DURATIONS.

Project Gutenberg EPUB3 edition James, William
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The odd thing about these figures is the recurrence they show in so many men of about three fourths of a second, as the interval of time most easy to catch and reproduce, Odder still, both Estel and Mehner found that multiples of this time were more accurately reproduced than the time-intervals of intermediary length;[537] and Glass found a certain periodicity, with the constant increment of 1.25 sec., in his observations. There would seem thus to exist something like a periodic or rhythmic sharpening of our time-sense, of which the period differs somewhat from one observer to the next.
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Our sense of time, like other senses, seems subject to the law of contrast. It appeared pretty plainly in Estel's observations that an interval sounded shorter if a long one had immediately preceded it, and longer when the opposite was the case.
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Like other senses, too, our sense of time is sharpened by practice. Mehner ascribes almost all the discrepancies between other observers and himself to this cause alone.[538]
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Tracts of time filled (with clicks of sound) seem longer than vacant ones of the same duration, when the latter does not exceed a second or two.[539] This, which reminds one of what happens with spaces seen by the eye, becomes reversed when longer times are taken. It is, perhaps, in accordance with this law that a loud sound, limiting a short interval of time, makes it appear longer, a slight sound shorter. In comparing intervals marked out by sounds, we must take care to keep the sounds uniform.[540]
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There is a certain emotional feeling accompanying the intervals of time, as is well known in music. The sense of haste goes with one measure of rapidity, that of delay with another; and these two feelings harmonize with different mental moods. Vierordt listened to series of strokes performed by a metronome at rates varying from 40 to 200 a minute, and found that they very naturally fell into seven categories, from 'very slow' to 'very fast.'[541] Each category of feeling included the intervals following each other within a certain range of speed, and no others. This is a qualitative, not a quantitative judgment—an æsthetic judgment, in fact. The middle category, of speed that was neutral, or, as he calls it, 'adequate,' contained intervals that were grouped about 0.62 second, and Vierordt says that this made what one might almost call an agreeable time.[542]
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The feeling of time and accent in music, of rhythm, is quite independent of that of melody. Tunes with marked rhythm can be readily recognized when simply drummed on the table with the finger-tips.

Source attribution

The Principles of Psychology, Volume 1 (of 2), Project Gutenberg eBook #57628

THE SENSIBLE PRESENT HAS DURATION. WE HAVE NO SENSE FOR EMPTY TIME.