Library

The Egyptian Book of the dead

Hymn III.(18)

Project Gutenberg EPUB edition Renouf, P. Le Page (Peter Le Page) and Naville, Edouard
Open passage
Adoration to Tmu as he setteth in the Land of Life.
Open passage
The Osiris N; he saith:—
Open passage
Adoration to Tmu as he setteth in the Land of Life.
Open passage
The Osiris N; he saith, adoring Tmu, when setting in the Land of Life and shedding his rays on the Tuat;
Open passage
Hail to thee setting in the Land of Life, O Father of the gods, thou art united to thy mother in Manu. Her two hands receive thee daily. Thy Majesty hath part in the house of Sokaru. Exult thou because the doors are opened of the Horizon, at thy setting in the Mountain of the West.
Open passage
Thy rays, they run over the earth to enlighten the dwellers in Amenta. Those who are in the Tuat worship thee with loud acclaim, and cherish hope when they see thee daily.
Open passage
Thou grantest to the gods to sit upon the earth; to those, namely, who follow thee and come in thy train.
Open passage
O august Soul, who begettest the gods, and dost invest them with thine attributes; the Unknowable, the Ancient One, the Mighty in thy mystery.
Open passage
Be thy fair face propitious to the Osiris N, oh Chepera, Father of the gods(19).
Open passage
Freedom for ever from perdition is derived through this Book, and upon it I take my firm stand.
Open passage
He hath written it who spake it, and his heart resteth on the reward.
Open passage
Let there be given me armfuls of bread and drink, and let me be accompanied by this Book after my life.
Open passage
The fifteenth chapter as it stands in the later recension (represented by the Turin Todtenbuch) is of very recent origin. It is in fact a collection of texts originally independent of each other; (1) a hymn to Râ at his rising, (2) a litany, (3) a hymn to Râ at his setting, (4) a hymn to Tmu at his setting, followed by a statement respecting the spiritual importance of the document.
Open passage
Of the last hymn there are no copies of ancient date, but the other three compositions are found more or less perfect as far back as the XIXth dynasty. The discrepancies, however, between the ancient texts furnish so much evidence of free composition on the part of the scribes, that it is impossible to suppose that they had before them documents recognised as sacred and canonical. M. Naville has found it necessary to publish four different forms of the hymn to the rising, and three of the hymn to the setting sun. The ideas and expressions throughout these hymns are current in the religious texts of the XVIIIth and XIXth dynasties.
Open passage
In the translation here given I have followed the form adopted by the later recension, correcting the text when necessary by the copies written in the better periods.
Open passage
1. The text of the Papyrus of Ani has been taken as the basis of the translation of Hymn I. It is the only ancient text which gives the hymn in the form subsequently acknowledged as canonical.
Open passage
2. The sun was represented from the earliest period, as we may see in the pyramid texts, as performing his celestial journey in a boat, which during the morning was called the Māāṭit and in the evening the Sektit .
Open passage
3. The stars which set were called the ȧḫmiu ureṭu. The stars which never set, but are always above the horizon were called ȧḫmiu seku. The word ȧḫmiu has often been taken for a mere negative, but it occurs by itself with the sign of stars as a determinative , . And the whole term is written (Denkm. III. 271d twice).
Open passage
As one of the meanings of ḫem is minuere, and as the ordinary meaning of the Demotic is “small,” like the Coptic ϣⲟⲙ = λεπτὸς, it is not improbable that the stars received this appellation on account of their tiny size as compared with the Sun and Moon. They were what Horace called the “ignes minores.”
Open passage
The Sun and Moon, as we all know, are called in Gen. i, 16, the “Two Great Lights.”
Open passage
4. Both the Eastern and the Western horizon are mentioned in this chapter, but “Horus of the Two Horizons,” has no reference to this distinction. Whatever the Sun passes through or over is always conceived as double. The Two Earths imply simply the Earth as divided by the passage of the Sun above it. It is to M. Grébaut that we are indebted for the discovery of this important key to many Egyptian expressions.
Open passage
5.ḫeper, like the German Werden, has primarily the sense of turning, hence of becoming. It never has the sense of creating. ḫeper t’esef is the equivalent of the Greek αὐτογενής, like that word is sometimes used for spontaneous productions of the mineral kingdom, as salt or natron as contrasted with artificial products of the same nature. It cannot be used for plants, as they have an origin in something external to themselves.
Open passage
6.The Land of the Gods and Punit are the countries lying east of Egypt. When it is said that gods ‘come from Punit,’ it is not meant by this that they are of Arabian origin, but simply that Sun, Moon, and Stars, and Daylight rise in the East. “Ex oriente Lux.”
Open passage
7. In many places the divine name Nut has for determinative the sign . Is this an oversight on the part of the scribe, or is it one more proof that the Egyptians certainly believed in a sky below the horizon? If so, I have never seen it misplaced.
Open passage
8. The Ant and the Abṭu are sometimes represented by the side of the solar bark. From the egg of the Abṭu there rises the great Cat, the Sun. It is, as M. Loret has proved, the Tortoise of the Nile. As ȧbṭu, ‘the month,’ is phonetically homonymous with ȧbṭu, the Tortoise, and that the latter is characterised by , , ‘its rotation, revolving or turning,’ the word ȧbṭu, whether applied to ‘month’ or ‘tortoise’ clearly signifies ‘the revolving one.’ Our modern words Tortoise, Tortue, Tortuga, rather express the turning or twisting of the creature’s feet. In some texts, e.g., the inscriptions of Amenhotep, the son of Hapu, Mariette, Karnak, pl. 36, line 22, and at the beginning of the Ani Papyrus, the word is written abtu. In the later part of the Ani Papyrus it is written with the initial .
Open passage
9. The Look-out of the ship, in Egyptian , or more fully nefrit, is written in the Papyrus of Ani. This interesting variant is of extreme value. It not only explains a word, the very existence of which has been called in question, but tells us the Egyptian name for that seat of Horus at the prow of the Solar Bark about which I wrote a note in Proc. Soc. Bib. Arch. of Nov. 3, 1891. See the plates attached to the note, and the corresponding vignettes in Todtenbuch, Pl. VI and IX.
Open passage
10. The Litany here translated is that of the Turin Todtenbuch. It is found, but in a very mutilated condition, in the Papyrus of Nechtuamon at Berlin (Ba), a manuscript of the XIXth dynasty.
Open passage
Another Litany, preceding Hymn I, is found in the Papyrus of Ani. It is addressed to “Osiris, the everlasting Lord, Unneferu, Horus of the Two Horizons, of many forms and mighty of attributes. Ptah Sakru, Tmu in Heliopolis, Lord of the Unseen World, who hath built up Memphis and its gods.”
Open passage
“Hail to thee, Chabasu[16] in Heliopolis, Hammemit in Cher-âbau, and Unta[17] more potent than the unseen gods in Heliopolis.
Open passage
Hail to thee, An in An ... Horus in the Two Horizons, who extendeth his steps and traverseth the Heaven; he is Horchuta;
Open passage
Hail to thee, eternal Soul, Soul which is in Tattu, Unneferu, Son of Nut; he is Lord of Acherta;
Open passage
Hail to thee, as thou reignest in Tattu, the royal crown is fixed upon thy brow. Thou art the Only One, the author of his own attributes, thou restest in Tattu;
Open passage
Hail to thee, Lord of Heracleopolis, for whom the Bark of Sokru is placed upon its sledge; who repellest the Sebau, the doers of wrong; and who puttest the Ut’at into its place;
Open passage
Hail to thee, Potent One, at thine appointed moment, Most Mighty One, Prince of An-arr-ef, Eternal Lord, author of eternity, Thou art the Lord of Suten-henen;
Open passage
Hail to thee, who restest upon Maāt; Thou art the Lord of Abydos, thy limbs reach to Ta-tsert; Thou art he who abominatest wrong;
Open passage
Hail to thee, in the midst of thy Bark, who bringest the Nile from his fountain; upon whose dead body the light shineth; he is the One who is in Nechen;
Open passage
Hail to thee, author of the gods, King of North and South, Osiris, the triumphant one, possessing the entire universe in his beneficent alternations; He is the Lord of the Universe;
Open passage
Grant me passage in peace. I am righteous, I speak not falsehood knowingly, I am not guilty of duplicity.”
Open passage
11. ‘the Land of Life,’ one of the names given to the realm of Osiris after death, is not, as far as I can discover, mentioned anywhere in the earlier MSS. of the Book of the Dead.

Source attribution

The Egyptian Book of the dead, Project Gutenberg eBook #69566

Hymn II.(13) Chapter XVI.