Library

Man and Superman: A Comedy and a Philosophy

ACT I

Project Gutenberg EPUB3 edition Shaw, Bernard
Open passage
ANN. Oh, never. Never once.
Open passage
TANNER. Yes, you did. Do you remember a dark-eyed girl named Rachel Rosetree? [Ann's brows contract for an instant involuntarily]. I got up a love affair with her; and we met one night in the garden and walked about very uncomfortably with our arms round one another, and kissed at parting, and were most conscientiously romantic. If that love affair had gone on, it would have bored me to death; but it didn't go on; for the next thing that happened was that Rachel cut me because she found out that I had told you. How did she find it out? From you. You went to her and held the guilty secret over her head, leading her a life of abject terror and humiliation by threatening to tell on her.
Open passage
ANN. And a very good thing for her, too. It was my duty to stop her misconduct; and she is thankful to me for it now.
Open passage
ANN. She ought to be, at all events.
Open passage
TANNER. It was not your duty to stop my misconduct, I suppose.
Open passage
ANN. I did stop it by stopping her.
Open passage
TANNER. Are you sure of that? You stopped my telling you about my adventures; but how do you know that you stopped the adventures?
Open passage
ANN. Do you mean to say that you went on in the same way with other girls?
Open passage
TANNER. No. I had enough of that sort of romantic tomfoolery with Rachel.
Open passage
ANN. [unconvinced] Then why did you break off our confidences and become quite strange to me?
Open passage
TANNER. [enigmatically] It happened just then that I got something that I wanted to keep all to myself instead of sharing it with you.
Open passage
ANN. I am sure I shouldn't have asked for any of it if you had grudged it.
Open passage
TANNER. It wasn't a box of sweets, Ann. It was something you'd never have let me call my own.
Open passage
ANN. [incredulously] What?
Open passage
ANN. Oh, do be sensible, Jack. You know you're talking nonsense.
Open passage
TANNER. The most solemn earnest, Ann. You didn't notice at that time that you were getting a soul too. But you were. It was not for nothing that you suddenly found you had a moral duty to chastise and reform Rachel. Up to that time you had traded pretty extensively in being a good child; but you had never set up a sense of duty to others. Well, I set one up too. Up to that time I had played the boy buccaneer with no more conscience than a fox in a poultry farm. But now I began to have scruples, to feel obligations, to find that veracity and honor were no longer goody-goody expressions in the mouths of grown up people, but compelling principles in myself.
Open passage
ANN. [quietly] Yes, I suppose you're right. You were beginning to be a man, and I to be a woman.
Open passage
TANNER. Are you sure it was not that we were beginning to be something more? What does the beginning of manhood and womanhood mean in most people's mouths? You know: it means the beginning of love. But love began long before that for me. Love played its part in the earliest dreams and follies and romances I can remember—may I say the earliest follies and romances we can remember?—though we did not understand it at the time. No: the change that came to me was the birth in me of moral passion; and I declare that according to my experience moral passion is the only real passion.
Open passage
ANN. All passions ought to be moral, Jack.
Open passage
TANNER. Ought! Do you think that anything is strong enough to impose oughts on a passion except a stronger passion still?
Open passage
ANN. Our moral sense controls passion, Jack. Don't be stupid.
Open passage
TANNER. Our moral sense! And is that not a passion? Is the devil to have all the passions as well as all the good times? If it were not a passion—if it were not the mightiest of the passions, all the other passions would sweep it away like a leaf before a hurricane. It is the birth of that passion that turns a child into a man.
Open passage
ANN. There are other passions, Jack. Very strong ones.
Open passage
TANNER. All the other passions were in me before; but they were idle and aimless—mere childish greedinesses and cruelties, curiosities and fancies, habits and superstitions, grotesque and ridiculous to the mature intelligence. When they suddenly began to shine like newly lit flames it was by no light of their own, but by the radiance of the dawning moral passion. That passion dignified them, gave them conscience and meaning, found them a mob of appetites and organized them into an army of purposes and principles. My soul was born of that passion.
Open passage
ANN. I noticed that you got more sense. You were a dreadfully destructive boy before that.
Open passage
TANNER. Destructive! Stuff! I was only mischievous.
Open passage
ANN. Oh Jack, you were very destructive. You ruined all the young fir trees by chopping off their leaders with a wooden sword. You broke all the cucumber frames with your catapult. You set fire to the common: the police arrested Tavy for it because he ran away when he couldn't stop you. You—
Open passage
TANNER. Pooh! pooh! pooh! these were battles, bombardments, stratagems to save our scalps from the red Indians. You have no imagination, Ann. I am ten times more destructive now than I was then. The moral passion has taken my destructiveness in hand and directed it to moral ends. I have become a reformer, and, like all reformers, an iconoclast. I no longer break cucumber frames and burn gorse bushes: I shatter creeds and demolish idols.
Open passage
ANN. [bored] I am afraid I am too feminine to see any sense in destruction. Destruction can only destroy.
Open passage
TANNER. Yes. That is why it is so useful. Construction cumbers the ground with institutions made by busybodies. Destruction clears it and gives us breathing space and liberty.
Open passage
ANN. It's no use, Jack. No woman will agree with you there.
Open passage
TANNER. That's because you confuse construction and destruction with creation and murder. They're quite different: I adore creation and abhor murder. Yes: I adore it in tree and flower, in bird and beast, even in you. [A flush of interest and delight suddenly clears the growing perplexity and boredom from her face]. It was the creative instinct that led you to attach me to you by bonds that have left their mark on me to this day. Yes, Ann: the old childish compact between us was an unconscious love compact.
Open passage
TANNER. Oh, don't be alarmed—
Open passage
TANNER. [whimsically] Then you ought to be: where are your principles?
Open passage
ANN. Jack: are you serious or are you not?
Open passage
TANNER. Do you mean about the moral passion?

Source attribution

Man and Superman: A Comedy and a Philosophy, Project Gutenberg eBook #3328

My dear Walkley: ACT II