Russian Fairy Tales: A Choice Collection of Muscovite...

The Baba Yaga generally kills people in order to eat them. Her house is fenced about with the bones of the men whose flesh she has devoured; in one story she offers a human arm, by way of a meal, to a girl who visits her. But she is also represented in one of the stories[178] as petrifying her victims. This trait connects her with Medusa, and the three sister Baba Yagas with the three Gorgones. The Russian Gorgo’s method of petrifaction is singular. In the story referred to, Ivan Dévich (Ivan the servant-maid’s son) meets a Baba Yaga, who plucks one of her hairs, gives it to him, and says, “Tie three knots and then blow.” He does so, and both he and his horse turn into stone. The Baba Yaga places them in her mortar, pounds them to bits, and buries their remains under a stone. A little later comes Ivan Dévich’s comrade, Prince Ivan. Him also the Yaga attempts to destroy, but he feigns ignorance, and persuades her to show him how to tie knots and to blow. The result is that she becomes petrified herself. Prince Ivan puts her in her own mortar, and proceeds to pound her therein, until she tells him where the fragments of his comrade are, and what he must do to restore them to life.

The Baba Yaga usually lives by herself, but sometimes she appears in the character of the house-mother. One of the Skazkas[179] relates how a certain old couple, who had no children, were advised to get a number of eggs from the village—one from each house—and to place them under a sitting hen. From the forty-one eggs thus obtained and treated are born as many boys, all but one of whom develop into strong men, but the forty-first long remains a poor weak creature, a kind of “Hop-o’-my-thumb.” They all set forth to seek brides, and eventually marry the forty-one daughters of a Baba Yaga. On the wedding night she intends to kill her sons-in-law; but they, acting on the advice of him who had been the weakling of their party, but who has become a mighty hero, exchange clothes with their brides before “lying down to sleep.” Accordingly the Baba Yaga’s “trusty servants” cut off the heads of her daughters instead of those of her sons-in-law. Those youths arise, stick the heads of their brides on iron spikes all round the house, and gallop away. When the Baba Yaga awakes in the morning, looks out of the window, and sees her daughters’ heads on their spikes, she flies into a passion, calls for “her burning shield,” sets off in pursuit of her sons-in-law, and “begins burning up everything on all four sides with her shield.” A magic, bridge-creating kerchief, however, enables the fugitives to escape from their irritated mother-in-law.

In one story[180] the heroine is ordered to swing the cradle in which reposes a Baba Yaga’s infant son, whom she is ordered to address in terms of respect when she sings him lullabies; in others she is told to wash a Baba Yaga’s many children, whose appearance is usually unprepossessing. One girl, for instance, is ordered by a Baba Yaga to heat the bath, but the fuel given her for the purpose turns out to be dead men’s bones. Having got over this difficulty, thanks to the advice of a sparrow which tells her where to look for wood, she is sent to fetch water in a sieve. Again the sparrow comes to her rescue telling her to line the sieve with clay. Then she is told to wait upon the Baba Yaga’s children in the bath-room. She enters it, and presently in come “worms, frogs, rats, and all sorts of insects.” These, which are the Baba Yaga’s children, she soaps over and otherwise treats in the approved Russian-bath style, and afterwards she does as much for their mother. The Baba Yaga is highly pleased, calls for a “samovar” (or urn), and invites her young bath-woman to drink tea with her. And finally she sends her home with a blue coffer, which turns out to be full of money. This present excites the cupidity of her stepmother, who sends her own daughter to the Baba Yaga’s, hoping that she will bring back a similar treasure. The Baba Yaga gives the same orders as before to the new-comer, but that conceited young person fails to carry them out. She cannot make the bones burn, nor the sieve hold water, but when the sparrow offers its advice she only boxes its ears.

And when the “rats, frogs, and all manner of vermin,” enter the bath-room, “she crushed half of them to death,” says the story; “the rest ran home, and complained about her to their mother.” And so the Baba Yaga, when she dismisses her, gives her a red coffer instead of a blue one. Out of it, when it is opened, issues fire, which consumes both her and her mother.[181]