Hidden Symbolism of Alchemy and the Occult Arts

“Paracelsus, the monarch of Arcana, says that the stars as well as the light of grace, nowhere work more willingly than in a fasting, pure, and free heart. As it is naturally true that the coarse sand and ashes cannot be illumined by the sun, so the sun of righteousness cannot illumine the old Adam. It is then that the sand and ashes [the old Adam] are melted in the [Symbol: fire] [of the [Symbol: cross]] again and again, that a pure glass [a newborn man] is made of it; so the [Symbol: gold/sol] can easily shoot its rays into and through it and therefore illumine it and reveal the wonder of its wisdom. So man must be recast in [Symbol: cross] [Symbol: fire] [cross-fire], so that the rays of both lights can penetrate him; otherwise no one will become a wise man.” (P. 96 ff.)

Beautiful expositions of alchemy that readily make [pg 172] manifest the mystical content are found also in the English theosophists Pordage and his followers, in particular Jane Leade (both 17th century). Their language is clearer and more lucid than Jacob Boehme's. Many passages appropriate to this topic might be here cited; but as I shall later take up Leade more fully, I quote only one passage from Pordage (Sophia, p. 23):

“Accordingly and so that I should arrive at a fundamental and complete cleansing from all tares and earthiness ... I gave over my will entirely to its [wisdom's] fiery smelting furnace as to a fire of purification, till all my vain and chaff-like desires and the tares of earthly lust had been burnt away as by fire, and all my iron, tin and dross had been entirely melted in this furnace, so that I appeared in spirit as a pure gold, and could see a new heaven and a new earth created and formed within me.”