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Primitive culture, vol. 1 (of 2)

CHAPTER VIII. MYTHOLOGY.

Project Gutenberg EPUB3 edition Tylor, Edward B. (Edward Burnett)
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Of the classic accounts, one of the most remarkable is Petronius Arbiter’s story of the transformation of a ‘versipellis’ or ‘turnskin;’ this contains the episode of the wolf being wounded and the man who wore its shape found with a similar wound, an idea not sufficiently proved to belong originally to the lower races, but which becomes a familiar feature in European stories of werewolves and witches. In Augustine’s time magicians were persuading their dupes that by means of herbs they could turn them to wolves, and the use of salve for this purpose is mentioned at a comparatively modern date. Old Scandinavian sagas have their werewolf warriors, and shape-changers (hamramr) raging in fits of furious madness. The Danes still know a man who is a werewolf by his eyebrows meeting, and thus resembling a butterfly, the familiar type of the soul, ready to fly off and enter some other body. In the last year of the Swedish war with Russia, the people of Kalmar said the wolves which overran the land were transformed Swedish prisoners. From Herodotus’ legend of the Neuri who turned every year for a few days to wolves, we follow the idea on Slavonic ground to where Livonian sorcerers bathe yearly in a river and turn for twelve days to wolves; and widespread Slavonic superstition still declares that the wolves that sometimes in bitter winters dare to attack men, are themselves ‘wilkolak,’ men bewitched into wolf’s shape.
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The modern Greeks instead of the classic λυκάνθρωπος adopt the Slavonic term βρύκολακας (Bulgarian ‘vrkolak’); it is a man who falls into a cataleptic state, while his soul enters a wolf and goes ravening for blood. Modern Germany, especially in the north, still keeps up the stories of wolf-girdles, and in December you must not ‘talk of the wolf’ by name, lest the werewolves hear you. Our English word ‘werewolf,’ that is ‘man-wolf’ (the ‘verevulf’ of Cnut’s Laws), still reminds us of the old belief in our own country, and if it has had for centuries but little place in English folklore, this has been not so much for lack of superstition, as of wolves. To instance the survival of the idea, transferred to another animal, in the more modern witch-persecution, the following Scotch story may serve. Certain witches at Thurso for a long time tormented an honest fellow under the usual form of cats, till one night he put them to flight with his broad-sword, and cut off the leg of one less nimble than the rest; taking it up, to his amazement he found it to be a woman’s leg, and next morning he discovered the old hag its owner with but one leg left. In France the creature has what is historically the same name as our ‘werewolf;’ viz. in early forms ‘gerulphus,’ ‘garoul,’ and now pleonastically ‘loup-garou.’ The parliament of Franche-Comté made a law in 1573 to expel the werewolves; in 1598 the werewolf of Angers gave evidence of his hands and feet turning to wolf’s claws; in 1603, in the case of Jean Grenier, the judge declared lycanthropy to be an insane delusion, not a crime.
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In 1658, a French satirical description of a magician could still give the following perfect account of the witch-werewolf: ‘I teach the witches to take the form of wolves and eat children, and when anyone has cut off one of their legs (which proves to be a man’s arm) I forsake them when they are discovered, and leave them in the power of justice.’ Even in our own day the idea has by no means died out of the French peasant’s mind. Not ten years ago in France, Mr. Baring-Gould found it impossible to get a guide after dark across a wild place haunted by a loup-garou, an incident which led him afterwards to write his ‘Book of Werewolves,’ a monograph of this remarkable combination of myth and madness.[417]
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If we judged the myths of early ages by the unaided power of our modern fancy, we might be left unable to account for their immense effect on the life and belief of mankind. But by the study of such evidence as this, it becomes possible to realize a usual state of the imagination among ancient and savage peoples, intermediate between the conditions of a healthy prosaic modern citizen and of a raving fanatic or a patient in a fever-ward. A poet of our own day has still much in common with the minds of uncultured tribes in the mythologic stage of thought. The rude man’s imaginations may be narrow, crude, and repulsive, while the poet’s more conscious fictions may be highly wrought into shapes of fresh artistic beauty, but both share in that sense of the reality of ideas, which fortunately or unfortunately modern education has proved so powerful to destroy. The change of meaning of a single word will tell the history of this transition, ranging from primæval to modern thought. From first to last, the processes of phantasy have been at work; but where the savage could see phantasms, the civilized man has come to amuse himself with fancies.

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Primitive culture, vol. 1 (of 2), Project Gutenberg eBook #70458

CHAPTER VII. THE ART OF COUNTING. CHAPTER IX. MYTHOLOGY (continued).