Plato and the Other Companions of Sokrates, 3rd ed. Volume 1

To these various improbabilities we may add another — that Schleiermacher’s hypothesis requires us to admit that the Phædrus is Plato’s earliest dialogue, composed about 406 B.C., when he was 21 years of age, on my computation, and certainly not more than 23: that it is the first outburst of the inspiration which Sokrates had imparted to him,47 and that it embodies, though in a dim and poetical form, the lineaments of that philosophical system which he worked out during the ensuing half century. That Plato at this early age should have conceived so vast a system — that he should have imbibed it from Sokrates, who enunciated no system, and abounded in the anti-systematic negative — that he should have been inspired to write the Phædrus (with its abundant veins, dithyrambic,48 erotic, and transcendental) by the conversation of Sokrates, which exhibited acute dialectic combined with practical sagacity, but neither poetic fervour nor transcendental fancy, — in all this hypothesis of Schleiermacher, there is nothing but an aggravation of improbabilities.

Against such improbabilities (partly external partly internal) Schleiermacher has nothing to set except internal reasons: that is, when he shall have arranged the dialogues and explained the interdependence as well as the special place of each, the arrangement will impress itself upon all as being the intentional work of Plato himself.49 But these “internal reasons” (innere Gründe), which are to serve as constructive evidence (in the absence of positive declarations) of Plato’s purpose, fail to produce upon other minds the effect which Schleiermacher demands. If we follow them as stated in his Introductions (prefixed to the successive Platonic dialogues), we find a number of approximations and comparisons, often just and ingenious, but always inconclusive for his point: proving, at the very best, what Plato’s intention may possibly have been — yet subject to be countervailed by other “internal reasons” equally specious, tending to different conclusions. And the various opponents of Schleiermacher prove just as much and no more, each on behalf of his own mode of arrangement, by the like constructive evidence — appeal to “internal reasons”. But the insufficient character of these “internal reasons” is more fatal to Schleiermacher than to any of his opponents: because his fundamental hypothesis — while it is the most ambitious of all and would be the most important, if it could be proved — is at the same time burdened with the strongest antecedent improbability, and requires the amplest proof to make it at all admissible.

Dr. Munk undertakes the same large problem as Schleiermacher. He assumes the Platonic dialogues to have been composed upon a preconceived system, beginning when Plato opened his school, about 41 years of age. This has somewhat less antecedent improbability than the supposition that Plato conceived his system at 21 or 23 years of age. But it is just as much destitute of positive support. That Plato intended his dialogues to form a fixed series, exhibiting the successive gradations of his philosophical system — that he farther intended this series to coincide with a string of artistic portraits, representing Sokrates in the ascending march from youth to old age, so that the characteristic feature which marks the place and time of each dialogue, is to be found in the age which it assigns to Sokrates — these are positions for the proof of which we are referred to “internal reasons”; but which the dialogues do not even suggest, much less sanction.

In many dialogues, the age assigned to Sokrates is a circumstance neither distinctly brought out, nor telling on the debate. It is true that in the Parmenidês he is noted as young, and is made to conduct himself with the deference of youth, receiving hints and admonitions from the respected veteran of Elea. So too in the Protagoras, he is characterised as young, but chiefly in contrast with the extreme and pronounced old age of the Sophist Protagoras: he does not conduct himself like a youth, nor exhibit any of that really youthful or deferential spirit which we find in the Parmenidês; on the contrary, he stands forward as the rival, cross-examiner, and conqueror of the ancient Sophist. On the contrary, in the Euthydêmus,50 Sokrates is announced as old; though that dialogue is indisputably very analogous to the Protagoras, both of them being placed by Munk in the earliest of his three groups. Moreover in the Lysis also, Sokrates appears as old; — here Munk escapes from the difficulty by setting aside the dialogue as a youthful composition, not included in the consecutive Sokratic Cycle.51 What is there to justify the belief, that the Sokrates depicted in the Phædrus (which dialogue has been affirmed by Schieiermacher and Ast, besides some ancient critics, to exhibit decided marks of juvenility) is older than the Sokrates of the Symposion? or that Sokrates in the Philêbus and Republic is older than in the Kratylus or Gorgias?

It is true that the dialogues Theætêtus and Euthyphron are both represented as held a little before the death of Sokrates, after the indictment of Melêtus against him had already been preferred. This is a part of the hypothetical situation, in which the dialogists are brought into company. But there is nothing in the two dialogues themselves (or in the Menon, which Munk places in the same category) to betoken that Sokrates is old. Holiness, in the Euthyphron — Knowledge, in the Theætêtus — is canvassed and debated just as Temperance and Courage are debated in the Charmidês and Lachês. Munk lays it down that Sokrates appears as a Martyr for Truth in the Euthyphron, Menon, and Theætêtus and as a Combatant for Truth in the Lachês, Charmidês, Euthydêmus, &c. But the two groups of dialogues, when compared with each other, will not be found to warrant this distinctive appellation. In the Apologia, Kriton, and Phædon, it may be said with propriety that Sokrates is represented as a martyr for truth: in all three he appears not merely as a talker, but as a personal agent: but this is not true of the other dialogues which Munk places in his third group.

I cannot therefore accede to this “natural arrangement of the Platonic dialogues,” assumed to have been intended by Plato, and founded upon the progress of Sokrates as he stands exhibited in each, from youth to age — which Munk has proposed in his recent ingenious volume. It is interesting to be made acquainted with that order of the Platonic dialogues which any critical student conceives to be the “natural order”. But in respect to Munk as well as to Schleiermacher, I must remark that if Plato had conceived and predetermined the dialogues, so as to be read in one natural peremptory order, he would never have left that order so dubious and imperceptible, as to be first divined by critics of the nineteenth century, and understood by them too in several different ways. If there were any peremptory and intentional sequence, we may reasonably presume that Plato would have made it as clearly understood as he has determined the sequence of the ten books of his Republic.

The principle of arrangement proposed by K. F. Hermann (approved also by Steinhart and Susemihl) is not open to the same antecedent objection. Not admitting any preconceived, methodical, intentional, system, nor the maintenance of one and the same successive philosophical point of view throughout — Hermann supposes that the dialogues as successively composed represent successive phases of Plato’s philosophical development and variations in his point of view. Hermann farther considers that these variations may be assigned and accounted for: first pure Sokratism, next the modifications experienced from Plato’s intercourse with the Megaric philosophers, — then the influence derived from Kyrênê and Egypt — subsequently that from the Pythagoreans in Italy — and so forth. The first portion of this hypothesis, taken generally, is very reasonable and probable. But when, after assuming that there must have been determining changes in Plato’s own mind, we proceed to inquire what these were, and whence they arose, we find a sad lack of evidence for the answer to the question. We neither know the order in which the dialogues were composed, — nor the date when Plato first began to compose, — nor the primitive philosophical mind which his earliest dialogues represented, — nor the order of those subsequent modifications which his views underwent.

We are informed, indeed, that Plato went from Athens to visit Megara, Kyrênê, Egypt, Italy; but the extent or kind of influence which he experienced in each, we do not know at all.52 I think it a reasonable presumption that the points which Plato had in common with Sokrates were most preponderant in the mind of Plato immediately after the death of his master: and that other trains of thought gradually became more and more intermingled as the recollection of his master became more distant. There is also a presumption that the longer, more elaborate, and more transcendental dialogues (among which must be ranked the Phædrus), were composed in the full maturity of Plato’s age and intellect: the shorter and less finished may have been composed either then or earlier in his life. Here are two presumptions, plausible enough when stated generally, yet too vague to justify any special inferences: the rather, if we may believe the statement of Dionysius, that Plato continued to “comb and curl his dialogues until he was eighty years of age”.53

If we compare K. F. Hermann with Schleiermacher, we see that Hermann has amended his position by abandoning Schleiermacher’s gratuitous hypothesis, of a preconceived Platonic system with a canonical order of the dialogues adapted to that system — and by admitting only a chronological order of composition, each dialogue being generated by the state of Plato’s mind at the time when it was composed. This, taken generally, is indisputable. If we perfectly knew Plato’s biography and the circumstances around him, we should be able to determine which dialogues were first, second, and third, &c., and what circumstances or mental dispositions occasioned the successive composition of those which followed. But can we do this with our present scanty information? I think not. Hermann, while abandoning the hypothesis of Schleiermacher, has still accepted the large conditions of the problem first drawn up by Schleiermacher, and has undertaken to decide the real order of the dialogues, together with the special occasion and the phase of Platonic development corresponding to each. Herein, I think, he has failed.

It is, indeed, natural that critics should form some impression as to earlier and later in the dialogues. But though there are some peculiar cases in which such impression acquires much force, I conceive that in almost all cases it is to a high degree uncertain. Several dialogues proclaim themselves as subsequent to the death of Sokrates. We know from internal allusions that the Theætêtus must have been composed after 394 B.C., the Menexenus after 387 B.C., and the Symposion after 385 B.C. We are sure, by Aristotle’s testimony, that the Leges were written at a later period than the Republic; Plutarch also states that the Leges were composed during the old age of Plato, and this statement, accepted by most modern critics, appears to me trustworthy.54 The Sophistês proclaims itself as a second meeting, by mutual agreement, of the same persons who had conversed in the Theætêtus, with the addition of a new companion, the Eleatic stranger. But we must remark that the subject of the Theætêtus, though left unsettled at the close of that dialogue, is not resumed in the Sophistês: in which last, moreover, Sokrates acts only a subordinate part, while the Eleatic stranger, who did not appear in the Theætêtus, is here put forward as the prominent questioner or expositor. So too, the Politikus offers itself as a third of the same triplet: with this difference, that while the Eleatic stranger continues as the questioner, a new respondent appears in the person of Sokrates Junior.

The Politikus is not a resumption of the same subject as the Sophistês, but a second application of the same method (the method of logical division and subdivision) to a different subject. Plato speaks also as if he contemplated a third application of the same method — the Philosophus: which, so far as we know, was never realised. Again, the Timæus presents itself as a sequel to the Republic, and the Kritias as a sequel to the Timæus: a fourth, the Hermokrates, being apparently announced, as about to follow — but not having been composed.

Here then are two groups of three each (we might call them Trilogies, and if the intended fourth had been realised, Tetralogies), indicated by Plato himself. A certain relative chronological order is here doubtless evident: the Sophistês must have been composed after the Theætêtus and before the Politikus, the Timæus after the Republic and before the Kritias. But this is all that we can infer: for it does not follow that the sequence must have been immediate in point of time: there may have been a considerable interval between the three forming the so-called Trilogy.55 We may add, that neither in the Theætêtus nor in the Republic, do we find indication that either of them is intended as the first of a Trilogy: the marks proving an intended Trilogy are only found in the second and third of the series.

While even the relative chronology of the dialogues is thus faintly marked in the case of a few, and left to fallible conjecture in the remainder — the positive chronology, or the exact year of composition, is not directly marked in the case of any one. Moreover, at the very outset of the enquiry, we have to ask, At what period of life did Plato begin to publish his dialogues? Did he publish any of them during the lifetime of Sokrates? and if so, which? Or does the earliest of them date from a time after the death of Sokrates?

Amidst the many dissentient views of the Platonic critics, it is remarkable that they are nearly unanimous in their mode of answering this question.56 Most of them declare without hesitation, that Plato published several before the death of Sokrates — that is, before he was 28 years of age — though they do not all agree in determining which these dialogues were. I do not perceive that they produce any external proofs of the least value. Most of them disbelieve (though Stallbaum and Hermann believe) the anecdote about Sokrates and his criticism on the dialogue Lysis.57 In spite of their unanimity, I cannot but adopt the opposite conclusion. It appears to me that Plato composed no Sokratic dialogues during the lifetime of Sokrates.