FOOTNOTES (continued 3)
Project Gutenberg EPUB3 edition
Babur, Emperor of Hindustan and Beveridge, Annette Susannah
Source notes
[1162] Opinions differ as to the character of this work:—Bābur’s is uncompromising; von Hammer (p. 369) describes it as “ein romantisches Gedicht, welches eine sentimentale Männerliebe behandelt”; Sprenger (p. 427), as a mystical mas̤nawī (poem); Rieu finds no spiritual symbolism in it and condemns it (Pers. Cat. p. 656 and, quoting the above passage of Bābur, p. 1090); Ethé, who has translated it, takes it to be mystical and symbolic (I.O. Cat. p. 783).
[1163] Of four writers using the pen-name Ahlī (Of-the-people), viz. those of Turān, Shīrāz, Tarshīz (in Khurāsān), and ‘Irāq, the one noticed here seems to be he of Tarshīz. Ahlī of Tarshīz was the son of a locally-known pious father and became a Superintendent of the Mint; Bābur’s ‘āmī may refer to Ahlī’s first patrons, tanners and shoe-makers by writing for whom he earned his living (Sprenger, p. 319). Erskine read 'ummī, meaning that Ahlī could neither read nor write; de Courteille that he was un homme du commun.
[1164] He was an occasional poet (Ḥ.S. iii, 350 and iv, 118; Rieu’s Pers. Cat. p. 531; Ethé’s I.O. Cat. p. 428).
[1165] Ustād Kamālu’d-dīn Bih-zād (well-born; Ḥ.S. iii, 350). Work of his is reproduced in Dr. Martin’s Painting and Painters of Persia of 1913 AD.
[1166] This sentence is not in the Elph. MS.
[1167] Perhaps he could reproduce tunes heard and say where heard.
[1168] M. Belin quotes quatrains exchanged by ‘Alī-sher and this man (J. Asiatique xvii, 199).
[1169]i.e. from his own camp to Bābā Ilāhī.
[1170] f. 121 has a fuller quotation. On the dual succession, see T.R. p. 196.
[1171] Elph. MS. f. 144; W.-i-B. I.O. 215 f. 148b and 217 f. 125b; Mems. p. 199.
[1172] News of Ḥusain’s death in 911 AH. (f. 163b) did not reach Bābur till 912 AH. (f. 184b).
[1173] Lone-meadow (f. 195b). Jahāngīr will have come over the ‘Irāq-pass, Bābur’s baggage-convoy, by Shibr-tū. Cf. T. R. p. 199 for Bābur and Jahāngīr at this time.
[1174] Servant-of-the-mace; but perhaps, Qilinj-chāq, swords-man.
[1175] One of four, a fourth. Chār-yak may be a component of the name of the well-known place, n. of Kābul, “Chārikār”; but also the Chār in it may be Hindūstānī and refer to the permits-to-pass after tolls paid, given to caravans halted there for taxation. Raverty writes it Chārlākār.
[1176] Amongst the disruptions of the time was that of the Khānate of Qībchāq (Erskine).
[1177] The nearest approach to kipkī we have found in Dictionaries is kupaki, which comes close to the Russian copeck. Erskine notes that the casbeké is an oval copper coin (Tavernier, p. 121); and that a tūmān is a myriad (10,000). Cf. Manucci (Irvine), i, 78 and iv, 417 note; Chardin iv, 278.
[1178] Muḥarram 912 AH.-June 1506 AD. (Ḥ.S. iii, 353).
[1179] I take Murgh-āb here to be the fortified place at the crossing of the river by the main n.e. road; Bābur when in Dara-i-bām was on a tributary of the Murgh-āb. Khwānd-amīr records that the information of his approach was hailed in the Mīrzās’ camp as good news (Ḥ.S. iii, 354).
[1180] Bābur gives the Mīrzās precedence by age, ignoring Muz̤affar’s position as joint-ruler.
[1181]mubālgha qīldī; perhaps he laid stress on their excuse; perhaps did more than was ceremonially incumbent on him.
[1182]‘irq, to which estrade answers in its sense of a carpet on which stands a raised seat.
[1183] Perhaps it was a recess, resembling a gate-way (W.-i-B. I.O. 215 f. 151 and 217 f. 127b). The impression conveyed by Bābur’s words here to the artist who in B.M. Or. 3714, has depicted the scene, is that there was a vestibule opening into the tent by a door and that the Mīrzā sat near that door. It must be said however that the illustration does not closely follow the text, in some known details.
[1184]shīra, fruit-syrups, sherbets. Bābur’s word for wine is chāghīr (q.v. index) and this reception being public, wine could hardly have been offered in Sunnī Herī. Bābur’s strictures can apply to the vessels of precious metal he mentions, these being forbidden to Musalmāns; from his reference to the Tūra it would appear to repeat the same injunctions. Bābur broke up such vessels before the battle of Kanwāha (f. 315). Shāh-i-jahān did the same; when sent by his father Jahāngīr to reconquer the Deccan (1030 AH.-1621 AD.) he asked permission to follow the example of his ancestor Bābur, renounced wine, poured his stock into the Chaṃbal, broke up his cups and gave the fragments to the poor (‘Amal-i-ṣāliḥ, Hughes’ Dict. of Islām quoting the Hidāyah and Mishkāt, s.nn. Drinkables, Drinking-vessels, and Gold; Lane’s Modern Egyptians p. 125 n.).
[1185] This may be the Rabāt̤-i-sanghī of some maps, on a near road between the “Forty-daughters” and Harāt; or Bābur may have gone out of his direct way to visit Rabāt̤-i-sang-bast, a renowned halting place at the Carfax of the Herī-T̤ūs and Nishāpūr-Mashhad roads, built by one Arslān Jazāla who lies buried near, and rebuilt with great magnificence by ‘Alī-sher Nawā’i (Daulat-shāh, Browne, p. 176).
[1186] The wording here is confusing to those lacking family details. The paternal-aunt begīms can be Pāyanda-sult̤ān (named), Khadīja-sult̤ān, Apāq-sult̤ān, and Fakhr-jahān Begīms, all daughters of Abū-sa‘īd. The Apāq Begīm named above (also on f. 168b q.v.) does not now seem to me to be Abū-sa‘īd’s daughter (Gul-badan, trs. Bio. App.).
[1187]yūkūnmāī. Unless all copies I have seen reproduce a primary clerical mistake of Bābur’s, the change of salutation indicated by there being no kneeling with Apāq Begīm, points to a nuance of etiquette. Of the verb yūkūnmāk it may be noted that it both describes the ceremonious attitude of intercourse, i.e. kneeling and sitting back on both heels (Shaw), and also the kneeling on meeting. From Bābur’s phrase Begīm bīla yūkūnūb [having kneeled with], it appears that each of those meeting made the genuflection; I have not found the phrase used of other meetings; it is not the one used when a junior or a man of less degree meets a senior or superior in rank (e.g. Khusrau and Bābur f. 123, or Bābur and Badī‘u’z-zamān f. 186).
[1188] Musalmāns employ a set of readers who succeed one another in reading (reciting) the Qorān at the tombs of their men of eminence. This reading is sometimes continued day and night. The readers are paid by the rent of lands or other funds assigned for the purpose (Erskine).
[1189] A suspicion that Khadīja put poison in Jahāngīr’s wine may refer to this occasion (T.R. p. 199).
[1190] These are jharokha-i-darsān, windows or balconies from which a ruler shews himself to the people.
[1191] Mas‘ūd was then blind.
[1192] Bābur first drank wine not earlier than 917 AH. (f. 49 and note), therefore when nearing 30.
[1193]aīchkīlār, French, intérieur.
[1194] The obscure passage following here is discussed in Appendix I, On the weeping-willows of f. 190b.
[1195] Here this may well be a gold-embroidered garment.
[1196] This, the tomb of Khwāja ‘Abdu’l-lāh Anṣari (d. 481 AH.) stands some 2m. north of Herī. Bābur mentions one of its numerous attendants of his day, Kamālu’d-dīn Ḥusain Gāzur-gāhī. Mohan Lall describes it as he saw it in 1831; says the original name of the locality was Kār-zār-gāh, place-of-battle; and, as perhaps his most interesting detail, mentions that Jalālu’d-dīn Rūmī’s Maṣnawī was recited every morning near the tomb and that people fainted during the invocation (Travels in the Panj-āb etc. p. 252). Colonel Yate has described the tomb as he saw it some 50 years later (JASB 1887); and explains the name Gāzur-gāh (lit. bleaching-place) by the following words of an inscription there found; “His tomb (Anṣarī’s) is a washing-place (gāzur-gāh) wherein the cloud of the Divine forgiveness washes white the black records of men” (p. 88 and p. 102).
[1197]juāz-i-kaghazlār (f. 47b and note).
[1198] The Ḥabību’s-siyār and Ḥai. MS. write this name with medial “round hā”; this allows it to be Kahad-stān, a running-place, race-course. Khwānd-amīr and Daulat-shāh call it a meadow (aūlāng); the latter speaks of a feast as held there; it was Shaibānī’s head-quarters when he took Harāt.
[1199]var. Khatīra; either an enclosure (qūrūq?) or a fine and lofty building.
[1200] This may have been a usual halting-place on a journey (safar) north. It was built by Ḥusain Bāī-qarā, overlooked hills and fields covered with arghwān (f. 137b) and seems once to have been a Paradise (Mohan Lall, p. 256).
[1201] Jāmī’s tomb was in the ‘Īd-gah of Herī (Ḥ.S. ii, 337), which appears to be the Muṣalla (Praying-place) demolished by Amīr ‘Abdu’r-raḥmān in the 19th century. Col. Yate was shewn a tomb in the Muṣalla said to be Jāmī’s and agreeing in the age, 81, given on it, with Jāmī’s at death, but he found a crux in the inscription (pp. 99, 106).