Library

The Iliad of Homer Translated into English Blank Verse by...

FOOTNOTES

Project Gutenberg EPUB3 edition Homer, Southey, Robert, and Cowper, William
Open passage
Some suppose that alphabetical writing was unknown in the Homeric age, and consequently that these signs must have been hieroglyphical marks. The question is a difficult one, and the most distinguished scholars are divided in opinion. We can hardly imagine that a poem of the length and general excellence of the Iliad, could be composed without the aid of writing; and yet, we are told, there are well-authenticated examples of such works being preserved and handed down by traditional memory. However this may be, we know that the Oriental nations were in possession of the art of alphabetical writing it a very early period, and before the Trojan war. It cannot, then, seem very improbable, that the authors of the Iliad should also have been acquainted with it.—Felton.
Open passage
The Solymi were an ancient nation inhabiting the mountainous parts of Asia Minor, between Lycia and Pisidia. Pliny mentions them as having become extinct in his time.
Open passage
It was the custom in ancient times, upon the performance of any signal service by kings or great men, for the public to grant them a tract of land as a reward. When Sarpedon, in the 12th Book, exhorts Glaucus to behave valiantly, he reminds him of these possessions granted by his countrymen.
Open passage
The laws of hospitality were considered so sacred, that a friendship contracted under their observance was preferred to the ties of consanguinity and alliance, and regarded as obligatory even to the third and fourth generation. Diomede and Glaucus here became friends, on the ground of their grandfathers having been mutual guests. The presents made on these occasions were preserved by families, as it was considered obligatory to transmit them as memorials to their children.
Open passage
[Ξεινοι πατρωιοι.]
Open passage
The Scæan gate opened to the field of battle, and was the one through which the Trojans made their excursions. Close to this stood the beech tree sacred to Jupiter, and often mentioned in connection with it.
Open passage
There is a mournfulness in the interview between the hero and his mother which is deeply interesting. Her urging him to take wine and his refusal were natural and simple incidents, which heighten the effect of the scene.—Felton.
Open passage
The custom that prohibits persons polluted with blood from performing any offices of divine worship before purification, is so ancient and universal, that it may be considered a precept of natural religion, tending to inspire a horror of bloodshed. In Euripides, Iphigenia argues the impossibility of human sacrifices being acceptable to the gods, since they do not permit any one defiled with blood, or even polluted with the touch of a dead body, to come near their altars.
Open passage
Paris surprised the King of Phœnecia by night, and carried off many of his treasures and captives, among whom probably were these Sidonian women. Tyre and Sidon were famous for works in gold, embroidery, etc., and for whatever pertained to magnificence and luxury.
Open passage
This gesture is the only one described by Homer as being used by the ancients in their invocations of the gods.
Open passage
The employment in which Hector finds Paris engaged, is extremely characteristic.—Felton.
Open passage
This address of Helen is in fine keeping with her character.—Felton.
Open passage
[The bulk of his heroes is a circumstance of which Homer frequently reminds us by the use of the word μεγας—and which ought, therefore, by no means to be suppressed.—Tr.]
Open passage
Love of his country is a prominent characteristic of Hector, and is here beautifully displayed in his discharging the duties that the public welfare required, before seeking his wife and child. Then finding that she had gone to the tower, he retraces his steps to “the Scæan gate, whence he must seek the field.” Here his wife, on her return home, accidentally meets him.
Open passage
[The name signifies, the Chief of the city.—Tr.]
Open passage
It was the custom to plant about tombs only such trees as elms, alders, etc., that bear no fruit, as being most appropriate to the dead.
Open passage
In this recapitulation, Homer acquaints us with some of the great achievements of Achilles, which preceded the opening of the poem—a happy manner of exalting his hero, and exciting our expectation as to what he is yet to accomplish. His greatest enemies never upbraid him, but confess his glory. When Apollo encourages the Trojans to fight, it is by telling them Achilles fights no more. When Juno animates the Greeks, she reminds them how their enemies fear Achilles; and when Andromache trembles for Hector, it is with the remembrance of his resistless force.
Open passage
Drawing water was considered the most servile employment.
Open passage
[The Scholiast in Villoisson calls it φυσικον τινα και μετριον γελωτα a natural and moderate laughter.—Tr.]
Open passage
According to the ancient belief, the fatal period of life is appointed to all men at the time of their birth, which no precaution can avoid and no danger hasten.
Open passage
This scene, for true and unaffected pathos, delicate touches of nature, and a profound knowledge of the human heart, has rarely been equalled, and never surpassed, among all the efforts of genius during the three thousand years that have gone by since it was conceived and composed.—Felton.
Open passage
Holding the spear in this manner was, in ancient warfare, understood as a signal to discontinue the fight.
Open passage
The challenge of Hector and the consternation of the Greeks, presents much the same scene as the challenge of Goliath, 1 Samuel, ch. 17: “And he stood and cried to the armies of Israel;—Choose you a man for you, and let him come down to me. If he be able to fight with me, and to kill me, then will we be your servants.—When Saul and all Israel heard the words of the Philistine, they were dismayed and greatly afraid.”
Open passage
It was an ancient custom for warriors to dedicate trophies of this kind to the temples of their tutelary deities.
Open passage
[It is a word used by Dryden.]
Open passage
Homer refers every thing, even the chance of the lots, to the disposition of the gods.
Open passage
The lot was merely a piece of wood or shell, or any thing of the kind that was at hand. Probably it had some private mark, and not the name, as it was only recognized by the owner.
Open passage
This reply is supposed to allude to some gesture made by Ajax in approaching Hector.
Open passage
The heralds were considered as sacred persons, the delegates of Mercury, and inviolable by the laws of nations. Ancient history furnishes examples of the severity exercised upon those who were guilty of any outrage upon them. Their office was, to assist in the sacrifices and councils, to proclaim war or peace, to command silence at ceremonies or single combats, to part the combatants and declare the conqueror.
Open passage
This word I have taken leave to coin. The Latins have both substantive and adjective. Purpura—Purpureus. We make purple serve both uses; but it seems a poverty to which we have no need to submit, at least in poetry.—Tr.
Open passage
A particular mark of honor and respect, as this part of the victim belonged to the king. In the simplicity of the times, the reward offered a victorious warrior of the best portion of the sacrifice at supper, a more capacious bowl, or an upper seat at table, was a recompense for the greatest actions. It is worthy of observation, that beef, mutton, or kid, was the food of the heroes of Homer and the patriarchs and warriors of the Old Testament. Fishing and fowling were then the arts of more luxurious nations.
Open passage
[The word is here used in the Latin sense of it. Virgil, describing the entertainment given by Evander to the Trojans, says that he regaled them
Open passage
Perpetui tergo bovis et lustralibus extis.
Open passage
It means, the whole.—Tr.]

Source attribution

The Iliad of Homer Translated into English Blank Verse by William Cowper, Project Gutenberg eBook #16452

BOOK XXIV. (continued 1)