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The Crown of Wild Olive also Munera Pulveris;...

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[118] I shall be obliged in future lectures, as hitherto in my other writings, to use the terms, Idolatry and Imagination in a more comprehensive sense; but here I use them for convenience sake, limitedly, to avoid the continual occurrence of the terms, noble and ignoble, or false and true, with reference to modes of conception.
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[119] "And in sum, he himself (Prometheus) was the master-maker, and Athena worked together with him, breathing into the clay, and caused the moulded things to have soul (psyche) in them."—Lucian, Prometheus.
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[120] His relations with the two great Titans, Themis and Mnemosyne, belong to another group of myths. The father of Athena is the lower and nearer physical Zeus, from whom Metis, the mother of Athena, long withdraws and disguises herself.
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[121] The Latin verses are of later date; the contemporary plain prose retains the Venetian gutturals and aspirates.
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[122] The best modern illustrated scientific works show perfect faculty of representing monkeys, lizards, and insects; absolute incapability of representing either a man, a horse, or a lion.

Source attribution

The Crown of Wild Olive also Munera Pulveris; Pre-Raphaelitism; Aratra Pentelici; The Ethics of the Dust; Fiction, Fair and Foul; The Elements of Drawing, Project Gutenberg eBook #26716

FOOTNOTES: (continued 4) November, 1870.