CHAPTER III. SIGHT.

Project Gutenberg EPUB3 edition James, William
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Color-mixture.—Physiologically considered, the colors have this peculiarity, that many pairs of them, when they impress the retina together, produce the sensation of white. The colors which do this are called complementaries. Such are spectral red and green-blue, spectral yellow and indigo-blue. Green and purple, again, are complementaries. All the spectral colors added together also make white light, such as we daily experience in the sunshine. Furthermore, both homogeneous ether-waves and heterogeneous ones may make us feel the same color, when they fall on our retina. Thus yellow, which is a simple spectral color, is also felt when green light is added to red; blue is felt when violet and green lights are mixed. Purple, which is not a spectral color at all, results when the waves either of red and of violet or those of blue and of orange are superposed.[15]
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From all this it follows that there is no particular congruence between our system of color-sensations and the physical stimuli which excite them. Each color-feeling is a 'specific energy' (p. 11) which many different physical causes may arouse. Helmholtz, Hering, and others have sought to simplify the tangle of the facts, by physiological hypotheses which, differing much in detail, agree in principle, since they all postulate a limited number of elementary retinal processes to which, when excited singly, certain 'fundamental' colors severally correspond. When excited in combination, as they may be by the most various physical stimuli, other colors, called 'secondary,' are felt. The secondary color-sensations are often spoken of as if they were compounded of the primary sensations. This is a great mistake. The sensations as such are not compounded—yellow, for example, a secondary on Helmholtz's theory, is as unique a quality of feeling as the primaries red and green, which are said to 'compose' it. What are compounded are merely the elementary retinal processes. These, according to their combination, produce diverse results on the brain, and thence the secondary colors result immediately in consciousness. The 'color-theories' are thus physiological, not psychological, hypotheses, and for more information concerning them the reader must consult the physiological books.
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The Duration of Luminous Sensations.—"This is greater than that of the stimulus, a fact taken advantage of in making fireworks: an ascending rocket produces the sensation of a trail of light extending far behind the position of the bright part of the rocket itself at the moment, because the sensation aroused by it in a lower part of its course still persists. So, shooting stars appear to have luminous tails behind them. By rotating rapidly before the eye a disk with alternate white and black sectors we get for each point of the retina alternate stimulation (due to the passage of white sector) and rest (when a black sector is passing). If the rotation be rapid enough the sensation aroused is that of a uniform gray, such as would be produced if the white and black were mixed and spread evenly over the disk. In each revolution the eye gets as much light as if that were the case, and is unable to distinguish that this light is made up of separate portions reaching it at intervals: the stimulation due to each lasts until the next begins, and so all are fused together. If one turns out suddenly the gas in a room containing no other light, the image of the flame persists a short time after the flame itself is extinguished."[16] If we open our eyes instantaneously upon a scene, and then shroud them in complete darkness, it will be as if we saw the scene in ghostly light through the dark screen. We can read off details in it which were unnoticed whilst the eyes were open. This is the primary positive after-image, so-called.
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According to Helmholtz, one third of a second is the most favorable length of exposure to the light for producing it.
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Negative after-images are due to more complex conditions, in which fatigue of the retina is usually supposed to play the chief part.

Source attribution

Psychology: Briefer Course, Project Gutenberg eBook #55262

CHAPTER II. SENSATION IN GENERAL. Before CHAPTER IV. HEARING.[18]