The magic of jewels and charms

The precious stone mentioned in the earliest biblical reference, Gen. ii, 12, and there translated onyx, is rendered chrysoprase in the Septuagint version, and is by others referred to the emerald on the ground that the land of Havilah, where it is there said to occur, is thought to have been a part of what was later called Scythia, and as such would include the emerald region of the Urals. But the ancient emeralds are now known to have come largely from Upper Egypt, and such vague conjectures are of little use in determining what stone was really meant in this most ancient allusion. Professor Haupt has even suggested that we might translate the Hebrew word shoham used in this passage by “pearl,” since he conjectures that one of the four “rivers” surrounding the land of Havilah was the Persian Gulf.

For all attempted identifications of the stones mentioned in the Old Testament, we are principally dependent upon the Greek version of the Seventy. As this was made in the Alexandrian period, not far from the time of Theophrastus, whose work on gems we shall presently mention, the names at that time adopted by the Greek translators may be regarded as fairly correct equivalents of the Hebrew. The difficulty lies more in the translation of the classical names into the English, and arises largely from the unscientific nomenclature of the ancients; the same name being employed for stones that resemble each other to the eye, but which are now well distinguished by chemical and physical differences formerly unknown.

There are some traces in the Bible of the use of precious stones as amulets. In Proverbs xvii, 8, we read that “a gift is like a precious stone in the eyes of the owner; whithersoever he turneth he prospereth.” This passage is rendered somewhat differently in the Authorized Version, but the above translation is evidently more correct. The stones of the breastplate were of course amulets in a certain sense, and possibly oracles also, and it is therefore quite probable that the Hebrews shared in the belief common to all the peoples around them, although opposition of the orthodox to all magical practices prevented them from going into particulars in regard to such superstitious fancies.

In support of his theory that the Urim and Thummim of the Hebrew high-priest signified the stones of the breastplate worn on the sacred ephod, and should be rendered “perfectly brilliant,” Bellermann cites the passage in Ezekiel (chap, xxviii, verse 14), where he writes of “fiery stones” in treating of the royal splendors of the ruler of the great commercial city of Tyre. As to the oracular utterances of the high-priest when, clad in the ephod and wearing the glittering breastplate, he sought for the counsel of the Almighty, this author rejects the idea that the divine will was revealed by changes in the brilliancy of the stones, by casting of lots, or by a mysterious use of the ineffable name, the Tetragrammaton, J h w h (Jahweh), but believes that the answer to the questions was communicated to the high-priest by an inner voice, an inspiration similar to that vouchsafed to the great prophets of Israel.[509]

A curious analogy to the use by Christians of fragments supposed to have come from the True Cross as amulets, was the employment by the Talmudic Jews of chips from an idol or from something that had been offered to an idol, for the same purpose. It is needless to say that this was severely condemned by the Rabbis.

It is interesting to note the statements of Arab historians that the mummy of Cheops, the Pharaoh of the Great Pyramid, was decorated with a pectoral of precious stones. As the regal and priestly functions were united in the monarch, we may have here the first form of the high-priest’s breastplate.

In a stone sarcophagus was a green stone statue of a man, like an emerald, containing a human body, covered with a sheet of fine gold ornamented with a great quantity of precious stones; on the breast was a priceless sword, on the head a ruby as large as a hen’s egg, brilliant as a flame. I have seen the statue which contained the body; it was near the palace of Fôstat.

One saw beneath the summit of the pyramid a chamber with a hollow prison, in which was a statue of stone enclosing the body of a man, who had on the breast a pectoral of gold enriched by fine stones, and a sword of inestimable price, on the head a carbuncle the size of an egg, brilliant as the sun, on which were characters no man could read.

In the opinion of Mariette Bey these details are so circumstantial as to leave little doubt that the mummy of Cheops was found by Mamoun, but he believes that the body was covered with a gilt wrapper and that the stones were paste imitations. The ruby was probably the “uræus,” the sacred asp, emblem of royalty, and the wonderful sword may have been a sceptre or a poniard similar to those found in tombs of the eleventh dynasty and in that of Queen Aah-Hotep; the statue of green serpentine often occurs in later tombs. Should this view be correct, precious stones were imitated in glass at a very remote period.[510]

An exceedingly fine specimen of ancient Egyptian goldsmith’s work, now in the Louvre Museum, Paris, is a pendant terminating in a bull’s head, each of the horns being tipped with a little ball. Above the double reins are four rondelles, one of gold, two of a material still undetermined, and one of lapis lazuli; the different parts of the pendant are connected by gold wire. Its most interesting and attractive feature, however, is a polished hexagonal amethyst, engraved on both faces. In each case the form of a priest is figured; in one he appears with his official staff or wand, and in the other he is represented as bearing an incense-burner and offering the mineral and vegetable sacrifices; an Oriental pearl is set above the engraved amethyst. The religious and sacrificial significance of this ornament, coupled with the costliness of the materials and the superior excellence of the workmanship, make it likely that we have here an amulet or talisman made for some Egyptian of very high rank.[511]

St. Jerome (346?–420 A.D.), in his commentary on Isaiah (liv, 11, 12), alludes to the verses of Ezekiel describing the glories of the King of Tyre and the precious stones with which he was adorned. Evidently Jerome believed that this passage was to be taken symbolically, for he asks:

Who could have so little judgment and intelligence as to think that any Prince of Tyre whatever should be set in the Paradise of God, and have his place among the Cherubim, or could fancy that he dwelt with the glowing stones, which we should without doubt understand as the angels and the celestial virtues.[512]

It would be both curious and interesting if we could trace a connection between the significance of the names of the Hebrew tribes and those of the breastplate gems assigned to the tribes. In ancient times names were much more significant than they are to-day, and the tribal names in particular possessed for the Hebrews a symbolic meaning, but this does not appear to have induced any marked tendency to connect the colors or the symbolic meanings of the different stones with the fame, or with the characteristics or fortunes of the several tribes. On the other hand, the foundation stones, as symbols of the Apostles, became a favorite theme with the early Christian writers. Possibly the neglect of ancient Hebrew writers to perform a similar task in connection with the breastplate stones might still be made good, even at this late date, and an effort in this direction might result in giving a wider range to the symbolic value of certain well-known gems.

The name Reuben signifies “Behold a Son,” and this has been given a Messianic meaning by some commentators. In Jacob’s enigmatic blessing, “excellency of dignity” and “excellency of power” are attributed to Reuben, but this birthright is taken from him because of a heinous sin he has committed. Still we might see in the carnelian, the gem of Reuben, a symbol of “dignity” and “power.”

Simeon has been variously rendered “Hearing” or “Hearkener.” The blessing accuses him of an act of cruelty in which he was aided by his brother Levi. To the peridot, or chrysolite, dedicated to Simeon, could be appropriately assigned the meaning “good tidings.”

The priestly functions of the tribe of Levi are expressed by the name itself which means “attached” or “joined,” that is, to the altar. Hence in the emerald we should see the symbol of “dedication” or “ministration,” in addition to its other and better known meanings, such as “hope,” “faith,” and “resurrection.”

For the tribe of Judah we have the ruby, and here the meaning of the name, “praised,” fits in well with the dignity of the rare and glowing ruby. This noble gem has always been a favorite adornment for royal crowns and from Judah sprang the royalty of Israel. The blessing given to this tribe declares that “the sceptre shall not depart from Judah, nor a lawgiver from between his feet, until Shiloh come.” This is often taken to signify the consummation of the Kingdom of Israel in the Kingdom of Heaven.

Issachar, signifying “reward,” or “the rewarded,” suggests as symbolic meanings of the tribal stone lapis lazuli, “success” and “fruition.” This stone, the sapphire of the ancients, was typical of heaven, probably owing to the appearance of the specimens most highly valued in olden times, those in which a number of golden spots are scattered over the blue surface of the stone, which thus figure both the blue of heaven and the hosts of the stars.

The tribal name Zebulon signifies “exaltation,” and to this tribe is assigned a dwelling-place by the sea bordering on the domains of the rich Phenician seaport, Sidon. We could thus see in the gem of Zebulon, the onyx, a symbol of dominion and authority. This could serve to offset some of the old superstitions regarding the onyx, which was sometimes charged with bringing discord and dissension.

Of the tribe Joseph, we are told that it was to be increased, and this meaning is contained in the name itself, which is rendered: “May God add.” To Joseph were promised “blessings of heaven above,” and “blessings of the deep that lieth under.” The sapphire, probably the tribal stone of Joseph, was known in ancient times by the name hyacinth and was a stone of good omen, bringing increase of health and wealth; therefore its significance as a tribal gem does not differ essentially from the traditional one.

CHINESE JADE AMULETS FOR THE DEAD Figs. 1a and b, pair of eye-protecting amulets; Fig. 2, presumably eye-amulets; Fig. 3, eye-amulet with design of fish; Figs 4–7, lip amulets, 4 and 7 in shape of fish; Figs. 8–9, amulets in the shape of monsters. From “Jade,” by Berthold Laufer. By courtesy of the author and Field Museum of Natural History, Chicago.

Benjamin signifies “son of the right hand,” hence this name denotes strength and power. This meaning accords well with what is said in Jacob’s blessing: “Benjamin shall raven as a wolf; in the morning he shall devour the prey and at night he shall divide the spoil.” The banded agate symbolizing this tribe would have the meaning “strength” and “mastery”; indeed, according to other sources the agate was reputed to bring victory to the wearer.

Dan is the “judge” among the tribes, according to the meaning of the name. In Jacob’s blessing Dan is said to be “a serpent by the way,” and “an adder in the path.” These metaphors, which may not strike us as commendatory of the tribe, probably indicated the craft and courage of the tribesmen in attacking and defeating their foes, and enriching themselves with the spoils of war. The amethyst, as the tribal stone of Dan, could thus signify both “judgment” and “craft.”

To the tribe of Gad was given the beryl, and the fact that spheres made from this stone were believed to be best adapted for use in crystal-gazing makes it an especially appropriate gem for the tribe of “good fortune,” this being the most probable signification of the name “Gad,” although in the Bible the interpretation “a troop,” is given. The beryl would therefore signify “good luck” and perhaps also “coöperation.”

The twelfth and last tribe, Asher, has the jasper for its gem. This would also gain an auspicious significance from its association with Asher, which means “happy.” To the other meanings assigned to jasper might be added that of “happiness.” As we have elsewhere remarked, there seems good reason to suppose that jade was frequently designated jasper in ancient times, and this stone was everywhere believed to possess wonderful magic powers.

The jasper[513] as an emblem of strength and fortitude is noted by St. Jerome in his commentary on Isaiah (liv, 11, 12), where he writes that the bulwarks or walls of the Holy City were strengthened by jasper. These bulwarks served “to overthrow and refute every proud attack against the knowledge of God, and to subject falsehood to truth. Whoever, therefore, is most convincing in debate and best fortified with texts of Holy Scripture is a bulwark of the Church.”[514] Jerome also alludes to the variety of jasper called grammatias, because of the peculiar markings, suggesting letters of the alphabet. This was believed to possess great talismanic virtue, especially in putting to flight phantoms and apparitions, since the markings were thought to signify some potent spell, written on the stone by nature’s hand. Of another kind of jasper, “white as snow or sea-foam,”[515] and having reddish stains, we are told that it symbolizes the spiritual graces, which preserve those endowed with them from vain terrors; and the learned Father quotes as descriptive of this stone the words of Solomon’s Song (v, 10): “My beloved is white and ruddy.”[516]

Writing of the sapphire (lapis lazuli), one of the foundation stones of the Holy City, St. Jerome likens it to heaven and to the air above us, adding, somewhat fancifully, that we might apply to the sapphire the words of Socrates in the “Clouds” of Aristophanes: “I walk upon air and look down upon the Sun.” Turning then to Holy Scripture, Jerome notes the well-known passage in Ezekiel (i, 26) where the Throne of God is said to have “the appearance of a sapphire stone,” and finds in this text a proof that blue denoted the glory of God.[517] The ingenuity of the ancient commentators in finding hidden meanings in the simplest things is well shown by the assertion of Thomas de Cantimpré that St. John placed the emerald fourth in the list of foundation stones, because the four evangelists are constant in their praise of chastity.[518]

Certain gems and stones have a definite relation and appropriateness to the various religious holidays and festivals. Notable among these is the rhodonite, a silicate of magnesia, named from the Greek word rhodon, “a rose,” because of its beautiful rose-pink hue. This is found more especially in the Ural Mountains, and in Massachusetts, but in a number of other places as well. In the Ural Mountains one single mass was so immense that ninety horses were needed to move the 22–ton weight a distance of thirty miles to the Imperial Lapidary Works at Ekaterineburg; here the material was cut up into smaller masses to be finally worked up in the Imperial Lapidary Works at Peterhof into a sarcophagus and tomb for the Emperor Nicholas I.

This stone is a great favorite in Russia, and is frequently cut into egg-shaped ornaments, either in the form of a simple egg, or of one with a halo and a moonstone effect at one end. It may well be termed the “Easter Stone.” For those unable to afford such an egg-shaped piece of rhodonite, a yellow fibrous gypsum or satinspar cut into a similar form may be substituted. Jade cut in the same way is also sometimes favored, as well as many varieties of rock-crystal.

In marked contrast with the joyful festival of Easter stands the most solemn day of the Christian year, Good Friday, and for this day also we have a singularly appropriate stone, the variety of jasper known as the bloodstone. Here the red markings can be regarded as symbolical of the blood of Our Lord, shed for the salvation of mankind in the supreme sacrifice of the Passion. When the head of the Christ is cut in this stone it is often possible to utilize the red spots to figure the drops of blood flowing from the wounds inflicted by the Crown of Thorns.

With the glad tidings of Christmas Day is intimately associated the memory of the Star of Bethlehem, which served as a beacon light to guide the three wise men of the East to the humble manger wherein reposed the newly-born Saviour of the World. Hence for this great Christian festival no gem can equal the star-sapphire, combining as it does the pure sapphire-hue, always looked upon as symbolic of the highest moral, spiritual, and religious sentiments, and the mysterious moving star, which, shifting its apparent place with the slightest movement of the stone, seems endowed with a wonderful independent life, just as the phenomenal star of Bethlehem, unlike the fixed and changeless stars of the firmament, glided through the heavenly expanse, by a miraculous motion, due indeed to some supernatural law, but differing in kind and degree from all the usual, every-day aspects of nature.

The symbolism of precious stones presented in so many different ways by the early ecclesiastical writers appears in the prayer offered by the Archbishop of Canterbury at the coronation of the kings and queens of England. While the king kneels upon a footstool, the archbishop takes St. Edward’s Crown and lays it upon the altar; whereupon he pronounces the following words:

O, God, the crown of the faithful, who on the heads of Thy saints placed crowns of glory, bless and sanctify this crown, that as the same is adorned with divers precious stones, so this Thy servant, wearing it, may be replenished of Thy grace, with the manifold gifts of all precious virtues, through the King eternal, Thy Son our Lord. Amen.”[519]

In a tractate “Of the Crown of the Virgin,” ascribed to Saint Ildefonso (607–669), the writer describes this wondrous gold crown as adorned with twelve precious stones, six splendid stars, and six beautiful and fragrant flowers, thus uniting the fairest treasures of earth and sky in honor of the Queen of Heaven.[520]

The gems, stars and flowers are given in the following order: Topaz, Sirius, sard, lily, chalcedony, Arcturus, sapphire, crocus, agate, the evening star, jasper, the rose, carbuncle, the Sun, emerald, the violet, amethyst, the Moon, chrysolite, sun-flower, chrysoprase, Orion, beryl, camomile. “That thus,” the writer concludes, “with precious stones, radiant luminaries, and fair flowers, a splendid crown may be ennobled, beautified and adorned, and may be the more willingly and gladly accepted by Our Lady.”

In a private collection in Smyrna there is a black hematite engraved somewhat in the style of an Abraxas gem; and certainly not Christian. On it is represented a galloping horseman, beneath whose steed is a crouching man; above the rider’s head appears a star. The reverse bears the inscription: σφραγίς θεοῦ, “seal of God.” In contrast with this is an intaglio carnelian of the Munich Royal Collection, with the figures of the Virgin Mary and the Infant Jesus, and the Greek words ἡ ἐικὼν τῆς ἁγίας Μαρίας, “the image of the Holy Mary.” This is one of the best examples of Byzantine work in gem-cutting.[521]

One of the very curious cases of the employment of a purely secular Roman gem for ecclesiastical uses is offered by the exceedingly beautiful convex blue aquamarine engraved with the head of Julia, daughter of Titus, a fine work of the Augustan Age, now in the French Cabinet des Médailles in Paris. This was donated in the ninth century by the Carolingian emperor, Charles the Bald, to the Treasury of St. Denis, after it had been given a setting of pearls and precious stones. In St. Denis it was placed at the apex of a reliquary, which became known as the Oratorium of Charlemagne, and the head of the vain and worldly princess is said to have been venerated by the pious monks and priests as that of the Virgin Mary. As a work of portrait art this gem is one of the finest examples from classic times.[522]