Mythology among the Hebrews and Its Historical Development

The very distinctness and clearness with which it has been found possible to invest the conception and interpretation of Samson as a hero of heathen mythology, proves the justice and certainty of such an interpretation. And the justice of the mythical conception of Samson’s deeds may be demonstrated also by another consideration. The difference between Samson’s position and that of the other Judges makes it obvious enough that his history is mere legend through and through. All the other Judges, Barak, Gideon, Jephthah, fight at the head either of a large force or of a small and picked company: Samson always appears alone, and beats hundreds and thousands alone, and this too without arms. If the other Judges receive Divine apparitions by which they are impelled to action for the deliverance of their people, yet they act with perfectly human forces and means, in human fashion: Samson acts with supernatural force, and is a miracle from beginning to end. In spite of this, Samson’s action is not only destitute of any proper result, but also—what is more significant and far worse—devoid of even the consciousness of any aim, devoid of plan or idea. He—Samson the Nazirite consecrated to God!—looks for wives and mistresses among his own and his people’s enemies.[841] He teases, irritates, injures his enemies, and kills many of them. But there appears nowhere the consciousness of any mission which he had to fulfil for the good of his native land against his enemies. He is inspired by no idea of Jahveh, driven forward by no impatience of a shameful yoke.

He is roused only by pleasures of the senses and the caprice of insolence. Samson is utterly immoral. He is exactly an old heathen god, and therefore immoral, like all idols. Idols must be so, for they are only personifications of the forces and occurrences of nature; now nature as such is indifferent towards morality, and consequently, though not moral, still not immoral either; but when the mechanical force of nature is pictured as a person, and removed into the conditions of ethical life, it cannot but appear absolutely immoral. This is what all heathendom does, that of Greece not excepted.[842]

If, on the one hand, Samson wants all the qualities necessary to an historical hero, he is on the other, viewed from the esthetic point, a most admirable phenomenon, quite unique in Hebrew literature. It is really wonderful with what tact, and what firm and delicate esthetic feeling, the gigantic, Herculean, Samson is delineated in the Hebrew legend. His behaviour evinces nothing uncouth or vulgar, a fault from which even the Greek Herakles is not free. Herakles, though adored as a god, has to put up with being scorned and derided for his greediness; he is a standing character in the Greek comedy, and a butt against which all jests are levelled. Samson, on the contrary, is himself the jester and scoffer, who adds the jest of insult to the injury he does his enemies. A native merriness encircles him; and in the very hour of death, at his self-prepared destruction, he maintains his humour, which here assumes a sarcastic tone.

We have now to take in hand two more considerations of a general character, which will determine the true import of the preceding detached ones and set them on a firm basis. We must first enquire: What means the above demonstrated accordance of the Hebrew legend with the legends of other nations?—what is to be inferred from it? The answer to this will assign the cause of the accordance. And then the field for the development of the legend of Samson in the popular mind, and the connexion of the legend with the progress of religions life in the course of centuries, must be more fully discussed.