The Tribes and Castes of the Central Provinces of India,...

Bhānd, Bhānr.16—A small caste of story-tellers and buffoons. The name is derived from the Sanskrit Bhānda, a jester, and the caste are also known as Naqqāl or actor. Only a trifling number of Bhānds are shown by the census as belonging to the Central Provinces. Mr. Crooke remarks: “The Bhānd is sometimes employed in the courts of Rājas and native gentlemen of rank, where he amuses the company at entertainments with buffoonery and a burlesque of European and native manners, much of which is of a very coarse nature. The Bhānd is quite separate from and of a lower professional rank than the Bahrūpia. The bulk of the caste are Muhammadans, but they have exogamous sections, some of which, as Kaithela (Kāyasth), Bamhaniya (Brāhman), Gujartha (Gūjar), Nonela (Lunia), and so on, are derived from those of Hindu castes, and indicate that the caste is a heterogeneous community recruited from different sources. There are two recognised endogamous subcastes—the Chenr, which seems to mean little (Hindi, Chenra), and the Kashmīri. The former trace their origin to the time of Tamarlane, who, on the death of his son, gave himself over to mourning for twelve years. Then one Sayyid Hasan, a courtier of the Emperor, composed a humorous poem in Arabic, which gained him the title of Bhānr. Sayyid Hasan is regarded as the founder of the caste. Though he was a Sayyid the present Bhānrs are either Shaikhs or Mughals; and the difference of faith, Sunni and Shiah, is a bar to intermarriage.

The Kashmīri Bhānrs are said to be of quite recent origin, having been invited from Kashmīr by Nasīr-ud-Dīn Haidar, king of Oudh.” The Bhānds perform their marriages by the Nikāh form, in which a Kāzi officiates. In virtue of being Muhammadans they abstain from pork and liquor. Dr. Buchanan17 quaintly described them as “Impudent fellows, who make long faces, squeak like pigs, bark like dogs, and perform many other ludicrous feats. They also dance and sing, mimicking and turning into ridicule the dancing boys and girls, on whom they likewise pass many jokes, and are employed on great occasions.” The Bhānd, in fact, seems to correspond very nearly to the court jester of the Middle Ages.

Bhātia.—A commercial caste of Sind and Gujarāt, a few of whom settle temporarily in the Central Provinces. Sir D. Ibbetson writes of them:18 “The Bhātias are a class of Rājpūts, originally coming from Bhatner, Jaisalmer and the Rājpūtāna desert, who have taken to domestic pursuits. The name would seem to show that they were Bhātis (called Bhatti in the Punjab); but be that as it may, their Rājpūt origin seems to be unquestioned. They stand distinctly below the Khatri, and perhaps below the Arora, and are for the most part engaged in petty shopkeeping, though the Bhātias of Dera Ismail Khān are described as belonging to a widely-spread and enterprising mercantile community. They are very strict Hindus, far more so than the other trading classes of the western Punjab; and eschew meat and liquor. They do not practise widow-marriage.”

Mr. Crooke’s account19 leaves little doubt that the Bhātias are a branch of the Bhatti or Yāduvansi Rājpūts of Jaisalmer who have gone into trade; and Colonel Tod expresses the same view: “The Bhattiah is also one of the equestrian order converted into the commercial, and the exchange has been to his advantage. His habits are like those of the Arora, next to whom he ranks as to activity and wealth.”20 “The chief occupation of the Bhātias,” Mr. Crooke states, “is moneylending, and to this they add trade of all kinds, agriculture, landholding and Government service. Many of them go on expeditions to Arabia, Kābul, Bokhāra and other distant places of business. Many in Bombay carry on trade with Zanzibar, Java and the Malay Peninsula.”

Bhima.—A small caste belonging to the Mandla and Seoni Districts. They are musicians of the Gond tribe and dance and beg at their weddings. The caste are an offshoot of the Gonds, their exogamous septs having Gond names, as Marābi, Markām, Dhurwa, Parteti, Tekām and so on; but they now marry among themselves. They worship the Gond god, Bura Deo, their own elders serving as priests. At their performances the men play and dance, wearing hollow anklets of metal with little balls of iron inside to make them tinkle. The women are dressed like Hindu women and dance without ornaments. Their instrument is called Tūma or gourd. It consists of a hollow piece of bamboo fixed horizontally over a gourd. Over the bamboo a string is stretched secured to a peg at one end and passing over a bridge at the other. Little knobs of wax are made on the bamboo so that the string touches them during its vibrations. The gourd acts as a sounding-board.

Bhona.—A small caste of labourers in the Mandla District. They are practically all employed by the local Pansāris (Barai) or pān-growers in tending their barejas or betel-vine gardens. There is some ground for supposing that the Bhonas are an offshoot of the Bharia or Bharia-Bhumia tribe of Jubbulpore, which is itself derived from the Bhars. One of the sections of the Bhonas is named after the vulture, and at their weddings a man of this section catches a young chicken and bites off the head in imitation of a vulture.