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The magic of jewels and charms

X Facts and Fancies about Precious Stones

Project Gutenberg EPUB3 edition Kunz, George Frederick
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A strange poetic fancy regarding the transmutation of parts of the human form into gems of the sea appears in Ariel’s song in Shakespeare’s “Tempest”:
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Full fathom five thy father lies,
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Of his bones are coral made;
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Those are pearls that were his eyes,
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Nothing of him that doth fade
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But doth suffer a sea-change
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Into something rare and strange.
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Some natives of the Sulu Archipelago believe that the nautilus pearl is a most unlucky object to possess, for should a man engage in a fight while wearing such a pearl he would inevitably be killed. Hence, when a native by chance comes across one of them, he very quickly throws it away, as a probable bringer of ill-luck. Occasionally, however, such pearls fall into the hands of those who are less influenced by superstition, and one weighing 72 grains was given, in 1884, to an Australian gentleman, by Mohammed Beddreddin, brother-in-law of the Sultan of Sulu. This was a perfect, pear-shaped pearl of a creamy-white hue and somewhat translucent; it is composed of the porcelanous, not of the nacreous constituent of the shell.[683]
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East Indian Baroque pearl. Weight over 1700 grains, Holland, 1775.
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It has been stated that this Sulu superstition is not shared by the natives of Celebes Island, near Borneo, for here such pearls are kept as charms and talismans. One of an irregular pear-shape, weighing 27½ grains, has been found on the northern coast of the island.[684] The finding of a nautilus pearl by a Chinese woman in Borneo is noted by Rumphius, who describes it as being as large as a bean and white as a piece of alabaster, hard and bright, but of very irregular shape. The finder put it in a closed box, and was not a little surprised to discover when she opened the box after a time that the original pearl had engendered another one the size of a lentil; later it had two other, smaller offspring. The woman carefully treasured her find as a lucky stone which would bring her good fortune in her search for mussels. Rumphius shrewdly conjectures that the smaller concretions had broken off the larger one while it was enclosed in the box.[685]
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The well-known lines in Shakespeare’s “Othello”:
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Of one whose hand, like the base Judean’s,
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Cast away a pearl richer than all his tribe.
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have been explained in many different ways by the commentators, one of whom (Steevens) saw in them a reference to the following story current in Venice in the sixteenth century. A Jew, after long and perilous wanderings in the East, succeeded in bringing with him to Venice a great number of fine pearls. These he disposed of there at satisfactory prices, with the exception of one pearl of immense size and extraordinary beauty, upon which he set a price so high that no one was willing to pay it. Finally, the Jew invited all the leading gem-dealers to meet him on the Rialto, and when as many of them as answered his call had assembled, he once more, and for the last time, offered his peerless pearl for sale, detailing all its perfections in eloquent terms. However, he made no concession in the price, and the dealers unanimously refused to purchase it, probably expecting that the Jew would at last be forced to make a reduction, but to their amazement, instead of doing this, he threw his pearl before their very eyes into the waters of the canal, preferring rather to lose it than to cheapen it.[686]
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The belief that the growth of pearls in the pearl-oyster was due to rain-drops is perpetuated in the Arab proverb: “The rain of the month of Nisan brings forth pearls in the sea and wheat on the land.”[687] This spring month was, and is still, the period when pearl-fishing begins in the Orient. Another pearl proverb repeats the evangelical saying in this form: “Do not throw pearls under the feet of swine.”
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A Tonquinise legend of the origin of pearls represents them as springing from the blood of a young princess who was slain by the king, her father, because she had betrayed to her husband the secret of a magic bow, whose death-dealing arrows always flew to their mark. In his anger at his daughter’s act, the father drew his scimitar and beheaded her, but with her last breath she prayed that her blood might be turned to pearls. Her prayer was heard and now the finest pearls of this land are found in the waters about the place where she died.[688]
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From blue sapphires the color may be extracted so that they become white, in such sort that they excellently imitate the diamond, so well, indeed, that the fraud can only be detected by an expert jeweller. This art was known at an early period, and no doubt induced many writers to ascribe certain of the qualities of the diamond to the sapphire. As illustrating this, a Rabbinical author states that a certain man went to Rome to sell a sapphire. The purchaser said to him: “I will buy it provided I may first test it.” He placed it on an anvil and struck it with a hammer; the anvil was split and the hammer was broken to pieces but the stone remained in its place uninjured.[689]
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CLEOPATRA DISSOLVING HER PRICELESS PEARL AT THE BANQUET TO MARK ANTONY Tapestry. Eighteenth century.
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The virtues of the sapphire are enumerated at length by Bartolomæus Anglicus, the old scholastic philosopher, who flourished in the first half of the thirteenth century and taught theology in the famous University of Paris.[690] After noting the old dictum according to which the sapphire was the “gem of gems” and one worthy to adorn the fingers of kings, Bartolomæus proceeds to instruct his readers in regard to the wonderful curative powers of this beautiful gem. These appear always to be connected with its supposed calming and cooling influence. Thus it reduced the temperature in fevers and checked the flow of blood; for instance, if attached to the temples it stopped nose-bleed; if the heart were unduly excited, this agitation could be controlled by the power of the sapphire. Too profuse perspiration was also checked if a sapphire were worn. It shared with the diamond the virtue of reconciling discord. Its power as an antidote to poison was believed to be proved by an experiment in which a spider was placed in a box with a sapphire. After a short time the poor spider expired, done to death by the supreme virtue of the celestial stone. A like story was told by ancient writers in regard to the emerald. Of course, the chastening virtues of the sapphire are not forgotten, virtues which have caused it to be selected as especially appropriate for the rings of cardinals and high church dignitaries; this belief arose from the association of purity with the color of the heavens, the pure, unadulterated blue of the cloudless sky.
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One of the rarest and most beautiful of the corundum gems of Ceylon is locally known there by the name padparasham. It is of a most rare and delicate orange-pink hue, the various specimens showing many different blendings of the pink and orange. The significance of the Cinghalese name seems to be somewhat obscure, but a probable conjecture explains it to mean “hidden ray of light”; another etymology would see in the first syllable, pad, an abbreviation of padma, lotus, the petals of this flower often having a soft orange tint. In this case the meaning would be “hidden lotus,” as though the very color-essence of the flower were enclosed within and shone through the gem.[691]
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A Persian treatise on precious stones was composed by Mohammed Ben Mansur[692] in the thirteenth century of our era. This work was written for Sultan Abu Naçr Behadirchan, and consists of two divisions, the first treating of precious stones and the second of metals. It is interesting to note in this treatise the recognition of the essential likeness of the Oriental ruby, sapphire, topaz, etc.; these varieties of corundum are all grouped under the single designation “yakut.” Ben Mansur writes:[693]
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The yakut is six-fold: 1, the red; 2, the yellow; 3, the black; 4, the white; 5, the green or peacock-hued; 6, the blue or smoky-hued. Some divide the yakut into four classes: red, yellow, dark, and white, reckoning the peacock-hued and the blue among the dark. The yakut cuts all stones except carnelian and diamond.
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Although the Oriental carnelian is hard and difficult to cut or polish only popular prejudice accounts for this statement, as it falls far short of the diamond in hardness.
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Pseudo-Aristotle, writing some time from the seventh to the ninth century A.D., was the first to define clearly the three leading varieties of the corundum gems (yakut) as the same mineral substance, and differing only in color. These are the ruby, the Oriental topaz (jacinthus citrinus) and the sapphire. Instead of according different medicinal or talismanic virtues to these three precious stones, this writer states that each and all of them, when set in rings or worn suspended from the neck, protected the wearer from danger in epidemics, gave him the honor and good will of his fellow-men, and also the privilege of having his petitions accorded.[694]
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The great Athenian comic poet, Aristophanes (c. 448–c. 385), makes Strepsiades, one of his characters in the “Clouds,” assert to Socrates that he knows of a stone having the virtue of saving him from the payment of a claim of five talents, for which suit has been brought against him. This stone, called ὓαλος in Greek, was to be found in the stock of those who dealt in medicines; it was transparent and with it fire could be kindled. The philosopher, although he knows the stone well enough, fails to see how it could be made to help the defendant in a suit at law, and asks Streposiades what he proposes to do with it. The latter is not at a loss for an answer and declares that when the clerk proceeds to write down the charge on his waxen tablet, he, Streposiades, will hold the stone in the sun’s rays so that its beam of light will fall upon the tablet and melt the wax, thus quite literally “wiping out the charge.”[695]
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Rock-crystal was so highly prized in Roman times that one of the greatest treasures preserved in the Capitol was a mass of this stone, weighing fifty pounds, that had been dedicated by Livia, wife of Augustus Cæsar. Vessels of great size were also made from this material, one of the largest being a bowl owned by Lucius Verus, the colleague of Marcus Aurelius, the dimensions of which were so great that the stoutest toper of the time could not empty it at a single draught. If we can trust a statement of Mohammed Ben Mansur, the Arabs and Persians of a later age must have far surpassed the Romans in the size of their crystal vessels, for he says that a Mauritanian merchant owned a basin of rock-crystal within which four men could seat themselves at the same time. It is true that this basin was composed of two pieces of the material.[696]
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The Chinese word for crystal, ching, was originally represented by the symbol ; that is, three suns, an attempt to figure the refraction and dispersion of light by the crystal.[697] The soui che stone of the Chinese which is said to quench thirst if it be placed in the mouth, is almost certainly rock-crystal, for the Chinese, in common with the ancient Greeks and Romans, believed this substance to be a transformation of water, a kind of fossil ice. A similar power was attributed by Pliny to one of the varieties of agate.[698]
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Labrets of quartz are used in Central Africa and we have a very interesting description by M. A. Lacroix regarding these ornaments as worn by the natives of a part of the French possessions. In the land of the Bandas the natives highly prize a piece of rock-crystal so shaped that it can be introduced into the lower lip. This usage is confined to the basins of the Ombella, the Kemo and the Tomi, affluents of the Oubanghi.
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The following description of the labrets was communicated to M. Lacroix by M. Lucien Fourneau, Administrator of the Colonies:
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These objects, called baguérés, consist of hyaline quartz, perfectly transparent; they are very regularly cut, and measure from four to seven cm. (two to three inches) in length. Some have the form of a very elongated and pointed cone, without any protuberances, the greatest diameter being about one cm. (about half an inch); the others, thinner and sharper, have at the base a rim destined to hold them in place; in all cases a pad of thread constituting a kind of permanent plug, assures and completes their stability. Some women wear as many as three of these singular ornaments, thrust, point downwards, into the same lip.
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The most regular quartz crystals are selected, and these are chipped off and roughly shaped by blows struck with a hard substance; the quartz is then set in a wooden handle, and the final shaping and polishing are accomplished by friction upon a round slab of quartzite or sandstone. These slabs show grooves along which the crystals have been rubbed. On an average the time required is four or five days of five hours. The completed ornament is valued at nine pounds of red wood worth about $1.20; sometimes one can be secured for three chickens, worth sixty cents.[699] Those who cannot afford quartz labrets substitute wood, glass, or pewter. M. Lacroix draws our attention to the fact that a study of the processes employed in shaping and polishing these pieces of quartz is of great importance for the elucidation of the methods in use during the Stone Age.[700]
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A nose-jewel from the New Hebrides consists of a crystal of hyaline quartz reduced to a cylindrical form, one extremity having been pointed, while the other retains the natural faces of the crystal. This was passed through the septum of the nose, and was most likely worn as an amulet.[701]
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Rock-crystal has been used extensively in the past year with ornaments of ribbon-like or plaque-like effects. Sometimes all the parts are made into the exact shape of a bowknot, with a bordering of platinum and diamonds, or of platinum and diamonds with a calibre-cut onyx; that is, the rock-crystal material is cut into minute square or oblong stones, which are run into double triangular edges that hold them. The crystals are dulled, and frequently have the appearance of moonstones. At times, indeed, moonstones are used in their place. Sometimes these panels, or bits and pieces of rock-crystal, are drilled, diamonds set in platinum are inserted into the drill-holes, and the ornament is engraved in classic designs of Watteau-like effects.
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The origin of Burmese rubies is thus explained in a Burmese legend current in the region of the Ruby Mines. According to this legend, in the first century of our era three eggs were laid by a female naga, or serpent; out of the first was born Pyusawti, a king of Pagan; out of the second came an Emperor of China, and out of the third were emitted the rubies of the Ruby Mines.[702]
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Dealing in precious stones was by no means an unusual occupation in Europe more than four hundred years ago, as is shown by the fact that a certain Peter, one of the secret agents of Perkin Warbeck, a pretender to the throne of England in Henry VIII’s reign, was called in the secret correspondence of the conspirators, “The Merchant of the Ruby.” Such dealers frequently travelled from place to place, and usually offered their wares to princes and nobles; hence the statement in a letter that the Merchant of the Ruby “was not able to sell his wares in Flaunders” might not seem suspicious if the letter were intercepted and read, although the meaning was that the emissary had been unable to obtain succor in Flanders for the cause of the pretender.[703] Probably this designation also contained a covert allusion to the Red Rose of York, for Perkin Warbeck gave himself out to be Richard, Duke of York.
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A sixteenth-century traveller, the Portuguese Duarte Barbosa, after saying that “the rubies grow in India,” proceeds to state that those of finest quality and greatest value were for the most part gathered in a river called Pegu and were named nir puce by the Malabars. As a test of their fineness, the Hindus would touch them with the tip of the tongue, the coldest (densest) being the best. When a superior ruby was thus picked out, the examiner would attach a little wax to its finest point, and so pick it up and look through it against a bright light; by this means any blemish would immediately become apparent. These rubies came not only from the river of Pegu but from other parts of the land of the same name, often being discovered in deep mountain clefts. However, they were not cut and polished in that country, but were merely cleaned and sent for cutting to “Palecote and the country of Narsynga.”[704]
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The balas-ruby (originally a spinel from Badakshan) was one of the most admired precious stones in medieval times, before the diamond was helped to its proud preëminence by having its beauties revealed through the exercise of the diamond-cutters’ skill. Almost all the large “rubies” of which we read, those of Europe at least, were balas-rubies, as were also by far the greater part of the so-called rubies in Oriental royal collections of that and later times. The great Italian poet Dante uses this stone (balascio) as a symbol of the glowing radiance of divine joy in the following lines from the Divina Commedia (Paradiso, ix, 67–69):
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L’altra letizia, che m’era già nota
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Preclara cosa, mi si fece in vista

Source attribution

The magic of jewels and charms, Project Gutenberg eBook #66583

IX Amulets of Primitive Peoples and of Modern Times Index