CHAPTER XVII INSCRIPTIONS ON GREEK VASES (continued 1)
Project Gutenberg EPUB3 edition
Walters, H. B. (Henry Beauchamp) and Birch, Samuel
Source notes
2142. Bibl. Nat. 372 = Reinach, i. 92.
2143. Bibl. Nat. 846 = Klein, Lieblingsinschr.2 p. 129.
2144. Hartwig, Meistersch. p. 320; Dümmler in Berl. Phil. Woch. 1888, p. 20; Kretschmer, p. 81.
2145. Ar. Thesm. 1084–1225.
2146. Kretschmer also hints that it seems to indicate the pronunciation of Φ by the Athenians as PH in “hap-hazard,” not as F.
2147. There are also isolated instances of ἔγραφε; Timonidas of Corinth, Pheidippos, Euthymides, and Aristophanes. See Klein, Meisters. p. 13.
2148. B.M. F 594.
2149. Gardner, Ashmolean Vases, No. 189, pl. 26: Εκεράμευσεν ἐμὲ Οἰκυφέλης. We are reminded of the jest about Chairestratos made by the comic poet Phrynichos, who speaks of “Chairestratos soberly pottering (κεραμεύων) at home” (Athen. xi. 474 B).
2150. See list at end of chapter, and Klein, op. cit. pp. 49, 213, 214.
2151. Munich 378 = Furtwaengler and Reichhold, pl. 14. See Vol. I. p. 428.
2152. Klein, Meistersig. p. 111.
2153. G 107: see Monuments Piot, ix. p. 33.
2154. Naples 3415.
2155. Munich 498 = Reinach, i. 215.
2156. Cat. 1152.
2157. Munich 380, 810 = Reinach, ii. 115, i. 363.
2158. Louvre E 852 = Reinach, i. 156.
2159. Reinach, ii. 292.
2160. E.g. B.M. F 62.
2161. See also Kretschmer, p. 84.
2162. E.g. B.M. B 164, B 254; Louvre F 297 = Reinach, ii. 26.
2163. Kretschmer, p. 85: see p 92.
2164. Munich 6: see Vol. I. p. 428, and Hoppin, Euthymides, p. 18.
2165. Monuments Piot, ix. pl. 2.
2166. Berlin 1737.
2167. Munich 333 = Reinach, ii. 119.
2168. Berlin 1704 = Reinach, i. 198; Vol. I. p. 326.
2169. Berlin 1732 = Reinach, ii. 66.
2170. Plate XXIII.: see Vol. I. p. 326.
2171. Bibl. Nat. 219.
2172. Louvre F 385 = Millingen, Anc. Uned. Mon. pl. 38.
2173. Reinach, ii. 49.
2174. Kretschmer, p. 86.
2175. Reinach, ii. 128.
2176. Kretschmer, pp. 86, 197.
2177. See Kretschmer, p. 86.
2178. Cat. 1158 = Ath. Mitth. 1884, pl. 1.
2179. Kretschmer, loc. cit.: cf. Bergk, Poet. lyr. Gr. iii.4 p. 97, frag. 23.
2180. See Hartwig, Meistersch. p. 255.
2181. Petersburg 1670. The Doric dialect is explained by Kretschmer as due to the Sicilian origin of the game.