II.—Dispersion of the Swastika. (continued 2)
Project Gutenberg EPUB3 edition
Wilson, Thomas
Fig. 201. SPEARHEAD WITH SWASTIKA (CROIX SWASTICALE) AND TRISKELION. Brandenburg, Germany. Waring, “Ceramic Art in Remote Ages,” pl. 44, fig. 21, and “Viking Age,” I, fig. 336.
The Swastika sign is on one of the three pottery vases found on Bishops Island, near Königswalde, on the right bank of the Oder, and on a vase from Reichersdorf, near Guben;[203] on a vase in the county of Lipto, Hungary,[204] and on pottery from the Cavern of Barathegy, Hungary.[205] Fig. 201 represents a spearhead of iron from Brandenburg, North Germany. It bears the mark of the Swastika with the ends turned to the left, all being at right angles, the ends ornamented with three dots recalling Zmigrodzki’s Croix swasticale (figs. 12 and 13). By the side of this Swastika is a triskelion, or three-armed ogee sign, with its ends also decorated with the same three dots.
What relation there is between all these marks or signs and others similar to them, but separated by great distances of both time and space, it would be mere speculation to divine.
M. E. Chantre reports his investigations in certain Halstattien cemeteries in Italy and Austria.[206] At San Margarethen, on the road between Rudolfswerth and Kronau, Bavaria, he encountered a group of tumuli. Many objects of the “bel age du bronze” were found; among others, a bronze pin (fig. 202) with a short stem, but large, square, flat head, was found, with a normal Swastika engraved with small dots, pointillé, such as has been seen in Italy, Austria, and Armenia.
Fig. 202. BRONZE PIN WITH SWASTIKA, POINTILLÉ, FROM MOUND IN BAVARIA. Chantre, Matériaux pour l’Histoire Primitive et Naturelle de l’Homme, 1854, pp. 14, 120.
Belgium.—The Museum of Namur, Belgium, possesses a small object of bone, both points of which have been broken; its use is somewhat indeterminable, but it is believed by the curator of that museum and others to have been an arrowhead or spearhead. In form it belongs to Class A of stemmed implements, is lozenge-shaped, without shoulder or barb. It is a little more than two inches long, five-eighths of an inch wide, is flat and thin. On one side it bears two oblique or St. Andrew’s crosses scratched in the bone; on the other, a figure resembling the Swastika. It is not the normal Swastika, but a variation therefrom. It is a cross about three-eighths of an inch square. The main stem lines cross each other at right angles; the ends of each of these arms are joined by two incised lines, which gives it the appearance of two turns to the right, but the junction is not well made, for the lines of the cross extend in every case slightly farther than the bent end. The variation from the normal Swastika consists of the variation produced by this second line. This object was lately found by M. Dupont, of Brussels, in the prehistoric cavern of Sinsin, near Namur. Most, or many, of these caverns belong to Paleolithic times, and one, the Grotte de Spy, has furnished the most celebrated specimens of the skeletons of Paleolithic man. But the cavern of Sinsin was determined, from the objects found therein, to belong to the Bronze Age.
Scandinavia.—The evidences of prehistoric culture have great resemblance throughout Denmark, Sweden, and Norway; so it is believed that during the prehistoric ages their peoples had the same culture, and the countries have been classed together as Scandinavia.
Fig. 203. RUNIC INSCRIPTION CONTAINING A SWASTIKA. Inlaid with silver on a bronze sword. Saebo, Norway.
Fig. 204a. SWASTIKA WITH DOTS. Torcello, Italy.
Fig. 204b. RUNIC INSCRIPTION ON SPEARHEAD. Torcello, Italy.
Du Chaillu, “Viking Age,” I, fig. 335.
Fig. 205. REDDING COMB WITH SWASTIKA. Scandinavia.
A bronze sword is reported by Mr. George Stephens[207] as having been found at Sæbo, Norway, with runes and a Swastika inlaid with silver. This specimen (fig. 203) was the subject of discussion before the International Congress of Anthropology and Prehistoric Archæology,[208] at Budapest, 1876. Its runes were translated by Stephens, and being read from right to left, “OH THURMUTH,” or “owns me Thurmuth.” But on the same page he gives another sign for Thu and renders as Odin or (W)oden. In the discussion before the congress it seems to have been agreed that the sign stood for “blessing,” “good luck,” or some beneficent charm or benediction. A spearhead has been for years displayed in the museum at Torcello, near Venice, Italy, with a Swastika sign (fig. 204a) prominent as an engraved sign.[209] Associated with it, but not a part of it, was an inscription (fig. 204b), which has always been attributed to the Etruscans. Mr. I. Undset, an archæologist in the museum of Christiania, made an extended visit through Italy in 1883, and on seeing this spearhead recognized the inscription as runic and belonging to Scandinavia. The arms of the Swastika turned to the left, and the ends were finished with three dots of the same style as those described employed in the Croix swasticale (fig. 12). Figs. 205 and 206 represent articles of dress or toilet, and bear the Swastika. The first shows a redding comb, the Swastika on which turns to the right. It was probably of bone or horn, as are those of modern times.
Fig. 206 shows a brooch, the interior decoration of which is a combination of Swastikas more or less interlaced. It is of bronze and was used as a dress ornament. Fig. 207 shows a large brooch, the bodies and bar of which are almost covered with the tetraskelion style of Swastika. There are six of the four-armed Swastikas, four of which turn to the left and two to the right. Another is a triskelion, the arms of which turn to the right.
Fig. 206. BRONZE BROOCH OR FIBULA WITH COMBINATION OF SWASTIKAS. Scandinavia.
Fig. 207. BRONZE BROOCH WITH SWASTIKAS. Tetraskelions (right and left), triskelion (left). Scandinavia.
Fig. 208. PLACQUE FOR CEINTURE, WITH BUCKLE. Two ogee Swastikas (tetraskelions).
In Scandinavia more than in other countries the Swastika took the form of a rectangular body with arms projecting from each corner and bending in a spiral form, sometimes to the right, sometimes to the left. These are found more frequently on fibulæ or brooches and on swords and scabbards. In fig. 208 is shown a placque for a ceinture or belt, with a buckle to receive the thong. It contains two ogee Swastikas (tetraskelions). In this and fig. 207 the border and accessory decoration consist largely of ogee curves, which, here represented separate, would, if placed together as a cross, form the same style of Swastika as those mentioned. Figs. 209 and 210 show sword scabbards, with Swastikas turned both ways. Fig. 211 shows two triskelions. Fig. 212 represents a gold brooch from a grave at Fyen, reported by Worsaae and figured by Waring.[210] The brooch with ogee Swastika bears internal evidence of Scandinavian workmanship. There are other Swastikas of the same general form and style in distant localities, and this specimen serves to emphasize the extent of possible communication between distant peoples in prehistoric times. Fig. 213 represents a piece of horse-gear of bronze, silver plated and ornamented with Swastikas. Two of these are normal, the ends bent at right angles to the left, while the other is fancifully made, the only specimen yet found of that pattern.[211] It is not seen that these fanciful additions serve any purpose other than decoration. They do not appear to have changed the symbolic meaning of the Swastika.
Fig. 214 represents a sword scabbard belonging to the Vimose find, with a normal Swastika. Ludwig Müller reproduces a Swastika cross from a runic stone in Sweden. In an ancient church in Denmark, the baptismal font is decorated with Swastikas, showing its use in early Christian times. (See p. 878 for continuation of Swastika on Scandinavian or Danish gold bracteates.)
Fig. 209. SCANDINAVIAN SWORD SCABBARD. Two ogee Swastikas (tetraskelions), right and left.
Fig. 210. SCANDINAVIAN SWORD SCABBARD. Ogee Swastika.
Fig. 211. SCANDINAVIAN SWORD SCABBARD. Two triskelions, right and left.
Fig. 212. GOLD BROOCH WITH OGEE SWASTIKA. Island of Fyen. Waring, “Ceramic Art in Remote Ages,” pl. 43, fig. 11.
Fig. 213. SCANDINAVIAN HORSE-GEAR. Silver plated on bronze. Waring, “Ceramic Art in Remote Ages,” pl. 44, fig. 16; Du Chaillu, “Viking Age,” I, fig. 379.
Mr. Paul du Chaillu, in his “Viking Age,” mentions many specimens of Scandinavian and Norse antiquities bearing Swastika marks of divers styles: Bronze vessels (vol. 1, p. 100, note 1); iron spear point with runes and Swastika inlaid with silver, discovered in a tumulus with burnt bones, Muncheburg, fig. 336; another of the same, Volhynia, Russia, fig. 337; pottery vessel containing burnt bones, pointed iron knife, bronze needle, and melted glass beads, Bornholm, fig. 210; iron spearhead, Vimose bog find, (p. 207); border of finely woven silk cloth with gold and silver threads, from a mound (vol. 2, p. 289, fig. 1150).
Scotland and Ireland.—Specimens of the Swastika have been found on the Ogam stones in Scotland and Ireland (p. 797). In the churchyard of Aglish, county Kerry, Ireland, stand two stones bearing Ogam inscriptions. At the top of one is an ancient Celtic cross inclosed in a circle similar to fig. 7; immediately under it are two Swastika marks of four arms crossing at right angles, each arm bent to the right also at right angles. On two corners of the stone are inscriptions of the usual Ogam characters. The translation may be given, but seems to be unimportant and without apparent bearing upon this question. They are somewhat obliterated and their reading difficult. So far as made out, they are as follows: Maqimaqa and Apiloggo.
Fig. 214. SCANDINAVIAN SWORD SCABBARD WITH NORMAL SWASTIKA. Vimose bog find.
Fig. 215. SCULPTURED STONE. Greek cross in circle, normal Swastika in square, and ogee Swastika in quatrefoil. Ireland.
Fig. 216. FRAGMENT OF THIN BRONZE REPOUSSÉ. Ogee Swastika. Ireland. Munro, “Lake Dwellings of Europe,” pl. 124, figs. 20-22.
Fig. 217. FRAGMENT OF THIN BRONZE. Triskelion. Ireland. Munro, “Lake Dwellings of Europe,” p. 384, pl. 124, figs. 20-22.
In Scotland, the Newton stone, in the grounds of the Newton House, bears an Ogam inscription, the meaning of which has no bearing upon the subject. But on the upper part of one of its faces appears an inscription, boldly and deeply incised, of forty-four characters arranged horizontally in six lines. These are of so remarkable a type as to have puzzled every philologist and paleographer who has attempted their decipherment. The late Alexander Thomson, esq., of Banchory, Scotland, circulated a photograph and description of this monument among antiquarians with a request for their decipherment of it. Various readings have been given by the learned gentlemen, who have reported it to be Hebrew, Phenician, Greek, Latin, Aryan, Irish, and Anglo-Saxon respectively. Brash[212] gives his opinion that the inscription is in debased Roman letters of a type frequently found in ancient inscriptions, its peculiarities being much influenced by the hardness of the stone at the time of cutting and of the subsequent weather wear of ages. The interest of this monument to us is that the third character in the fourth line is a Swastika. It is indifferently made, the lines do not cross at right angles, two of the ends are curved, and the two others bent at a wider than right angle. There are four characters in the line closely following each other, (see p. 797.)
The Logie stone, in Aberdeenshire, Scotland, bearing Ogam characters, contains a figure or mark reported by George M. Atkinson as a Swastika.[213]
On the Celtic crosses of Scotland certain marks appear which are elsewhere found associated with Swastika, and consequently have some relation therewith. The “Annam Stone” bears the mark of a Swastika (left) within three concentric circles, around the outside of which is a circle of dots.[214]
Fig. 218. BRONZE PIN WITH SMALL NORMAL SWASTIKA ON HEAD. Crannog of Lochlee, Tarbolton, Scotland. Munro, “Lake Dwellings of Europe,” p. 417.
Fig. 219. CARVED TRISKELION FOUND ON FRAGMENT OF ASH WOOD. Crannog of Lochlee, Tarbolton, Scotland. Munro, “Lake Dwellings of Europe,” p. 415.
Ludwig Müller reports the Swastika in Scotland and Ireland on Christian tombs, associated with Latin crosses.[215]
A sculptured stone in Ireland (fig. 215) shows on the face three varieties of the cross, a Greek cross in a circle, a Swastika with square ends turned to the right, within a rectangle, and an ogee (tetraskelion) turned to the right, inclosed in a quatrefoil.[216]
An Irish bowl showed a Swastika thus . Dr. R. Munro[217] reports from the Crannog of Lesnacroghera country, Antrim, Ireland, two pieces or disks of thin bronze, repoussés (fig. 216), bearing the sign of the Swastika and having the four arms of the spirals turned to the left. The similarity of this figure with those shown on the shields of the Pima Indians of New Mexico and Arizona (figs. 257 and 258) is to be remarked. Fig. 217 shows a triskelion of symmetric spirals turned to the right. In the Crannog of Lochlee, near Tarbolton, a bronze pin was found (fig. 218), the head of which was inclosed in a ring. On one side of the head was engraved a Greek cross, on the other was a normal Swastika turned to the right. The same crannog furnished a piece of ash wood five inches square, which had been preserved, as were all the other objects, by the peat, on which was carved a triskelion (fig. 219) after the form and style of those on the Missouri mound pottery.
GALLO ROMAN PERIOD.
France.—The employment of the Swastika in France did not cease with the Bronze or Iron ages, but continued into the occupation of Gaul by the Romans.